The Films of 2016


0074-snapshot-written

 

59.  That is the number of movies that I saw that Wikipedia says were released in 2016.  …I go hard in the paint.  Last week, I posted the video where I picked my best and worst 5 of the year (view it here on my YouTube channel), but many people might be wondering what I thought about the other 49 movies I watched this year.  Well wonder no more!  Now, if you have the balls and the stamina to read 10,558 words and 20 pages worth of reviews, you need only scroll down from here to find out my thoughts on them all!  …Or you could just find the ones you specifically want to know my thoughts on.  You do you.

 

JANUARY

THE FOREST

I can’t say that I had any major problems with The Forest.  Except that it wasn’t scary.  That’s probably a fairly major problem for a horror movie though.  The premise was a fairly interesting one since I didn’t know about this suicide forest before this movie, but it kind of falls apart after that.  Like, I certainly hope it’s not actually the police’s policy to not even bother looking for someone 2 days after entering the suicide forest and just assuming they killed themselves, but if it is, maybe if you’re going in there, let the cops know that you’re going in there to look for someone and definitely not to kill yourself, so come looking for me if I don’t come back.  And if the person you’re looking for is your twin sister, why bother bringing a picture?  Just point at your face and say, “With dark hair.”  But this movie at least has Natalie Dormer going for it, who is good and pretty.  And technically it has two of her, ‘cause she’s twins.  But that’s about it.

 

THE BOY

Two in a row with the mediocre horror movies, eh?  And along with the Forest, another mediocre horror film with good, hot actresses from very good, very popular TV shows I love.  The big thing that sets this one apart is that it’s reeeeeeally weird.  You think it’s all about some super crazy old people that want to pay a hot lady to watch a doll they act like is their actual son.  …Okay.  Fair enough.  Then the movie starts seeming like it’s a little more subtle and psychological version of Chuckie from Child’s Play, and then it’s even weirder than that!  Somehow, ghosts would be more feasible (and probably scarier) than the way they ended up going.  Lauren Cohan was good though, and she was hot.  I did not care for Brahm though.  His performance was a bit stiff and wooden.  …GET IT?!?!?!  ‘Cause he was the doll!!!  …You get it…

 

THE WITCH

I don’t know if I would go so far as to say The Witch is a scary movie.  It’s certainly unnerving though.  It’s kind of weird and creepy and there’s old naked women and ravens eating women’s nipples and talking goats and creepy children.  It creates quite a mood and an atmosphere though, so that probably counts for something.  I didn’t hate it, but I didn’t find much about the movie that would lead me to recommend it either.  But most other critics seem to like it, so maybe check it out or whatever.  Just not really my cup of witches brew.

 

FEBRUARY

PRIDE AND PREJUDICE AND ZOMBIES

This is certainly a silly premise for a movie.  Take an old classic book and toss some zombies in there.  But for me, it works.  ‘Cause I’m not reading a book.  And I also am not watching Pride and Prejudice as a movie…unless you add zombies and sword fighting.  So I enjoyed the movie well enough AND I can now tell people I’ve read Pride and Prejudice.  …I turned on the subtitles.

 

DEADPOOL

Coming from a longtime fan of the character, I would have a hard time finding any fault to Deadpool … so I won’t!  I loved this movie!  The action was great and the comedy delivered practically nonstop all the way to the end of the movie and starting from (and including) the opening credits.  How many times would you tell someone that they better not miss the opening credits?  Once!  The whole cast was fantastic; Morena Baccarin and Gina Carano were really hot and so was Ryan Reynolds…  Everyone delivered exactly what they needed to.  And my favorite part?  Not only did they not completely ruin the character of Deadpool, they made fun of the previous time when they did completely ruin the character of Deadpool!  Basically, if you don’t like this movie, you just don’t like Deadpool, because this movie is, to me, a perfect capturing of the character.  To me, there is absolutely nothing wrong with this movie, and the only thing that makes me nervous about the sequel is that they won’t be able to recapture what this movie had, but I’ll certainly be in the theater as early as possible to find out.  But as long as they don’t take the mouth off of the Merc with a Mouth, then it couldn’t possibly be THAT bad.

 

ZOOTOPIA

At first glance, Zootopia seems like it’s just another cute Disney movie.  And it is, but there’s also a lot more to it than just that.  On the surface, it’s cute, beautiful, funny and charming, all the things that kids will enjoy in a movie.  And things get hit in the head a few times, and that is a child’s pinnacle of comedy.  But it also bases itself on a message of trust and friendship overcoming prejudice and fear.  That shit’s deep for a Disney movie!  And pretty topical too!  It seems like it’s all about the cute little prey bunny overcoming everyone else’s prejudice against her to make her dream a reality and become a police officer, but even she has to come to the realization that she (and other prey) also jump to conclusions about the predators being prone to violence.  And the best thing about this message is that it’s there and it’s obvious, but it also doesn’t beat you over the head with it to the point of annoyance.  The voice cast also kills it, especially the two main characters that carry the movie (Goodwin and Bateman) and also Shakira who sang the great song for the movie and made me feel weird things while looking at a gazelle.  I cannot find fault in this movie, and I have no interest in trying to.

 

ZOOLANDER 2

I feel like Zoolander 2 didn’t hurt my feelings too badly because I don’t hold the original Zoolander in high enough esteem that I went into this movie expecting much.  And I also can’t say that it hurt me too drastically because I barely remember seeing it.  I know I did, and I’m pretty sure I own it on Blu-Ray around here somewhere, but that’s about it.  Maybe that’s because the closest to funny this movie gets is by rehashing the vaguely funny things from the first movie, but that’s not going to be good enough.  And the movie has a ton of cameos, which is great if that’s more important than humor out of a comedy to you.  The best things that happened in this movie were some kinda funny moments from Kyle Mooney’s hipster character Don Atari, and the fact that they killed Justin Bieber in the beginning.  But if I can’t say I like a movie that kills Justin Bieber in the first 5 minutes, that movie is probably not very good.

 

GODS OF EGYPT

Gods of Egypt did not do well with either the critics or the people in general.  Many people condemned this movie before its release because the cast was a bunch of white people acting like Egyptians.  I don’t really care about that personally because I would rather have a better actor in a role than one that looks right.  It probably helps that most times it’s white people taking roles from other races and I’m white, so why would I be offended?  I think what’s more offensive about this movie is that it’s just not very good.  But where I would take critics to task on this one is my “what were you expecting?” argument.  This movie was exactly what I assumed it would be based on its poster.  Decent visuals and passable action, possibly some pretty ladies scattered about, and everything else was not a concern.  So whether you have seen this movie or not, whether you are making an educated decision about this movie or not, you are probably right.  There’s no reason to see it really, but it’s not awful.

 

MARCH

LONDON HAS FALLEN

London Has Fallen is a sequel to Olympus Has Fallen, which is a movie most famous for being often confused with that other movie about the president being kidnapped.  You probably don’t need me to say more, which is good because I don’t have much more to say.  This time, a whole city has fallen, so I can only assume that next a whole country, then a continent, then a planet, and maybe even a solar system will fall as well, and only Gerard Butler can stop it because he’s super dedicated to his job and an inexplicable badass that single-handedly takes down armies.  So what is there to say about this movie?  It’s dumb, but lots of things explode, and the cast is maybe 10% better than standard action movie casts are.  So watch this movie next time you want to shut your brain off and watch things go boom.

 

WHISKEY TANGO FOXTROT

Whiskey Tango Foxtrot was a little more drama than comedy to me, but it was a fairly enjoyable experience.  It didn’t seem to hit too heavy on anything I was thinking it would go for.  There were funny moments, but nothing was incredibly laugh out loud funny.  There were serious moments, but nothing too depressing or tragic.  Some action moments, but nothing terribly thrilling.  Overall it was just a long, moderate enjoyment that I felt.  Nice little love story in there that wasn’t really the focus, but Tina Fey was enjoyable as usual, as was Martin Freeman and Margot Robbie.  And I especially enjoyed Fey’s relationship with her fixer Fahim.  So it’s a solid movie, but as it doesn’t really feel like a spectacular version of any type of movie, I don’t know if I’d call it a must.

 

10 CLOVERFIELD LANE

10 Cloverfield Land certainly wasn’t what I expected going in, but being a psychological thriller about 3 isolated people that’s a sequel to a Godzilla-esque giant monster movie will have that effect.  But after the initial shock of that wore off, I found myself able to enjoy this movie for what it was.  It was a very well done, tense, and psychological movie that was also very well acted.  Not typically the type of movie I go for, but I felt like it carried the flame from the first movie pretty well.  I just hope to get a little more info and a little more Godzilla if they do another one.

 

THE BRONZE

I think what mostly drove me to want to watch The Bronze was how often I stumbled across it.  I came across the movie in RedBox many times and saw the mildly amusing trailer for it many times.  Finally I stumbled across it on the list of movies that came out in 2016, and figured I might as well give it a shot.  Once I did, I found it acceptable.  The story wasn’t mind-blowing, but it had a decent amount of humor sprinkled around to make it enjoyable, especially the gymnast sex scene near the end.  The cast was good too.  Melissa Rauch wasn’t very likeable until the end, but that’s what she was going for, and I’m always happy to see Thomas Middleditch and Sebastian Stan.  Haley Lu Richardson was pretty enjoyable too.  The Bronze has some things going for it that I would say bring it dangerously close to being worth your time.

 

THE DIVERGENT SERIES: ALLEGIANT

I don’t really know why I watched Allegiant.  And I don’t know why I watched Divergent either.  And more than that, I don’t know why I watched this one when I apparently forgot to watch Insurgent, which is the second one.  So maybe fans of the movie would argue that the reason I didn’t like this one is because I wasn’t able to follow the deep, cohesive storyline.  Well that may be the case.  Also a possibility: it was boring and dumb.  When I watched the first one, I barely understood what they were trying to go for.  Then this one adds more stuff for me to be confused by.  Perhaps, had I seen the second one, it would’ve been the appropriate level of confusion for my brain to shut down and enjoy the movie.  But I found myself completely capable of realizing that they had some fairly big ideas and stopped right about there.  But they threw some pretty computer pictures around to make it look fairly nice, and then threw a few great actors in and surrounded them by pretty actors that could pass as moderately acceptable actors, and then that was a trilogy.  Skip it.

 

BATMAN V SUPERMAN: DAWN OF JUSTICE

I would never have been classified as a fan of the DC Universe, and with movies like they put out when Christopher Nolan isn’t behind the camera, they are doing nothing to help that.  Now, I didn’t despise Batman v Superman as much as other nerds I have heard discuss it because I’m not as close to the source material, but the movie still mostly sucked.  Y’see, I’ve actually read the Dark Knight Returns.  Zack Snyder should’ve too.  It’s pretty good.  Instead, I think he might’ve read the Wikipedia article about it, or the Cliff Notes if they do that for comics.  What he understood was that Batman fights Superman at some point.  Didn’t really get why.  He also didn’t really get the character of Batman and his whole “One Rule” thing he talked about it The Dark Knight.  You know, how Batman doesn’t kill, like even if blowing up that car with enemies in it would look REALLY cool and get those bad guys out of his hair for a while.  Like not even if there was a 1% chance someone could be a bad guy, since y’know EVERYONE has about a 1% chance of being a bad guy and he specifically never killed the Joker who has about a 147% chance of being a bad guy.  And if you thought his reason for fighting Superman in the first place was stupid, wait until you find out why he stops fighting him.  Also, I did not like Eisenberg’s over the top Luthor weirdness.  He was super annoying through the entire movie, but then a little bit good and intimidating at the very end of the movie.  On a positive note, I liked Ben Affleck a lot and look forward to what he’ll do in the future, and he had some great action scenes that felt straight out of one of the Arkham games.  And Gal Gadot was great and every Wonder Woman scene was awesome … and would have been much more so if every one of those scenes wasn’t in the trailers.  So this was not a painfully bad movie to watch, but where it hurt itself was being a movie about well-established characters that it didn’t seem to understand … and not being very good.

 

APRIL

CAPTAIN AMERICA: CIVIL WAR

I absolutely loved Civil War.  I’m sure that’s no surprise coming from a hardcore Marvel fanboy, but I think the movie was fairly universally loved.  Full of the fun one expects from Marvel movies but with the serious moments when they were needed and a great plot where all the characters had clear motivations.  Interesting concept, eh Batman v Superman?  Obviously they couldn’t make this movie exactly the same as the comics (which I had heard complaints about), but of course they couldn’t because they don’t have the ability to use the word “mutant” or use the X-Men.  So shut the fuck up, nerds!  The whole cast was great, especially new characters of Black Panther and the new Spider-Man, and also Daniel Brühl as Zemo, and everyone had a great moment in their wicked awesome fight at the airport, which was only one among many great action set pieces.  Marvel is killin’ it, as always.

 

THE JUNGLE BOOK

I had no interest in The Jungle Book for a long time.  I saw the cartoon.  I thought it was okay.  Later on they made it again with one real person and some computer stuff and that guy that made Iron Man.  That would probably be fine, but I know what’s gonna happen.  Eventually, the media talked me into it as podcasts I listened to talked it up.  Then I watched it and they were right.  It is really good; better even than the cartoon.  The story is roughly the same, but the new visuals really help to tell that story, and those visuals combined with the voice acting makes me have to say a statement like, “That wolf gave a performance that brought tears to my eyes.”  I don’t recall actually crying because I’m so manly and all, but it worked very well.  And they had all the musical numbers that they should have and though only Scarlett Johansson really had much of a singing voice; it was still nice to hear them again.  This was a really entertaining and touching movie that everyone should enjoy.

 

THE HUNTSMAN: WINTER’S WAR

Though I would not be bold enough to call The Huntsman: Winter’s War a good movie, I would certainly say it was better than the original.  Is that because this one didn’t have Kristen Stewart in it?  Possibly.  But I would say I had no major problem with the sequel too.  The story was fairly bland and not much more than good guys versus bad guys followed by credits, but I also wasn’t really expecting much more than that.  The actors can probably take most of the credit for this movie being watchable.  I liked Theron and Blunt and their interactions, and I really liked Chastain and Hemsworth and their chemistry together.  I even liked the dwarves, even though they really had no real reason to be there save for mild comic relief.  But the movie was fine.  You don’t need to see it, but at least Kristen Stewart isn’t in it.

 

KEANU

Keanu was cute.  The cat, I mean.  Not the movie.  The movie was fine.  I’ve never seen Key and Peele’s show, but I’ve enjoyed the clips of it I’ve seen, so I expected a fair bit from this movie.  It was somewhat funny, but not uproariously so.  Just kind of enough to make me smile throughout and chuckle at a few parts.  The story premise can keep you smiling because it’s just so silly, but not very many jokes really got me.  The cast was enjoyable too.  Key and Peele are very likeable, and Anna Faris was probably my favorite part of the movie.  Besides Keanu, that is.  He was slightly cuter than she is.

 

RATCHET & CLANK

My main goal in watching Ratchet & Clank was to see if I could learn the story of the games without bothering to play them, which I had never bothered to get around to even though I typically heard good things.  Was this movie successful in this endeavor?  How should I know?  I had nothing to compare it to.  So instead, I’ll say if it was successful as a movie.  Probably.  I’m sure it made a lot of money.  As for its quality, I would say it was fine.  It looked great and its story was the basic dream-fulfillment, zero-to-hero thing.  Kids will probably like it, but as far as I can tell, random shapes and colors moving on a screen will be enough for most children.  Disney and Pixar have probably set the standard for movies too high for parent to be entirely thrilled by this movie though.

 

MAY

X-MEN: APOCALYPSE

I might actually surprise you all with my review for X-Men: Apocalypse.  I didn’t actually love this Marvel movie.  I would say I just really really liked it.  Number one thing it had going for it: there were X-Men in it.  It also had Apocalypse and the Four Horsemen in it, as well as a killer subtle gag where they used Metallica’s “Four Horsemen” in the movie.  And it also had an awesome Phoenix moment.  I liked the greater majority of things about the movie with only few minor problems.  First, I think Xavier should really be portrayed as stronger than he was on the Astral Plane.  I also really didn’t care for the kid playing Cyclops or the look of Archangel, but I did like all the returning cast and the new people like Apocalypse, Sansa Stark, Olivia Munn, and Nightcrawler.  The Weapon X sequence was also cool, but their attempts to make the Weapon X gear look less goofy for camera didn’t really go that well.  Overall, I found it quite enjoyable, but I’m also an X-Men nerd.  I may not be trustworthy.

 

ALICE THROUGH THE LOOKING GLASS

I have no particular love for the previous Alice in Wonderland movie.  It looked pretty and computers made wonderful fantasy things look somewhat realistic.  And there was probably a story, but damned if I remember what it was.  Cut and paste for Through the Looking Glass.  It was fine.  Pretty computer things and a story about time-travel or whatever.  Nothing too mind-blowing.  It has some pretty good actors giving mixed performances though.  Depp and Carter are a little over the top for my taste, but I like Wasikowska and Hathaway, and I thought Sacha Baron Cohen was a really enjoyable part of the movie.  Probably not so much as I’d really recommend the movie, but I’m sure kids would really get a kick out of it, and the parents probably won’t hate it while watching with them.

 

THE DARKNESS

I didn’t even know this movie existed until I saw it on the Wikipedia list, and then out of nowhere it gets to be on my list.  Congratulations!  Anyway, I know we’ve all sat around and thought to ourselves about how much we’d like to see a boring and cliché version of Poltergeist, right?  And then we watched the remake of Poltergeist, and after feeling like that wasn’t quite bland and obvious enough, we started demanding to see The Darkness.  It’s Poltergeist with the burial ground replaced by 5 rocks an autistic child found in the desert.  And the family’s biggest concern for most of the movie was with the dry cleaning from getting black handprints off of everything.  And the funny weird lady from the Poltergeist is now a Mexican lady and her granddaughter…who for some reason are the experts you call in when having troubles with Anasazi demons.  I guess as long as their skin is brown, they can probably do it.  They all look the same to us anyway.  So what I’m saying is, instead of bothering with this movie, just go watch Poltergeist.  …Either one is better.

 

THE NICE GUYS

For a long time, I could not imagine a reason for me to watch The Nice Guys.  A comedy on the backs of Russell Crowe and Ryan Gosling?  Sounds like a pretty terrible idea.  The only funny thing I can think of involving either of them is a series of videos where someone tries to feed cereal to one of them.  But it turned out that this movie was almost as funny as feeding cereal to Ryan Gosling.  The story was the buddy cop movie basics, but with plenty of laugh out loud moments along the way, making it feel like that Starsky and Hutch movie but funny.  And you gotta give credit where it’s due: Crowe and Gosling delivered.  I doubted them and they shut me up.  …No I mean it.  I’m gonna shut up now.  Watch the movie though.

 

TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS

What can one really expect when going to see a movie like TMNT: Out of the Shadows?  …Yes.  That is the answer.  You should be looking for a dumb, roughly pointless story with as much fan service as they can muster (Hey, we added Krang this time!).  Then you should expect a visual extravaganza, and I guess they kinda get there.  I still hate how the turtles look, but can’t change that now.  One of the actors is Megan Fox, so you can’t expect much there, but the turtle voices are pretty good, and I like Will Arnett and Stephen Amell, and I liked Sheamus and Gary Anthony Williams as Bebop and Rocksteady.  So what can one expect out of this movie?  Yes.  Exactly what you think.

 

JUNE

POPSTAR: NEVER STOP NEVER STOPPING

The first thing I would clarify about seeing Popstar is that I didn’t want to.  Someone had to suggest it to me.  The reason I didn’t want to see it is because I really don’t care for Andy Samberg very much.  He’s occasionally acceptable to me in small cameo roles, but the only time I’ve seen him in a starring role was Hot Rod, which was talked up as the greatest comedy in years to me by one of my friends and was instead something that made me want to kill myself.  Also, I think I thought it was that movie where Adam Sandler is Samberg’s dad for a while.  But even though it was an uphill battle to overcome my general disinterest in Samberg, I feel like this movie pulled it off.  It’s like This is Spinal Tap for the new generation … but not nearly as good as that.  But that’s a high bar to reach and one shouldn’t necessarily expect it to be able to reach that.  Basic story, decently funny, pretty well acted, Samberg was enjoyable, and tons of cameos from the comedy and music world for those that would find that interesting.  Popstar was pretty solid though.  A decent watch, and probably more so if you’re a big Samberg/Lonely Island fan.

 

NOW YOU SEE ME 2

I thought the first Now You See Me movie was fine.  Didn’t blow minds, but was entirely watchable.  The sequel was roughly the same, and perhaps took a step down for losing much of the surprise of the movie to its predecessor.  And the biggest problem of both movies is that it bases itself on magic and illusion which is impressive when watching someone do it in person, but much less impressive to watch when it’s the skill of a computer and not of a person who spent their life mastering the craft.  But the story of the movie seems fairly well planned out, had a few nice twists, and some of the magic stuff was interesting to watch.  I also still like how they use magic tricks for fist fights and heists, and the actors are all good.  The movie’s a decent watch, but not a required one by any stretch.

 

THE CONJURING 2

So many of these movies come out that I have a hard time remembering which is which sometimes.  The first Conjuring was about the Amityville stuff, right?  …Or am I thinking of Amityville Horror…  Well, this one is about this English family that claimed to be haunted in real life and the Warrens are back to kick ghost ass and chew bubblegum, but their bubblegum didn’t make it through customs!  And this movie was pretty successful.  I like the use of “real life” hauntings as a basis for a movie because, if nothing else, it’ll make me read about the “real life” stuff and be entertained by that, but the movie entertained pretty well too.  It pulled off jump scares pretty successfully and creepy build up decently.  The old guy ghost was somewhat scary, but that old nun lady was downright chilling.  All the living actors did very well too.  I’ll call this one worth a watch.

 

WARCRAFT

My idea to watch Warcraft came from a discussion on a podcast (Shout out to Just2Pals Podcast!).  My friend (a big Warcraft fan) loved the movie, while his partner (less of a Warcraft fan) did not.  My history with Warcraft puts me somewhere in the middle of those two, as did my enjoyment of the movie.  I played and loved the original RTS Warcraft games, and even played a little of World of Warcraft, though I lost interest fairly quickly.  And since my time with Warcraft pretty much ended around 2003, my knowledge of the lore of Warcraft has mostly dispersed.  I know humans don’t like orcs.  And this movie does enforce that.  And pretty much covers the story of the movie as well.  The action was decent, but it’s hard to make very impressive action when it’s technically a guy swinging a plastic sword at air, but the computers did some good work on this movie.  I especially liked what they did the orcs, especially with Paula Patton.  It’s hard to feel for (and be attracted to) a big green lady with tusks, but nature finds a way.  So what it seems to come down to with this movie is that my recommendation is dependent on your involvement with the Warcraft lore, sliding up from “don’t bother” if you know nothing of Warcraft to “you’ve already seen it” if you’re a huge fan.

 

FINDING DORY

Sequels to animated movies (especially in Disney movies) can be hit and miss.  Finding Dory at least had the benefit of not being straight to DVD, which typically means better, but Cars 2 hit theaters, so it’s not perfect.  And neither was Finding Dory (long way to go for that one, I know), but it was really good.  It’s a nice emotional story about Dory trying to find her family and overcome her memory problems, and it’s pretty well assembled.  I feel like Dory works better as a secondary character generally, but she’s more fun to be with than Marlin, so it’s okay.  I also really enjoyed Hank the octopus and Becky the bird, who pretty much stole the whole movie for herself.  And the story did tug at the heart strings, but I don’t recall being overwhelmed by emotion at any point.  So the movie is good, and probably met my expectations, but it doesn’t quite blow me away.

 

INDEPENDENCE DAY: RESURGENCE

Independence Day: Resurgence is exactly what it needs to be.  If you went into this movie expecting it to absolutely brilliant, you might be stupid and I pity you.  Before going to see this movie, I remembered the good times of things exploding a lot, Bill Pullman dropping a killer speech, and Will Smith and his patented way of welcoming someone to our planet.  So when seeing the sequel, I expected roughly the same thing except someone else would be on our planet’s welcoming party.  But I enjoyed the experience of the movie.  What was the story?  …That wasn’t a set up to something.  I really don’t remember.  Something about aliens coming back with bigger and angrier ships but we found this white sphere that helps somehow.  And the cast was solid, even if they weren’t Will Smith.  But who is?  Besides Will Smith, of course.  But none of that stuff really matters, does it?  I went to this movie to see aliens blow up as much stuff as they could before America whooped that ass.  This movie delivers on that.  It’s not smart; it’s big and spectacular.  That’s what it was supposed to be.

 

THE SHALLOWS

I was surprised I liked this movie too!  But this movie has it all: thrills, chills, suspense, and Blake Lively in a bikini.  This is what I expected from The Shallows and this is what I got.  I would say it takes a little long to get to the heavy stuff, but since that time is spent watching Blake Lively be super-hot, it felt like a productive use of my time.  But then when it gets going it is pretty damned edge of your seat stuff all the way through to the end.  And that shark was a dick!  I mean, I understand you gotta eat, but if you’re just looking for food, there’s this huge dead whale like 20 feet away that they used to explain why you showed up in the first place.  There’s a lot more meat on that thing than on Blake.  So really you’re just doing this to be an asshole, right?  And he was.  Fuck that shark.  And even not counting her ridiculous hotness, I thought Blake Lively was fantastic, and I’d be willing to kick that up to amazing since the only other thing I’ve seen her in was Green Lantern, so I didn’t know she had this kind of performance in her.  I thought everyone did a really good job with this movie, and think it’s worth watching.  Just like Blake Lively is.

 

JULY

THE LEGEND OF TARZAN

There wasn’t much memorable about The Legend of Tarzan.  I could say that I remember that Margot Robbie is hot, but that doesn’t necessarily have anything to do with the movie.  It’s Margot Robbie.  When is she not?  And then I remember Christoph Waltz stole Tarzan’s lady and he must return to his Tarzan roots to get her back, and he does.  And there’s some black dude that wants to kill Tarzan too.  Don’t remember much about that.  The Legend of Tarzan was a perfectly fine movie that just wasn’t special enough to dedicate any space in my extremely limited memory to.  I think I might just prefer my Tarzan animated.

 

THE BFG

Growing up a fan of the Doom series as I did, I was very disappointed when starting The BFG.  It wasn’t about a Big Fuckin’Gun at all!  It’s about a Big Fuckin’ Guy and his friendship with a young girl.  After I was able to get over my disappointment (and realize that most movies that have been released based on Doom haven’t really worked out too well), I was able to enjoy the movie for what it was.  And it was surprisingly enjoyable.  The story was as simple as a little girl befriending a giant and then helping him take care of the bad giants, but it was the world that was created that was impressive.  Visually stunning and well planned out, it can be really immersive.  And the performance of the little girl and the giant really get you attached to them pretty quickly.  A very nice little movie to take kids to.

 

THE PURGE: ELECTION YEAR

Holy hell!  There was a second Purge movie?  Oh well.  I missed that one, and I don’t care.  I haven’t particularly cared to see any of the Purge movies.  The first one was standard and unimpressive unless you have a phobia about red corn syrup, which I do not.  The third was roughly the same, maybe made slightly more interesting by some story elements, but really it just comes down to different ways to make people shoot corn syrup around.  But this time people are trying to protect a candidate that wants to stop the Purge.  So that should count for something.  But that something isn’t a recommendation.  It’s just also not a warning.

 

THE SECRET LIFE OF PETS

The Secret Life of Pets is also a simple story of pets.  There’s no real surprise to the story of this movie.  Happy, content dog has his world turned upside down by the addition of a new dog that he fears will take his owners love like a child when a new baby arrives.  But the real surprise about this movie for me was how enjoyable it was.  It seemed so cookie cutter from the trailers and seemed like something only kids might fall for, but I fell for it too, based mostly on the excellent and often adorable animation and the quality of the voice acting cast, especially Jenny Slate, who I adored in this movie.  I was so happy every time Gidget showed up so I could hear her again.  The movie also had some solid funny moments.  Definitely a good movie.

 

GHOSTBUSTERS

Talk about the new Ghostbusters movie was as mixed after its release as it was before.  “How could women do funny things?” they asked.  I wasn’t one of those people.  I looked at the cast and found Kristen Wiig and Kate McKinnon sufficient to believe comedy was possible (I’m not really a fan of Melissa McCarthy and I wasn’t familiar with Leslie Jones).  And after seeing the movie, I decided that they succeeded in realizing that comedy.  This was a very funny movie.  Was it as good as the first two Ghostbusters?  No.  Not much is.  And that’s why I didn’t expect this movie to surpass the first two Ghostbusters.  It’s not the same kind of dry, subtle humor that made those Ghostbusters brilliant.  It’s a different thing.  This movie probably would’ve been very well received had they chosen a different title, but these women busted ghosts, so they must’ve felt the need.  Sure, it wasn’t the Ghostbusters we fans wanted, but since that’s never going to happen, this one will do.

 

STAR TREK BEYOND

Star Trek Beyond was fine, but a bit ridiculous in parts which held it back from greatness.  The story was solid and included a nice twist surprise at the end that worked very well.  And the movie had no real shortage of blockbuster action, which is also enjoyable.  And all the returning cast as well as the new additions of Idris Elba as Krall and Sofia Boutella as Jaylah were all enjoyable.  So what was the problem?  Their determination to make sure there was a moto cross scene that barely makes sense and the fact that the music of the Beastie Boys saves the day.  Having the anachronistic music playing is fine because I like the songs and they work well as soundtrack music, but having it be their main weapon against the enemies is a little silly.  Still an enjoyable movie though.

 

JASON BOURNE

Though I don’t necessarily think that the movie world needs to leave this Jason Bourne guy alone, I would find it acceptable since it would make sense in the story of the movies that the government would finally decide that they should stop fucking with the guy that just wants to be left alone, but will happily destroy you and everything you have if you don’t leave him alone.  Plus, the latest couple of movies haven’t been that good and eventually there’s going to be more mediocre ones that great ones.  This is one of the mediocre ones.  It’s fine, but it doesn’t really add anything to the world of Jason Bourne, and it also didn’t really need to exist.  It’s a fine basic action movie that fans of the series will want to watch, but it doesn’t really stand out enough to recommend.

 

AUGUST

SUICIDE SQUAD

I would say that I really wanted to enjoy Suicide Squad.  DC’s movies have been so disappointing that, even not being a big DC fan, I was hoping they would get a surprise Deadpool-esque hidden gem movie out sooner or later.  This wasn’t it.  I didn’t hate Suicide Squad, but I really didn’t enjoy it.  It felt to me like they were trying too hard with their moments of freezing and throwing up title cards for their characters and their “cool” music, but it couldn’t quite come together.  The story was just an origin story with a somewhat secondary and forgetful story about a bad guy and the “good” guys have to stop it.  The action wasn’t impressive either, but it was okay.  And the characters were mostly disappointing.  I didn’t care about most of the characters going in, and not much changed on leaving.  I liked Will Smith and Margot Robbie, Rick Flag and Katana were kind of bland and forgetful, El Diablo and Enchantress were fine, Captain Boomerang was fairly funny sometimes, and I didn’t care for Killer Croc at all.  He just felt like his performance should be him saying stupid things and licking things a lot for no reason.  And he looked strangely emaciated for some reason, even though the character and the actor portraying him are pretty big and buff.  And the biggest problem with the whole movie in my opinion was Jared Leto’s Joker.  You could tell he really had a character choice in mind, but I didn’t like the way he went at all.  I just found him annoying.  And worse than that, pointless.  It felt like everything involving the Joker was a waste of my time and he could’ve been not involved at all, or at least only involved in the flashbacks.

 

PETE’S DRAGON

Pete’s Dragon is … I don’t know, man.  It’s whatever.  I don’t remember the original well enough to compare them, and I already don’t remember this movie well enough to care.  The kid has a dragon, a family takes him in, bad people try to catch the dragon, happy ending.  It looks really pretty and the dragon is fairly well done, but I didn’t feel like I cared enough to pay attention while watching it and it couldn’t pull my attention.  I say skip it, but if you have kids it’ll perform as background noise fairly well.

 

SAUSAGE PARTY

I would give this movie some credit.  It almost lost me in the first 5 minutes with the musical number that opened it which I found completely devoid of humor and just trying too hard to be offensive.  And though the trying too hard to be offensive continued throughout the movie, some humor showed up making it more worthwhile.  It’s a silly movie that hides a strange religious argument meaning in between some of the lowest comedy that sometimes works.  I had a hard time in the movie weighing the jokes that were just too dumb or too gross with some actually well-written and funny jokes, but I’d say I warmed up to it, and I enjoyed the cast, particularly Nick Kroll doing his character Bobby Bottleservice as Douche.  I don’t recommend it if you’re easily offended because you probably wouldn’t make it very far into the movie, but if you can deal with that, you could actually enjoy the movie.  Or wind up somewhere in the middle of enjoying and despising it.

 

KUBO AND THE TWO STRINGS

This movie blew my damned mind!  I had a mild desire to see it based on its interesting style and Asian feel, but never bothered to get around to it until my friend Maggie raved about it.  I rented it, watched it, and went out to purchase it in full immediately afterwards.  It succeeds on every level.  The story is new, funny in parts, touching in others, and interesting to all ages throughout.  The animation is beautiful and engaging.  The cast also knocks it out of the park.  I don’t have much to say beyond saying I loved this movie and recommend you watch it post haste.

 

BEN-HUR

Even if it’s not necessary, every movie will probably be remade eventually, even if the original holds up just fine and the new one has nothing to bring to the table.  Granted, I probably don’t remember the original Ben-Hur well enough to say what the new one brought in or left out, but I do remember liking the original and being bored of the remake.  It’s not bad.  The race at the end is cool and some of the Jesus stuff is interesting and the cast tries their best, but it all seems futile.  Just go watch the original.

 

DON’T BREATHE

I found myself pretty surprised by Don’t Breathe.  Not so much by the quality.  The premise seemed interesting and the trailers sold the movie pretty well to make me think there was some quality to be found here, and there was.  I liked the premise of the kids breaking into the blind guy’s house and then he turns out to be a badass, and they were able to milk this for some really tense scenes.  My concern going into it was that the kids were supposed to be our protagonists, but I wondered if they would be able to make me feel bad about the blind war veteran killing the little shits that broke into his house, and they did that with the real surprise in this movie: all the stuff going on in the basement.  It made it so we didn’t like the blind guy a whole bunch more than we didn’t like the thieving kids, and led to some real weirdness and at least one super grossness.  But besides that, it was a very interesting movie, and I’d say it’s worth checking out.

 

MECHANIC: RESURRECTION

If you like Jason Statham action movies, this is one of them.  It’s not particularly special in any way, and it’s more than a little silly, but I didn’t hate it.  It’s a standard action movie that seemed like they had 3 ideas for interesting set pieces for and then just figured out some way to slap them all into the same movie.  They are also going to need A-Team-style ‘prepare for hit’ montages before each one.  Heaven help you if you don’t have that.  Then they added in a corny love story with Jessica Alba who this hardcore, lone wolf killer guy falls for way too quickly even though he knows she was sent by the bad guy.  But there were some cool action scenes and some cool fight scenes, also Jessica Alba is hot and Jason Statham is shirtless a whole bunch for anyone who may be into that sort of thing.

 

SEPTEMBER

YOGA HOSERS

It is known that I am a fan of Kevin Smiths.  I listen to his podcasts, I enjoy his TV shows, and I enjoy the greater majority of his movies.  When I listened to the creation of the term “Yoga Hosers” on Smodcast, I thought it was hilarious.  Sadly, I didn’t feel the same about the movie.  Smith goes back to the convenient store in this movie, this time replacing Dante and Randall with his daughter and Johnny Depp’s daughter, and also replacing the witty conversations with slapstick silliness.  Smith said he was going for a cheesy 80’s buddy movie with this one, which is probably fine but I just didn’t get any laughs out of it, which is less fine.  It was just too goofy and seemed like Smith just wanting to put friends and family in a movie and see them do things that amuse him, like having Ralph Garman’s character do impressions for no reason other than Kevin knows Ralph can do them and they make Kevin laugh.  And they make me laugh too when listening to Hollywood Babble-On, but not so much here.  Perhaps this movie is better suited for Smith’s target audience of preteen girls, but it just didn’t do it for me.  I haven’t been a preteen girl for years.

 

SULLY

I liked Sully, but I have to say I found the movie a bit implausible.  There’s no way that could actually happen!  Silliness aside, I realize that a certain amount of the credit for this movie goes elsewhere because it’s probably pretty easy to make an interesting movie about this just by following the real life events of a hero, but the movie was deftly handled.  I saw some complaining about how they handled the NTS board that was actively trying to prove that Sully fucked up and saying that this wouldn’t be how it would’ve happened in real life, but screw that.  They need a bad guy and they have to build it up so the audience would be amped when Sully proves that what he did was right.  That wouldn’t have been nearly as impactful if they were just like, “Yup, you were right.  Just as we all thought.  Good work, Captain.”  He needs to teabag them with knowledge.  After that stuff, you’ll be shocked to find that Tom Hanks was fantastic in this movie and carried the movie well.  Whoda thunk it?  Great movie and worth watching.

 

BLAIR WITCH

As another addition to the Blair Witch mythos, I found that this sequel raised more questions than it answered.  Like why is that black dude being such a dick to the two stoned weirdos?  They’ve been perfectly civil and helpful so far.  And why did the stoned weirdos fake those wooden doll things?  Like, you wanted others to believe in this stuff, but you wanted to stay in the woods longer and those things just made everyone want to leave.  And when they were leaving, why not just admit you faked it?  And why was faking it such a big deal to everyone else?  And why would our heroes tell them they had to leave because of it?  They could get lost and die in those woods … because they hung up their arts and crafts?  And why are the “heroes” still terrified after finding out that stuff was faked?  And why does everyone in horror movies think it’s okay to sneak up behind people that are already dealing with a scary situation?  These are the kinds of questions Blair Witch raises.  But the biggest one is why did they make this?  It really only rehashes the original Blair Witch movie, but now they have better and cooler technology.

 

THE MAGNIFICENT SEVEN

There are two things that need be expressed in my review for this movie.  First, I have a predisposition towards enjoying Westerns.  Second, I haven’t seen the original, so I have nothing to compare it to.  That being said, I really enjoyed The Magnificent Seven.  Granted it’s a super standard movie in that a bad guy is terrorizing a town and the good guy must assemble a team of misfits to save the day.  And then a lot of bullets, a lot of explosions, a lot of death, and then the day is saved.  Who can’t name at least 5 movies to compare that stuff to?  Especially if you count the original Magnificent Seven, which I assume is similar.  But this movie is a solid western with good action and good acting.  Definitely worth a watch, especially if you like Westerns.

 

OCTOBER

JACK REACHER: NEVER GO BACK

I enjoyed the first Jack Reacher movie pretty well, but not well enough to bother seeing the sequel in theaters until it was time to start watching movies for this review.  I had to go to the Dollar Theaters for it.  And that’s about the right price to see this movie.  It’s fine, but formulaic, and generally unnecessary.  The action’s okay and the fights are fine, but the story leaves something to be desired.  Mostly I just desired something not easy and obvious.  And probably desired (without knowing it) that they not have a completely pointless subplot about a daughter.  She only served the story as a damsel in distress, and was even more pointless because she wasn’t even his daughter.  They just sort of thought she was for parts of the movie but wasn’t, thus rendering her pretty pointless to the movie in general.  But it’s not a bad movie and I liked the action, so I would say it’s not necessary to see, but not painful to see.

 

OUIJA: ORIGIN OF EVIL

I’ve seen so many Ouija movies that I can’t even tell if any of them are supposed to be connected or not.  And if any of them are, I’m not sure why I watched this one because all the rest of them I’ve seen are just awful.  According to Wikipedia, this is a prequel to Ouija, which was garbage.  But Origin of Evil was inexplicably pretty damned good.  Pretty well-paced and nerve-wracking, with a solid story and some good scares, and pretty good acting to bring it all together.  One of my favorite things that they did in this was that they had scary things standing in the background a lot, but didn’t make a big deal out of them.  There would just be a silhouette back there with glowing orange eyes, but they wouldn’t zoom in on it or hit it with a music sting to make sure everyone saw it.  You don’t need to see it for the movie to work, but once I saw one I was nervously checking the background in every scene.  And when they looked through the lens in the planchette it made me want to hide until it was over.  This movie brings in a fair amount from The Exorcist and Poltergeist to help it be effective, and that’s just what it was.  Great horror movie.  Worth watching.

 

INFERNO

I didn’t think Inferno was nearly as bad as most critics seemed to, but I didn’t think it was good either.  If nothing else, a Tom Hanks movie has Tom Hanks in it and he can hold any piece of crap fairly well by himself.  I think my biggest problem with this movie is it didn’t feel like it had anything in common with the Da Vinci Code, which it should because that movie is the reason I watched this one.  The other movies didn’t really feel like full on action movies.  They felt more like Zelda.  Some action, but a lot of puzzle solving and interesting ideas about how Jesus had children or whatever.  Because of how this movie was set up, Tom Hanks’ character didn’t remember anything, which meant that he was pretty much being dragged from scene to scene until he finally got his shit together.  And the big reveal that the person you thought was good but was in fact bad was only a surprise because I thought they were being so blunt and obvious about it that it couldn’t possibly be the way they were going.  But it was.  And the black guy cop was hunting this bad guy for years but didn’t know he had a girlfriend or what she looked like?  So there’s not much going for this movie to make it worth watching.  I would say Hanks and their cool Hell imagery is about the only thing, but it’s not enough.  You can skip this one.

 

NOVEMBER

DOCTOR STRANGE

Never having been a big fan of Doctor Strange, I wasn’t sure how well this movie would work out for me.  That of course is stupidly forgetting who I am as a person and how I generally feel about Marvel movies.  Of course I loved this one.  But, in my defense, critics seemed to as well, so I feel justified.  This was a fantastic origin story movie that really worked on every level.  You can’t expect too terribly much from the story because it’s going to be an origin story and a small bad guy that probably sets up a bigger bad guy, but mostly serves as proof that he’s finished his origin by the end of the movie.  And that is what it was, but it also had some surprises and cleverness and humor in there to make it feel different enough.  The most obvious difference that sets this apart from other Marvel movies is the imagery.  Obviously I don’t mean that the CG was great, because it was and most Marvel movies are, but the jokes that it seemed like Marvel’s Inception I had heard before seeing the movie were apt.  But also, who cares?  It looked great and no one would need to guess that something magical was happening when you’re in a Kaleidoscope world.  Also, Cumberbatch was fantastic, and I also really enjoyed Swinton, McAdams, Ejiofor, Mikkelsen, and Wong.  Which is pretty much everyone, but that’s because they were all good, and only surpassed by the amazing performance of Doctor Strange’s Cape.  That was my favorite character by far.  Great movie, and I can’t wait to see what happens in the future with the character.

 

ARRIVAL

I hadn’t heard of the Arrival until someone suggested I watch it.  I typically don’t expect much when watching a movie I’ve never heard of because I’m so damned hip that I’ve always heard of everything worth hearing of.  And while that might not be true, it was also not applicable to this movie.  Definitely a solid movie.  I don’t give it quite the acclaim that it gets from other critics just because I found it boring in chunks of the movie, but it was generally worth sticking it out.  The movie felt a lot like Contact with a lot of sciencey stuff and aliens and whatnot, but very few explosions.  This movie was less about engineering and math and more about language though.  What it shares with other alien movies is the stupidity of so many people getting bored of trying to communicate so fast and deciding what needs to happen is we need to wave our gun dicks at the super advanced alien civilization.  Great idea, guys.  But since there’s a very good chance that would happen in real life, I can’t hold it against the writing.  And the writing was good anyway, even though the ending was a little confusing and hard to follow.  Still an enjoyable movie.

 

FANTASTIC BEASTS AND WHERE TO FIND THEM

I’m a fairly big fan of the Harry Potter franchise, but I wasn’t particularly interested in seeing Fantastic Beasts and Where to Find Them … mostly because I didn’t know they were related.  I believe I mentioned how hip and well-informed I am.  Well, once I figured it out, I went to see it fairly quickly.  And it’s good.  Not great, but good.  Story was interesting, but not mind-blowing.  I like what it adds to the mythology of the Harry Potter world and I’m excited to see where it goes in the future.  The graphics are of the quality that should be expected from Harry Potter and were really awesome.  And the cast was mostly great, at least in what they were going for.  Dan Fogler seemed to be the comic relief and largely unnecessary for most of the movie, but he performed it well.  And he had a great little love story with Queenie, so it made it worth it.  So there really wasn’t anything wrong with Fantastic Beasts, it just didn’t really resonate with me like the other Harry Potter movies did.  Maybe I just require a little more Emma Watson in my Harry Potter movies.

 

MOANA

I loved Moana far more than I expected.  It looked like a fairly average Disney movie, and it was.  But one forgets that the standard Disney formula has worked for a very long time for a good reason.  And Moana is a Disney-ass Disney movie.  It’s straight Disney as fuck.  The story is a classic follow your heart type of story as well as a save the day movie.  It also has something that I like in movies that wasn’t as big for other Disney movies: a strong female heroine.  Sure, Disney movies have had strong female characters, but most of them are the prize of the hero or the damsel in distress.  This movie doesn’t even waste it’s time with a love story.  Moana loves the sea and exploring, but she’s probably not shacking up with Maui afterwards.  He’s a big dumb oaf for most of the movie, and not worthy of Moana until the end, but that’s not what the point of the movie was anyway and I like that.  The movie also looks beautiful as one would expect it to.  The songs were good and “How Far I’ll Go” was great, and Dwayne Johnson’s “You’re Welcome” was a decent song, but showed that The Rock actually has some pipes.  Great movie for kids and adults alike.

 

DECEMBER

ROGUE ONE

I don’t know how much weight one can put behind my opinion of a Star Wars movie, but suffice to say I enjoyed Rogue One.  It was not my favorite Star Wars movie and I thought it paled in comparison to last year’s offering, but I am typically going to be pretty happy to go back to the Star Wars world.  I think what I enjoyed most about Rogue One was the gaps that were filled in the mythology of Star Wars, like how the Rebels got the plans to the Death Star in the first place, what powered the Death Star, can they pull off CG young Leia, etc.  I also like the greater majority of the performances.  I especially liked the robot K-2SO for being a straight up funny asshole (and apparently voiced by Alan Tudyk, which makes me love it more), and Donnie Yen as Space Zatoichi.  I really wish I could’ve seen that guy use a lightsaber.  He was rad.  I thought the movie was great, just not really great enough to make my top films of the year, but it had stiff competition.  Heck, it has stiff competition amongst Star Wars movies.  I would also like to say that I’m super glad I saw this movie when I did, because if I had waited longer I would’ve broken down in a blubbering pile of tears when Leia showed up.  RIP Carrie Fisher.

 

ASSASSIN’S CREED

What was it about the Assassin’s Creed movie that caused me to ignore history and actually have hope that it would be a good movie?  It’s a video game movie!  That’s a pretty big hill to climb.  It was probably mainly the inclusion of Michael Fassbender and Marion Cotillard.  They wouldn’t do a shitty movie, would they?  Well yeah, apparently.  One of the criticisms I have for this movie is the same that I’ve always had for the games that they are based on: No one cares what happens outside of the Animus!  I want to be an Assassin!  I don’t want to be Desmond Miles!  The parts inside the Animus seemed like they could’ve been a fairly cool movie on their own if they spent a little time with it.  Heck, the time out of the Animus probably could’ve too, but together it just kept slowing the movie down.  At least the games know to make us spend the majority of our time as an Assassin.  Now, I wouldn’t say that I absolutely hated this movie.  The CG was cool and Fassbender and Cotillard were good, but it was just kinda boring and lackluster, and nowhere near what I was hoping for.

 

PASSENGERS

I respect a movie that can do so much with so few cast members.  Of significance, there are like 4 actors in this movie.  Sure, Andy Garcia shows up at the end, but I don’t even think he says anything.  But I enjoyed Passengers, based mostly on some interesting story ideas and the strong chemistry of Chris Pratt and Jennifer Lawrence.  I saw a lot of criticism of one really big decision that Pratt makes in the movie, and I get that, but I don’t know why people are saying that takes away from the movie.  The characters in the movie treat the decision fairly appropriately, and it’s also hard to say it wasn’t justified.  Dude thought he might have to spend the remaining 60 years of his life completely alone.  And did a year of it already.  It’s a hard decision to make, but one I think most would’ve made sooner.  Especially for Jennifer Lawrence.  Also, the movie looks fantastic.  And I also thought Michael Sheen was surprisingly charming for an android.  I wouldn’t say Passengers is one of the greatest movies ever, but I’d certainly recommend it for a rental.

 

WATCH REVIEWS HERE!  YouTube  OTHER JOKES HERE!  Twitter  BE A FAN HERE!  Facebook  If you like these reviews so much, spread the word.  Keep me motivated!  Also, if you like them so much, why don’t you marry them?!

0062 – Dungeons & Dragons: Episode 10 – Race Against Death


0062 Snapshot

CLICK THE PIC TO WATCH THE VID!

 

WATCH REVIEWS HERE!  YouTube  OTHER JOKES HERE!  Twitter  BE A FAN HERE!  Facebook  If you like these reviews so much, spread the word.  Keep me motivated!  Also, if you like them so much, why don’t you marry them?!

 

Assassin’s Creed III (2012)


The Future of Our Land Depends on Those Who Are Truly Free.

Assassin's Creed 3 (2012)I was incredibly excited to get to play this game and, truth be told, I beat the game about two months ago but was so back-logged with other reviews that it’s taken me this long to get here.  Some of you may have already seen a quickie review of this game in my end of the year recap because it took me so long to review it.  But I’ve been a big fan of the series since its inception, so the game was certainly deserving of a full review.  Plus, there’s a chance that this game is the final game in the saga, so I feel that I need to send it off properly.  This game is Assassin’s Creed 3, developed by Ubisoft Montreal, published by Ubisoft, and including the voices of Noah Watts, Nolan North, Adrian Hough, Kaniehtiio Horn, Roger Aaron Brown, John de Lancie, Neil Napier, Allen Leech, Robert Lawrenson, Robin Atkin Downes, Danny Wallace, Eliza Jane Schneider, Margaret Easley, and Nadia Verrucci.

Desmond (Nolan North) and crew – William (John de Lancie), Rebecca (Eliza Jane Schneider), and Shaun (Danny Wallace) – are still trying to access a temple with the Apple of Eden, and use it to stop the end of the world.  …I don’t get it either.  To do so, Desmond gets into a machine that sends him back into his ancestor’s memories.  First, he becomes Haytham Kenway (Adrian Hough), who then fathers Ratonhnhaké:ton (Noah Watts) – who thankfully gets called Connor – with Connor’s mother, Kaniehti:io (Kaniehtiio Horn) – who I will call Unpronounceahontas.  Connor must stop the Templars in their plots in the American Colonies while simultaneously helping the Americas gain their independence.

I really liked this game (as you may have guessed from the quickie review in the Games of 2012 review), but it was not without its share of problems, most of which will not be found in this paragraph.  The story of the game was pretty good.  I’ve always kind of taken issue with the Desmond side of the Assassin’s Creed games.  They tend to be a little on the strange side.  The guy gets into a machine to allow him to access memories stored in his DNA while talking to ancient but super-advanced aliens and save the world with an apple.  But that’s a fairly minor section of the game, and that’s how I like it.  I don’t give a shit about Desmond.  But Altaïr, Ezio, and now Connor?  Yeah, that’s the stuff.  And Connor’s part of the story holds up as well as Altaïr’s and Ezio’s, but it does take its sweet time to get started.  I wanted to get into the Connor part of the story quicker because I didn’t see much point in getting attached to Haytham when I realized that he wasn’t my guy.  There wasn’t anything wrong with it, but I was in this to be Connor.  I even really liked the scenes of Haytham and Unpronounceahontas and their burgeoning relationship, but this guy isn’t going to participate in the Boston Tea Party, witness the Boston Massacre, chauffer Paul Revere on his Midnight Ride, and watch the signing of the Declaration of Independence.  Connor was!  And it was pretty cool to take part in all of those things, so I enjoyed it thoroughly when it got going.  There were a couple of minor qualms to be had with the rest of the story.  First off, the names of things.  The Mohawks seem like they had absolutely no interest in making their names easy on me while writing these reviews, and I think that’s very inconsiderate of them.  There was our main character, Ratonhnhaké:ton, his mother, Kaniehti:io, and the place they were from, Kanien’keh(‘a):ka.  Come on!  That can’t be real!  What possible use for colons, semicolons, and parenthesis would the Mohawk have?!  I guess, much like their philosophies in hunting, they felt like they must use all parts of the keyboard as they use all parts of the buffalo.  The endings were a little weak as well.  The defeat of Connor’s mortal enemy was a little anticlimactic, and I wasn’t that pleased with what happened with Desmond either.  I was happy they didn’t go with the typical ending with making the audience make a choice.  I just want to see YOUR story, not make my own.  Or, more accurately, I don’t want to have to look up the other ending on YouTube.

The controls of the game were what gave me the most trouble.  Not all of the time as it controls very similar to every other Assassin’s Creed, but I had never had so many problems with glitches in the other games.  There were times when the controls wouldn’t respond, I would run into invisible walls, icons wouldn’t show up when they were supposed to.  The worst one was when I was trying to climb a wall and I was inexplicably fired up into the air, only to come crashing down to the Earth and die.  It didn’t happen all the time, but even just a few times in such a big name title is extremely frustrating.  Otherwise, the game is exactly as you’d expect an Assassin’s Creed game to be.  And by that, I mean it’s awesome.  It’s like Dishonored if it didn’t punish you for killing bad people.  And the parkour is great, and improved for this game a little.  It’s mostly what we’ve done in the other games, but this game takes us out into the wilderness a lot more than the other games does.  And that means free-running through the trees.  It works very well most of the time, though it’s occasionally difficult to see your path clearly when trying to figure out which way to jump.  The side missions in the game were fun, but some were extremely tedious and others I just did not play the way they wanted me to.  Like the hunting stuff.  Connor was an effective, but very impatient hunter with me at the helm.  It would’ve been a fairly common sight to see Connor running through the frontier, trying to bum rush a raccoon in the brush.  And the board games were a constant annoyance for me.  I realize that the only reason I was even bothering with them was because I wanted achievements, but I found them really annoying.  One problem with playing a board game against a computer is that the computer knows how to play and what is going to happen way better than we do.  Another problem is that I don’t really want to play these things.  I don’t need the money, so I’m just forced to play the stupid things for the achievements.  And Six Man Morris is a horrible piece of shit of a game.  I want it to die.  I resent this game for making me play it.  I don’t know anyone named Morris, but I will befriend one just so I can hate him.  I had a couple minor issues with the logic of the game as well.  Like why do guards attack me because 3 orphans are pestering me?  I would understand if they were already looking for me, or if I just killed them like I always wanted to, but just because they see a guy being bothered by kids?  They should attack the kids!  Or let me!  As much as I loved the regular gameplay of Assassin’s Creed, this game kind of overshadowed it for me with the new nautical battles.  I really dug these.  It made me wish Ubisoft would take over a really cool Pirates of the Caribbean game.

The look of the game is fantastic, with next to no complaints.  The landscapes are beautiful, and the seafaring levels are brilliant.  The only thing I took issue with was minor, but annoying.  The game gives you the ability to change the color of Connor’s outfit, but does not have the ability to change his costume color in the cinematics.  I’ll be wearing some badass black and red getup just to suddenly, and jarringly, be wearing classic white because I’m chatting with Sam Adams now.  Come on, Ubisoft.  We all know this technology exists.

I never was all that interested in the multiplayer of the Assassin’s Creed games.  That lack of interest, as well as the structure of the multiplayer, has not changed much.  It’s an interesting idea, and it’s nice that it’s different from the typical first person shooter multiplayer, but it also doesn’t really keep my attention very long.  The first problem is that they take so long to explain it in the overlong tutorials for it.  They actually show you how to free run!  Does anyone buy Assassin’s Creed for the multiplayer?  In which case, how would they not already know how to free run, and probably have played the entire story mode before even bothering to give multiplayer a shot.  Then, when you get into the multiplayer, it’s not usually the game of hiding and surprising that the tutorials make it out to be.  It’s mostly just people running around in circles trying to stab each other.

The achievements in this game weren’t insurmountable, but there were still some that I was not going to bother with.  Namely, the multiplayer ones.  But I did get the rest of them.  The only ones that I found very annoying were the ones involving the board games and the damned Encyclopedia of the Common Man stuff.  That was extremely tedious.  You basically have to take a look at everyone in your homestead doing three different versions of their jobs.  They may choose not to do their jobs for about 4 or 5 days because they’d rather be fishing, and you may not be able to kill them in punishment for their inefficiency, but you will have to stand around waiting for them to do it anyway.

Assassin’s Creed 3 was a great game that was hindered by a few minor problems that just should not have been there from a company that makes such polished games usually.  But they were only temporary hindrances in a beautiful game with highly enjoyable gameplay and completely forgettable multiplayer.  I recommend buying this game.  I bought it for $35, which it is totally worth.  I’d still probably get it for $60 though.  Assassin’s Creed 3 gets “My enemy is a notion, not a nation” out of “Better the world burns, than SHE is unleashed upon it!”

Let’s get these reviews more attention, people.  Post on Facebook, Twitter, Pinterest, MySpace if you just awoke from a coma, and whatever else you can to get as many eyes on these things as possible.  Follow my fanpage on Facebook, follow me on Twitter, and subscribe to my YouTube channel to keep on top of all things Robert.  And don’t underestimate the importance of some constructive criticism.  Rate these reviews, like the videos, and comment on both with anything you’d like to say.  And don’t forget to request things you want a review of.  LOVE YOUSE GUYS!!

The Games of 2012


It’s hard for me to decide how long this review is going to be before I get started on it. I feel like I didn’t play as many of the new games that came out this year just because of financial restraints. On the other hand, I also started using my Gamefly subscription more to fill in the gaps that I wasn’t willing to pay full price for. I’m also a little bit worried that I won’t have enough games to complete a bottom three, just because my precious time and money could not be wasted on untested, shitty games this year. Hopefully I’ll have plenty to talk about, but there’s only one way to find out…

JANUARY

FINAL FANTASY XIII-2

I fully intended to play this game; so much so that I actually purchased it and everything. The reason I never got started was because I still haven’t beaten FF13 yet. I started playing it when it originally came out, and then started from scratch again when this game came out, determined to finish a review of it and move onto the next game in the series. I have lost interest both times before actually finishing. One day, FF13-2… One day…

FEBRUARY

THE DARKNESS 2

I actually purchased this too … and still haven’t started playing it. I’VE BEEN BUSY!!

KINGDOMS OF AMALUR: RECKONING

AHA! A game I actually beat! And it was … thoroughly mediocre. There’re a whole lot of side missions, and a whole lot of dialogue to sit through, and all of that is written by some guy that nerdier people than myself know. I, however, don’t know him and don’t care to listen through novels worth of dialogue that is not that interesting in the first place. It’s a decent enough game, but certainly not worth a full purchase … unless you find it for $10 bucks like I did.

UNCHARTED: GOLDEN ABYSS

I was very excited about this game (as I am with all the Uncharted games), but I was not nearly as excited about the Playstation Vita at first. Eventually, I bought a Vita in the Assassin’s Creed Limited Edition bundle, and this game was the only game I was really concerned about getting. How was it? …I’ll let you know. I haven’t finished Assassin’s Creed yet. I’ve been told by my roommate that it’s really good though.

MARCH

MASS EFFECT 3

I am apparently a liar. I looked briefly at the 2011 reviews and saw that I said I would definitely be playing this game. Eh… not so much. Not because of the game, but because I seemingly completely forgot it existed.

APRIL

DISGAEA 3: ABSENCE OF DETENTION

I haven’t gotten this game yet, but I desperately want it. I have an unnatural obsession with this game series.

PROTOTYPE 2

A decent enough game. It’s a little repetitive, and I never was really able to muster more than an hour at a time, but it was solid fun. It also looked pretty good, and it was pretty easy achievements. It’s worth checking out if you can find a cheap enough copy.

MAY

SNIPER ELITE V2

I was pleasantly surprised by this game. I assume my friend Phil let me borrow the game because he expected such a thing, and he was right for once in his life. The story is simplistic and the graphics aren’t always what we’ve come to expect in this generation of gaming, but the satisfaction I gained from watching one of my shots go through someone’s skull in slow motion never dulled, even when it happened over and over again.

JUNE

LEGO BATMAN 2: DC SUPER HEROES

It’s another Lego game! …Take that for what it is. It’s good, and definitely right up a kid’s alley, but it’s not dissimilar from every other Lego game I’ve played in the past. Just this time, it’s Batman and other DC superheroes. Basic gameplay and basic story – and I was a little bummed that they made the characters talk when they’ve been so successful making the other games tell a story in an amusing way without it thus far – but there is some stupid, silly fun to be had in this game. And easy achievements! I’m sure it will be super cheap soon enough. You can give it a go when that happens.

THE AMAZING SPIDER-MAN

My strange desire to play this game nagged at me for a long time. I had the strange desire because I’ve really liked some of the Spider-Man games in the past. It nagged at me because I wouldn’t buy it because it’s been a very long time since they’ve made one of the good ones. What did they do this time? They made another mediocre one, but one that had the free-roaming gameplay style that I wanted. Overall, I enjoyed playing the game enough because of the gameplay, but the story was really plain, and was also basically the not groundbreaking movie with more cross breeds. It’s okay, and probably worth a rental, but not much more.

SEPTEMBER

Quite a break here, right? It’s almost enough to make you think I had a life during this period. (Psst. I didn’t)

OCTOBER

JUST DANCE 4 and DANCE CENTRAL 3

If I had ever reviewed one of these games before, I would suggest that you take that review and change the music on it. Then add one to the number in the title.

ASSASSIN’S CREED III: LIBERATION

I’ve always loved Assassin’s Creed. But every handheld game (of course, I’m referring to the one other handheld one that I played) has been an utter disappointment. I have not completed this game, but it has blown my expectations for the handheld Assassin’s Creed games out of the water, while simultaneously not really being as good as any of the console games. It handles a lot like the Assassin’s Creed with the addition of the Vita’s second analog stick, but there’s not a whole lot going on in the story, and most of the missions involve changing Aveline’s costume and going to kill something. At least from what I’ve played so far, it’s not the greatest game, but it is a good game, and it’s the best Vita game I’ve played so far. It’s also the only one I’ve played so far.

NOVEMBER

CALL OF DUTY: BLACK OPS II

I’ve made it no secret that I’ve decided to boycott the Call of Duty games. They typically have next to nothing interesting going on in their single player campaign because they know that no one is really that interested in playing it. They tend to do a lot of good with their multiplayer, but that has bit me in the ass too. I bought the last two CoD games, and never really played Black Ops online. And I didn’t even open my copy of Modern Warfare 3. That caused me to decide to completely boycott this game. …That being said, I received the game as a Christmas present, and so I played it. The story is fairly solid, though not at all groundbreaking. They did make a few changes to the gameplay, and they all work well in favor of the game. It’s fun, though I’d say it’s a little easy for its own good. It’s also fun that they take it a bit into the future while also taking us back into the past, so we get to use some tried and true weapons and also use some futuristic weapons, some of which seem far fetched and others that seem realistic. I have not ventured into multiplayer yet, but I would say that what I’ve played of the game so far has made me not disappointed to own the game.

LEGO THE LORD OF THE RINGS: THE VIDEO GAME

I haven’t played this game, but I assume you can take my review for Lego Batman 2 and exchange the word “Batman” with the word “Aragorn”.

HITMAN: ABSOLUTION

I look forward to playing this game … when I can find it for about $30.

THE WORST GAMES OF 2012

FIFTH WORST

Medal of Honor: Warfighter (2012)MEDAL OF HONOR: WARFIGHTER

When I rented this game, I wasn’t expecting much. With a name as bland as “Warfighter”, what should I expect? A mediocre game! DELIVERED! The story of the game was too long, it offered no appreciable innovations to the first person shooter genre, and the graphics were occasionally subpar. I’m sure they invested a good amount of their time into the multiplayer, but I invested none of mine into it. I just rented it to see if it was any good, then I beat it in a couple of days and sent it back, relatively unsatisfied. It’s not awful, but it’s probably only worth picking up if you can find it for about $10.

FOURTH WORST

Dishonored (2012)DISHONORED

This game disappointed me, but it also helped prove me right. People need to stop using hyperbole when talking about things with me. If you’re going to set this game up to me as mind-blowing – so much so that I’ll actually invest my monies into it – then it had damned well better be. It had better not be okay, and then just devolve into repetitively cutting throats. And the goddamned game better not try so hard to make me feel shitty for doing cutting those throats. You put it into the game! Maybe YOU’RE the bad person! Not me for realizing that the least frustrating way through a stealth game is to take the bad people out of the equation. Bad people can’t be bad anymore when their blood is no longer in their body.

THIRD WORST

TWISTED METAL

A pretty disappointing game that I probably shouldn’t have bothered expecting anything out of in the first place. This game was my own mistake because I put it on a Twisted Metal (2012)list for my birthday and it was gifted to me by my sister. I should have probably known better. My sister doesn’t game, so she wouldn’t know better. The game did remind me of a simpler time when all a game really needed was some goofy cars and explosions, but the problems of the game became more and more annoying over time. There were some frustratingly difficult parts in the game, and the game has no interest in telling you how to play it. And, to top that all off, you can probably knock it out in a few hours and then have no reason to play it. It has multiplayer, but it wasn’t my cup of tea. It had Twisted Metal Black to download along with the game, but that only really served to remind me that lots of games don’t age well. I can see some potential for this game to be entertaining when split-screened with your friends, but that does not justify its price.

RUNNER UP

Kinect Star Wars (2012)KINECT STAR WARS

I never got around to finishing this game, but I did play a good deal of it. I only bought the game because there was no other way to purchase the special edition R2D2 Xbox 360 without getting this game to come along with it. I even tried to trade in the game after I purchased the console, but the game wasn’t in Best Buy’s systems yet. So I decided to play it instead. The regular gameplay was fine enough, but a little repetitive. I did feel like I actually had full access to all of my midichlorians though. So what was the problem? This game shit all over my childhood! You seriously gonna have Han Solo dance in the carbonite chamber before he gets frozen? To a poorly parodied version of “I’m Riding Solo?” Fuck that shit! Those were not good times for old Han.

THE LOSER

SSX (2012)SSX

Oh that’s right, I DID want to kick a game in the nuts this year. That game was SSX. I only played this game because I remembered playing it when I was younger and really liking the simple fun of the series. I played this game and found that fun did not hold up anymore. There was no story and I got extremely bored of the gameplay in about a half hour since it was the same thing over and over, and that one thing was not even very fun. The game looks okay, but really has nothing else going for it.

THE BEST GAMES OF 2012

HONORABLE MENTION

The only game that almost made my top five for this year was Sniper Elite V2. It was a pretty fun game and surpassed any expectations I could’ve had for a game that I had never heard of that came out completely under my radar.

FIFTH BEST

Max Payne 3 (2012)MAX PAYNE 3

I had been a fan of the Max Payne series since its beginning, and I still enjoyed Max Payne 3, but it was a bit of a trudge in more than one part. Mainly, Max himself. Such a whiny bitch for someone that is killing hordes of his enemies like he was the Armageddon the Mayans were talking about. The story was good, but the dialogue suffered from Max Payne’s inescapable moroseness. So morose was he that it actually took away from my enjoyment of the extremely quality gameplay. I knew I would love that much, with all the jumping through windows and firing in slow motion. I just could’ve enjoyed it much more if Max would just shut the fuck up.

FOURTH BEST

Halo 4 (2012)HALO 4

I give this game extra credit for blowing my expectations for it out of the water. This was the first time the fate of Master Chief had been left in non-Bungie hands, and 343 tore it up. I’ve only played the campaign thus far, but I thought the story was really good, and even had a surprising bit of emotion to it near the end. Before that, it’s not much more than going from computer terminal to computer terminal, and I could resent that because it’s a version of my life with more guns and aliens. But the game looks GORGEOUS. Best looking Halo game so far by leaps and bounds. I bet the multiplayer is even good. Maybe I’ll give it a go.

THIRD BEST

Assassin's Creed 3 (2012)ASSASSIN’S CREED III

I’ve always loved Assassin’s Creed. Every console game thus far has been right up my alley. This one was as well … with a few notations. I loved the story and felt that it came a lot closer to home (as it physically came closer to home) by actually happening during a time period I would actually have any knowledge of. And I’ve always liked the way the Assassin’s Creed games play. Running over rooftops and stabbing necks with wrist blades is always good times. It’s like Dishonored if Dishonored didn’t punish you for playing the game the way it was designed. What did kind of punish me was how many glitches I encountered in the game. I ran into invisible walls, jumped onto walls instead of running in the direction I was trying to tell Connor to go, and on one occasion something in the game fired me up into the air, sending me crashing to my death. Still, the game was awesome when these things were not hindering my enjoyment.

RUNNER UP

Far Cry 3 (2012)FAR CRY 3

This was probably my most anticipated game of the holiday season, and it did not disappoint. All the Far Cry games are graphically fantastic, and this one held up its end of that. And you can also expect the landscapes in Far Cry to be huge, lush, colorful landscapes with tons of things to explore. The stories of the Far Cry games are typically unimpressive, but I actually liked the story of this game … mainly because there was one. And it was good too. I especially liked any parts of the story involving Vaas. My roommate did good by getting this game for me for Christmas.

THE WINNER

Borderlands 2 (2012)BORDERLANDS 2

When it came to the best game of this year, there were a few games it could be, but only one game it’s gots to be. I have already beaten this game as well as all the available DLC for it so far, and I’ve also played a good amount of time with all 5 character types available to me, but I still haven’t produced a review for the game because it’s so good that I have not yet decided that I’m over it. It is so good! The story is as fun as I’ve come to expect from my time with the first game, but they also actually put a few surprises and a few emotionally impactful moments. And on top of that, it’s an excellent first person shooter with RPG elements, and that is pretty much my two favorite game genres. This game is awesome. You need to buy it.

These are my opinions, but I would love to hear yours. Just like with the movies of 2012, I would love for you guys to leave me a comment telling me what your top and bottom 5 video games of 2012 were.

Let’s get these reviews more attention, people. Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense. Whatever you can do to help my reviews get more attention would be greatly appreciated. You can also add me on FaceBook and Twitter. Don’t forget to leave me some comments. Your opinions and constructive criticisms are always appreciated.

Assassin’s Creed: Revelations (2011)


Nothing is True, Everything is Permitted

Having gotten Skyrim out of my house and having … completed? Rage … I was finally able to jump back into the Animus and head into a sequel in on of my favorite franchises out right now: Assassin’s Creed. As the second Assassin’s Creed game to come out in 2011 (the other being Brotherhood), one may wonder if Ubisoft is over-saturating the market with these games, and when will we get sick of them? But the only time they have disappointed me so far is when they tried to make the game work on the handheld PSP, so let’s see if this game holds up, or if it lets down. Assassin’s Creed: Revelations was developed by Ubisoft Montreal, published by Ubisoft, and features the voices of Roger Craig Smith, Cas Anvar, and Nolan North.

Desmond Miles (Nolan North) is in a coma after the events of Assassin’s Creed: Brotherhood. He wakes up on what appears to be the beach from the end of Contact and is greeted by the remaining consciousness of Subject Sixteen, previous resident of the Animus, now dead. Sixteen tells Desmond that his mind is falling apart and the only way to save it is to finish reliving his ancestor’s memories. He jumps back into the memories of Ezio Auditore Da Firenze (Roger Craig Smith). Ezio goes back to where all the Assassin’s Creed games got their start; the village of Masyaf. Upon arrival, he is captured and nearly executed by Templars, but he escapes and finds there’s a hidden library beneath Masyaf, left by a previous master Assassin, Altair ibn La-Ahad (Cas Anvar). Ezio embarks on a journey to find 5 keys to the library, hidden by Niccolo Polo. He heads to Constantinople, helps a small faction of Assassin’s rise to power, befriends a book collector named Sofia Sartor, and gets involved in a power struggle between potential Sultans.

I haven’t yet met a console Assassin’s Creed game I didn’t like. This game continues in the excellence of the series, but has a few missteps. The game play is roughly the same as every other AC game with a couple, notable changes. All the previews showed a much-aged Ezio, and talk about the game worried me that his ability to traverse the city would be diminished with his age, but Ezio suffered no such ill-effects. Ubisoft has refined the movements of their Assassin’s throughout the games, and it only gets better here. The most notable addition to the game is that the hidden blade now offers a new hook that Ezio can use to propel himself up the sides of buildings quicker, and allows him to zip line across gaps using ropes that connect buildings for no reason I could figure out. But it works, so who cares. You still have many of the items you had in previous games, such as swords, daggers, maces, a gun, a crossbow, poison, and throwing knives. They added in a pretty complicated bomb-making process that allowed you to make bombs with deadly things and things that will distract. It was a bit over-complicated to combine the various ingredients and make bombs, but also something I never really found the need for, so I barely used them. They bring back a part I rather liked from Brotherhood in that you can now train Assassin’s and send them out on missions and use them in battles, but now you can assign them to lead Assassin dens and control portions of the city. This also brought along something I wasn’t that fond of in the little mini-games to keep control of those parts of the city. I don’t know what the world’s obsession with tower defense games is, but I don’t feel like they have much of a place in my Assassin’s Creed games. It basically becomes a group of Templars running down a street and you trying to stop them by putting different types of Assassin’s on the rooftops or behind barricades you can place. It’s super easy to take out most of the foot Templars, but then it ends with a giant battering ram that is barely affected by any kind of Assassin you can place. But, thankfully, you can avoid having to play this more than once if you keep your Templar awareness down. The combat is smooth and satisfying, and handles a lot like Batman: Arkham Asylum/City, but you don’t have to have some pussy code about not killing people. And the ways Ezio finishes people off are more brutal and awesome in this game than in the others. You can jam your hook into enemies and slam them into the ground, stab them in the stomach and lift the blade through the top of their head, and (my favorite) stab them through the face, spin the sword (and their head) around 360 degrees, and then remove the sword.

The story is roughly as confusing as it always is. All of the stories are pretty straight-forward throughout, but then take some strange, confusing turn at the end. The pattern is that you’re Desmond, you go into the machine, you relive the memories of Altair/Ezio, and then at the end you find out something about the First Civilization that existed on earth before mankind and then I can’t really figure the rest out. I’ve always felt like these games would work a lot better for me if they cut out the whole Desmond/Animus thing and just let us be Ezio and Altair. Their stories are pretty interesting and well flushed out. My favorite part of the story was Ezio’s relationship with Sofia. They seemed to develop some affections for each other, but their interactions were great, and the graphics really captured their personalities on their faces. Most of it was a very subtle flirtation, but it seemed they may end up together after the events of the game. My favorite part of the game is you get to be Altair again. HUZZAH! It was good to not only get to play as Altair again, but actually find out what happened to him after the events of Assassin’s Creed, as he’s not a significant part of any other game besides the crappy PSP game. The only problem with Altair was playing him as an old man because he couldn’t run, and the walking took too long. In Assassin’s Creed 2 and Brotherhood, you got to interact with Leonardo Di Vinci, but you didn’t get any cool historical person to interact with in this game. They had Suleiman, Niccolo Polo, Prince Ahmet, Selim, and Mauel Palaiologos, but I didn’t know any of them. I was also a little disappointed in the items that you can unlock in the game, just because previous games let you collect some Altair armor, and this game gets you some good armor, but nothing that mattered to me because I’d never heard of the person who’s armor you unlock.

Assassin’s Creed 2 introduced something to the series that it has taken me some time to warm up to: multiplayer. I refused to play it in AC2 out of the assumption that it was a typical game staple of having to tack on pointless mutliplayer so that people wouldn’t sell your game. I just wanted the single player experience, personally, and that multiplayer was wasting valuable realty on my discs. When it showed up again in Brotherhood, I gave it a try for about an hour, but got bored and stopped playing. I typically will only venture into multiplayer gaming for FPS games, and was not that interested in trying something new. I put much more time into the multiplayer here. I’m beginning to respect it. It takes a novel, new approach to multiplayer. This game is about patience and planning, not about running and gunning. Each player picks a character and is dropped into a section of city with multiple versions of your character. Your goal is then to walk around the battlefield, find your target, and kill them as stealthily as you can, while also keeping a weary eye out for the person hunting you. You find your target, press X to kill them. You become the target, press B to stun them, then beat cheeks to escape. It’s actually quite enjoyable, though the more experienced players do have a bit of unfair advantage based on the skills they’ve unlocked. It’s still very satisfying to blend into a group with one or two more AI characters that look just like you and watch the person hunting you accidentally stab one of the innocent people thinking it was you. Also, trying to get close to your target while trying to behave like AI so as not to give yourself away is pretty exciting as well. One big issue I have with the multiplayer is that I don’t think it will hold my interest for too long. It’s a nice change of pace, but it gets stale for me. Also, pretty much every game type just basically turns into a stab fest anyway. Whether you’re supposed to stab someone who has the special item, stab people to corrupt them and make them join you, or stab people to stab people.

The achievements are easy, but a little time consuming. The ones that may give you trouble is the 100% synchronization on all of the memories (which is a sentence that is total gibberish to anyone who hasn’t played the series), the collecting, and the multiplayer, but all of them are pretty enjoyable to get, so I’d say it’s worth the time.

I still find myself in love with the Assassin’s Creed series. Even though they’re on their 4th console title, and number 5 is supposed to come out before the end of 2012, they have kept the series fresh and enjoyable with fantastic controls, satisfying combat, fantastic graphics, a great and well-told (if a bit confusing) story, and even unique and enjoyable multiplayer. From what I’ve heard, the next game may well be the end of the series, and it will most likely take place in present day with us playing as Desmond. I will still be playing it, but I do wish they had taken us into more times as people rumored they would. A Japanese ninja-esque Assassin would have been fun, but also may have just been a Tenchu game. Either way, this game is great, and I’m on board for the next installment. I bought it, and I think you should too, especially if you’re a fan of the series. If not, maybe just rent it and see. But, for me, Assassin’s Creed: Revelations gets “Could it be that you are every bit as deadly as the legends say?” out of “Trust without cynicism is hollow.”

Hey, peeps. Why not rate and comment on this as a favor to good ole Robert, eh? And tell your friends! Let’s make me famous!