Fast & Furious 6 (2013)


Ride or Die, Remember?

Fast & Furious 6 (2013)I was personally not that interested in seeing the movie that I am reviewing. This is the sixth part in a movie series I have been mostly disinterested in all the way through. Whichever ones I saw of the first four did nothing for me, though I did enjoy the fifth one for what it was. When they released the sixth one, I still couldn’t muster any interest in it because 1/5 is still not a great ratio. But my friend Greg said that the sixth was worth seeing, more like the fifth than the other four that preceded. Jesus I’m sick of typing numbers! Let me do just one more as I review Fast & Furious 6, written by Chris Morgan, directed by Justin Lin, and starring Vin Diesel, Michelle Rodriguez, Paul Walker, Dwayne Johnson, Luke Evans, Gina Carano, Tyrese Gibson, Chris Bridges, Sung Kang, Gal Gadot, John Ortiz, Joe Taslim, Clara Paget, Kim Kold, Jordana Brewster, and Elsa Pataky.

Dominic Toretto (Vin Diesel) and his gang – Roman Pearce (Tyrese Gibson), Tej Parker (Chris Bridges), Han Seoul-Oh (Sung Kang), and Gisele Yashar (Gal Gadot) – have retired after becoming rich from their successful heist in Rio, and because Brian O’Conner (Paul Walker) and Dom’s sister Mia (Jordana Brewster) have spawned. DSS agent Luke Hobbs (Dwayne Johnson) and his partner Riley Hicks (Gina Carano) have other things in mind for them, such as taking down a former British Special Forces soldier turned bad, Owen Shaw (Luke Evans), before he builds something bad. But Hobbs would need something big to make Dom come out of retirement and get the band back together, and something much more important than that being the cliché that starts all of these sorts of movies. Hobbs has just the thing. Dom’s former girlfriend and current amnesiac Letty Ortiz (Michelle Rodriguez) is a member of Shaw’s team. Let’s get these cliché’s started!

I didn’t go into this movie with any expectations, and I was right. Story is probably never going to be a strong point of the Fast movies, and I’m sure no one goes in with expectations of anything different. But the story of this movie was quite a trudge for me. How hard can you dig into the cliché barrel in one movie? Coming out of retirement. Getting the band back together. Amnesia. It’s like soap opera quality writing with a few more explosions and face-punches. And we got the band back together on the last movie! So you’re not only using clichés, you’re RE-using clichés! And if elements of your story hadn’t already been done to death, you could only manage passing sense with your own story elements. You have an important mission to accomplish, but you can take time out in the middle for a random street race? I know you could argue that Dom did it thinking that Letty would be there, but what was her justification for it? I think the only real argument you could make was that this is a Fast movie so they felt obligated to do it, whether it made sense or not. Maybe they just did it to keep the audience from getting bored, but it didn’t work on me. I was well into bored by the time Shaw and Dom met up after that for their scheduled dick-measuring contest. It also made no damned sense that Brian went back to LA to find out how Letty got involved. He flies back, gets himself arrested, gets himself thrown into solitary confinement, all just to talk to a mob boss and find out what bullshit they made up to justify Letty surviving the explosion that supposedly killed her. But then he returns and Dom says that information was just for him, and even Letty doesn’t care to hear about it, just accepting Brian’s apology and moving on. So that was a giant waste of time. The one-liners in the movie were hit-and-miss, but more miss than anything else. I liked Letty’s line about Team Muscle and Team Pussy, but a later line of “That ain’t a plane; it’s a planet” is just awful.

Let’s face facts: most people that are interested in this movie have no interest in the things I wrote about in the story paragraph. Hell, some of them can’t even read it. So let’s talk about the action. It was decent. The greater majority of the action in the bulk of the movie was nothing altogether spectacular to me, but I would give Fast 6 the credit for having a climax of the movie even more ridiculous and spectacular than the last movie, but it does take a little away from it that they spoil it right in the trailer. So they’ll take a plane down with cars and cables, eh? I don’t know if that’s physically possible, but I already know it’ll happen. And I didn’t even search out trailers for this movie! Spoilers were forced upon me! But I’ve also never really had that much interest in car stuff, so I started liking a little better when they threw a tank into the mix. I did think the race car was an interesting idea, using its leverage to topple opposition cars, but I also didn’t understand how it was so hard to take out when its wheels were completely exposed. The face-punching stuff was pretty good when it happened as well. The fight inside the plane was pretty exciting, and kind of reminded me of Uncharted, but I really spent the entire fight waiting for the inevitable moment when Hobbs threw down against Shaw’s giant muscle dude. I also found myself bothered by the fights between Letty and Hicks, because Letty came out on top both times. I know Letty was more the hero of the story and so she should win, but I do not accept Michelle Rodriguez winning a fight against Gina Carano. No matter how much Michelle Rodriguez acts like a man; Gina Carano would beat that ass.

Most of the performances were entirely underwhelming, as expected. Vin Diesel is rarely my cup of tea. He always talks like he’s being choked by his own neck muscles, or like the lady with a tracheotomy in the anti-smoking commercials. I’ve seen Paul Walker act once. I’ve seen him in many movies, but I’ve only seen him pull off acting once. This was not that movie. He wasn’t particularly bad in this one; he was just a non-entity. I do, however, tend to like Dwayne Johnson whenever I see him. He’s got a lot of charisma and is ripped as hell. He outshines everyone else in this movie easily, but that also doesn’t really seem like it’d be that difficult.

Fast & Furious 6 came slightly below meeting the expectations that I didn’t have for it. The story was cliché and predictable, and the acting was mostly underwhelming. The action was decent enough, and probably much more interesting to people that like action involving cars, but I personally was getting bored with most of the movie right up to the climax that was ridiculous and spectacular enough to make this movie just pass as watchable. If you like the other movies in the series, you’ve probably already seen it. Otherwise, I’d recommend this movie for a rental. Fast & Furious 6 gets “This code you live by makes you predictable” out of “If that’s what it takes. I just wanna race.”

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Haywire (2012)


I Haven’t Closed My Eyes Since You Were Born

Against my better judgment, I’ve been super interested in seeing today’s movie since I first heard about it.  It’s the screen debut of an MMA fighter that I’m a fan of along with a pretty spectacular supporting cast.  But, even though I felt like I really wanted to see it, something always held me back.  I’m not sure if I was afraid of seeing a movie with this fighter in it because I expected that person to not be able to act or if there was just never a good time to do it.  When I was in Arizona a few months back, I occupied myself by going to the movie theater frequently.  This movie was still in the theater there at the time, but the one or two shows it had did not align with the times I would be able to see it.  The time to see it in theaters had passed, so I set my sights on its RedBox release.  It came out on DVD and at RedBox on the same day, and the first thing I did was put it on reserve.  The time has finally come for my review of Haywire, written by Lem Dobbs, directed by Steven Soderbergh, and starring Gina Carano, Ewan McGregor, Michael Douglas, Antonio Banderas, Channing Tatum, Bill Paxton, Michael Fassbender, Michael Angarano and Anthony Brandon Wong.

Mallory Kane (Gina Carano) is a mercenary of sorts that works for Kenneth (Ewan McGregor), who is also her former boyfriend.  She goes out on a successful mission to rescue a hostage named Jiang (Anthony Brandon Wong) along with another member of the private firm she works for named Aaron (Channing Tatum).  When Mallory returns home, Kenneth asks her to take a quick and easy assignment to pose as the wife of MI6 agent Paul (Michael Fassbender) on a stakeout.  At the party, Mallory sees Paul talking with his contact before entering a barn.  Later, she checks out the barn to find Jiang dead.  Mallory realizes that she’s been set up.  When they return to their hotel room, Paul attacks Mallory.  She whips that ass and kills him.  She then uses his cell phone to find out that Kenneth was the one that told Paul to kill her.  Mallory sets off to find out why she was set up, and make the ones who did it pay.

What a bummer.  I went into this movie with the expectation that Carano would not be able to hold up her end of the acting, but would make for some awesome fight scenes.  What I didn’t expect was that the only real problem I had with this movie would be completely at the fault of the director.  I found myself extremely annoyed with how slow this movie moved.  It was a complete artsy fartsy movie.  You may recall my complaints sounding similar in my review of the Ang Lee Hulk movie.  It seemed to me as if the director was really concerned about getting some interesting and stylized looks and camera angles, and not really concerned with making a movie that was interesting.  Don’t get me wrong, I don’t mind my action movies having a nice artistic style.  But what an action movie needs above all that is pacing.  This movie chose to show boring and uneventful scenes in real time, as if I was watching a boring episode of 24.  During a chase scene on foot, the director uses footage of Carano running down an alley in a straight line for a good 30 seconds.  You can have really long foot chase scenes if you throw in a lot of things to break up the simple running, like jumping over cars or fences.  But when you just show me a lady running in a straight line I get to feeling like I’m watching track and field at the Olympics.  He also shows us about 10 minutes of Carano and Fassbender getting dressed for the party they’re going to and inspecting all their equipment.  I will take your word for it if you tell me these people are pros, so you don’t need to show me them inspecting their equipment.  I will also jump to the conclusion that they got dressed when they show up to the party with clothing on.  Later on, we get a long, drawn out scene of Carano walking down the street occasionally looking over to check that a guy is following her.  This goes on for like 5 minutes before it turns into a pretty boring chase scene.  I got to feeling like the director was doing all of these time wasting and boring things because he finished his movie and realized it was only 40 minutes long.  And, since it would make less money if they just put that version on TV, making it a full hour with commercials, he just decided to hit ‘Undo’ on all of the cuts that he made.

The action, when it happened, was very satisfying to me.  It was like watching an MMA fight, but in a more practical way because it was in a real life setting with no rules and some weapons in the mix.  But I like watching MMA, so I liked watching these fights too.  The fights smashed the hell out of the environments too.  The bulk of them were a little brief for my tastes, though.  The fight between Carano and Fassbender was particularly exciting, lasting for a pretty good stretch of fighting, using and destroying the environment.  The problem with this scene is that it probably would’ve been more impactful to see Fassbender attack Carano out of nowhere had they not spoiled it in every trailer I saw for the movie.

I had no complaints about the performances in this movie.  I would’ve assumed that Gina Carano wouldn’t have been that good of an actress, but I felt like she did good.  Some of the dialogue in the earlier scenes was a little flat, but I was more distracted by the fact that the dialogue was happening in scenes I had no reason to be watching to pay much attention to her performance.  Carano is a solid, good-looking woman, but never really made that much out of her looks in the movie.  She was there to whip ass, and she did.  I found it a little bit jarring at first to see fight scenes between a guy and a girl where neither one was holding back at all, but it would be ill-informed to hold back because Carano was a woman.  She’s a nearly undefeated MMA fighter!  Also, even though it was just made as a snide comment in the movie, I would completely endorse Carano to play Wonder Woman if they make a movie out of that.  It was surprising to me how many huge names they were able to get into this movie to support Carano, but all of the performances were fairly low key and didn’t give me much to talk about.

Haywire had the potential to be a solid action flick, but the director turned it into a stylized bore.  The action was great, but often too short and spread out too far.  The cast was fantastic, and Carano (though not fantastic) did manage to impress me for her first film.  This movie would’ve been fantastic if they had only edited about 40 minutes of boring scenes we didn’t need to see out of it.  As it is, I say you can skip it.  I look forward to seeing Carano in better action movies in the future, though.  Haywire gets “Bummer” out of “You shouldn’t think of her as being a woman.  That would be your first mistake.”

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