Arrested Development: Season One (2003)

Say What You Will About America; Thirteen Bucks Still Gets You a Hell of a Lot of Mice.

I don’t often get requests to review TV shows, which I generally regard as a blessing, since a review of a TV show can take quite some time and I’ve never found myself particularly good at it.  But, when today’s TV show was requested, I was actually quite happy about it.  Not happy about getting to write a review of it, as I’m not nearly as practiced at it as I am with movies and even video games.  What I was happy about was getting to watch the TV show.  I’d never seen a single episode of this show as I tend to not keep up with television that much, so much so that I actually cancelled my cable service because I could do without the greater majority of them.  But I’d heard so much about how awesome this TV show was I was happy to have a reason to watch it.  So happy, apparently, that I actually bombed through all 22 episodes of the first season in one day.  Let’s see if it can live up to the hype as I review the first season of Arrested Development, created by Mitchell Hurwitz, and starring Jason Bateman, Portia de Rossi, Will Arnett, Tony Hale, Jeffrey Tambor, Jessica Walter, Michael Cera, Alia Shawkat, David Cross, Henry Winkler, Judy Greer, Liza Minnelli, Patricia Velásquez, Carl Weathers, Julia Louis-Dreyfus, Jay Johnston, Jerry Minor, Amy Poehler, Ian Roberts, Justin Lee, Jane Lynch, James Lipton, and John Michael Higgins.

George Bluth Sr. (Jeffrey Tambor) retires as the founder and CEO of the Bluth Company and is promptly arrested for spending the company’s money on personal expenses.  Bluth’s wife, Lucille (Jessica Walter) takes over as CEO, naming her extremely sheltered youngest son, Buster (Tony Hale), the president.  The middle son – and the only son actually equipped to run a business – Michael (Jason Bateman) leaves the company as a result, but comes back when they all realize they need him, and because his own son, George Michael (Michael Cera) wants to stay with the family.  Mainly because he’s developed a crush on his cousin, Maeby (Alia Shawkat), daughter of Michael’s sister Lindsay (Portia de Rossi) and her husband Tobias (David Cross).  The majority of the family lives in one of the Bluth model homes, with the rest of them, including the oldest brother Gob (Will Arnett) the aspiring magician, visiting frequently to try to borrow money from Michael as he tries to save the company while not even knowing what his father got into.

I don’t know if I’d say that this show has lived up to the hype so far, but it’s certainly not the fault of the show.  From what I had heard, I half expected to be laughing non-stop while watching.  That wasn’t what happened, but I found the show to be extremely well written, very funny, and even funny enough to get me to laugh out loud on more than one occasion.  The first episode was a little disappointing, but it seemed to mainly be all of the setup to get all of the backstory out of the way, but they pick up their speed pretty quickly after that.  The jokes mainly come from how ridiculous the family are, and are often shown in quick cutaways, almost like a live action Family Guy.  And, more often than not, my favorite part of the episode was actually the very end, where they show scenes from the next episode that may or may not actually happen, but they work very well as rapid fire jokes.  And a lot of the jokes were pretty smart too.  I liked when Gob got literally stabbed in the back as Michael was figuratively stabbing him in the back.  I was also a fan of the part where a guy said to Michael, “If you care about your brother, you’ll get in the car,” and Michael said, “Which brother?” and then, when the guy answered, “Gob,” he kept riding away.  Later, when George Michael was trying to find out if he was actually related to Maeby and he asked Gob if Lindsay was ever pregnant, Gob answers, “Oh yeah, dozens of times.”  I also like the part where George Bluth was talking about his twin brother and says, “You should’ve seen his face,” but then remembers that they’re twins and shows him what the face looked like.  A lot of the jokes seemed extra smart and well thought out as so many of them come together in the final episode, though this could’ve been done without planning to do it before hand.  I also liked a lot of the jokes that went on in the background, like when Gob was complaining about his girlfriend the Mexican soap opera star and saying that he’d kill someone if he ever had to smell some Mexican dish again, and the maid in the background closes her Tupperware that she was eating out of.  The story was never super important to the quality of the show, but there were a couple of reveals that were pretty obvious.  The whole part about “there always being money in the banana stand” could be seen coming from miles away, as well as the part about the blind lawyer being the Bluth’s opposing prosecutor in the trial.  Hell, they even outright spoil one themselves in the scenes from the next episode by saying that the lawyer isn’t really blind, but they say so many things in those next episode sequences that I didn’t know if it was true or a joke.  If it sounds like I’m just listing some of my favorite jokes from the show … well, I am.  But the show is well-written and funny, so you should watch it.

I liked all the performances in the show as well.  The greater majority of them are people that I liked going in, so it’s not really a surprise to me.  Jason Bateman plays a fantastic straight man, though he’s not above getting a little wacky himself.  It’s not too necessary in this show as his family does the bulk of the goofiness.  I was torn on the rest of the family for a while since most of them seemed like such unlikeable people I didn’t know why I’d want to spend time with them.  But you warm up to them fairly quickly.  I warmed up to Portia de Rossi because she was hot, especially when she was being sprayed by water and dancing in a cage in one of the later episodes.  I warmed up to Will Arnett because I’ve always liked him, and because he was one of the characters that started a lot of the funniness.  He also had his real life wife Amy Poehler in a few episodes as the wife he eloped with, and I’m always happy to see her as well.  I didn’t know Tony Hale before this show, but he gets a lot of funniness out of his Buster character.  I liked that he was able to get laughs from things as simple as standing silently in the background of scenes.  David Cross did a great deal of the comedy as well, as his character seemed totally gay and totally eccentric.  I liked the little physical things he did, like when he rolled up on the stage at the school play, or when he licked the end of his pencil and then kept licking it like he liked the taste.  He also got to work with Bob Odenkirk again in one episode, and those guys are genius together.  Michael Cera was an odd one for me.  Not because his performance in this show was not dissimilar from many of his other characters, but because of his relationship with his cousin Alia Shawkat.  Even though his crush on his cousin is pretty inappropriate, I found myself kind of wishing they would end up together.  I also liked Judy Greer in her few appearances as the assistant to George Bluth.  She’s a pretty attractive lady and I thought it was pretty funny when Gob would have her take off her glasses and her eyes would go cross-eyed, and she’d let down her hair and it’d go all crazy, and later she got a boob job and her nipples seemed to be pointing in odd directions.  Another big thing about the show is all of the guest appearances.  Liza Minnelli was in a few episodes, and was pretty damned funny as well.  Henry Winkler was usually funny as the inept lawyer, and he even busted the Fonze move in one episode.  Jane Lynch, Heather Graham, Carl Weathers, and a bunch of other random guest appearances were also great.

I’m sure a crappy show could not have kept me interested enough to actually get through 22 episodes of the first season in one day, but that was thankfully not the case with Arrested Development.  It was extremely well-written, very funny, and with fantastic performances to back it all up.  I don’t want to do it too soon and have the next review follow too quickly, but I can’t wait to get into the second season.  And, since you can stream the whole thing on Netflix, I don’t know why you’re not doing it right now.  Turns out my Friendboss Josh isn’t so much of an asshole after all.  Arrested Development Season One gets “That was a good investment” out of “It was shoplifting and I’m white.  I think I’m going to be okay.”

Let’s get these reviews more attention, people.  Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense.  Whatever you can do to help my reviews get more attention would be greatly appreciated.  You can also add me on FaceBook (Robert T. Bicket) and Twitter (iSizzle).  Don’t forget to leave me some comments.  Your opinions and constructive criticisms are always appreciated.

Tangled (2010)

That’s a Lot of Hair

I really wish I went into these reviews with any foresight. When my friend suggested I review the movie Tangled, I knew she wanted me to review the animated Disney movie. After I watched it, I went to the interwebs to get the information I needed to write my review and found out there was another movie by the name of Tangled starring Rachel Leigh Cook. I was pressed for time this day so I was unable to do what I wanted, but I instantly regretted not having watched the other one. Not for the quality, but for the comedy. Unfortunately, I had no time. So let’s see how this much less amusing (to me) review of the animated Tangled goes, written by Jacob Grimm, directed by Nathan Greno and Byron Howard, and starring the voices of Mandy Moore, Zachary Levi, Donna Murphy, Brad Garrett, Ron Perlman, Jeffrey Tambor, Richard Kiel, Paul F. Tompkins, Tom Kenny, Fred Tatasciore, and the legendary Frank Welker.

A Queen becomes sick while preggers and her kingdom goes out to find a magic flower to keep her alive. It’s been kept secret by a greedy old broad that sings it a song to keep herself young. The soldiers find it and use it to save the Queen. The Queen has a baby with golden hair that will keep people young when the baby girl has the song recited to her. The old broad, Gothel (Donna Murphy), steals the baby and locks her up in a tower so she can be young forever. The downtrodden King and Queen send out lanterns on the baby’s birthday every year in hopes that the baby will see them. 18 years later, charismatic thief Flynn Rider (Zachary Levi) steals the crown from the palace and is chased by guards to that very tower, where he is promptly clocked in the head with a frying pan wielded by the grown up Rapunzel (Mandy Moore). Gothel has forbidden Rapunzel to leave the tower, so Rapunzel hides Rider’s crown while he’s unconscious and uses it to bargain with him to lead her to see the lanterns she’s watched from her window if he wants it back. She originally wanted this as a gift for graduating out of jailbait status, but Gothel turned her down, so why not go to the cute guy with the same offer? At first, Rider is only trying to scare Rapunzel into chickening out of their deal, but eventually sparks of love show up. Gothel returns early to find Rapunzel gone and goes after her to convince her to return. And, since this is Disney, it ends in a really hopeless, depressing way.

In recent years, I have done all I can to argue with my friends in favor of classically animated Disney movies as opposed to computer animated Pixar movies. This has been pretty difficult as Pixar movies are so damned good and (at least recently) animated Disney has been either fairly lackluster or amazing movies with a 2 added to them being sent straight to DVD’s filled with suckitude. Watching Tangled, I found myself torn. Torn by the fact that this movie is a return to form for Disney, but at the cost of classic animation styles. A lot of the best Disney movies have been re-imaginings (or retellings) of classic stories, like Beauty and the Beast, Aladdin, and now Rapunzel. And, from what I remember from the original story, this one makes a lot more sense. I guess, technically, the original story was just about kidnapping and some guy climbing hair, so that’s not that illogical, but it’s also not very interesting. The whole hair thing and staying young gives Gothel an actual reason to hold on to Rapunzel beyond something as simple as a grudge against her parents. And, as with the other Disney movies, they give their characters way more life and comedy than the original story allowed. Rapunzel was so cute and innocent, with a mastery of physical humor that made her character more than merely charming. Rider was fairly charming at first, but the true quality of the character was only revealed when he stopped with his facade. Gothel was not just evil, but grounded in ways that most Disney villains aren’t. Although women being overly obsessed with their appearances, even at the cost of the lives of others, actually is more common than I initially thought in Disney movies. I think that was the main motivation behind the Evil Queen in Snow White, but my memory is pretty foggy. All those parties in the 60’s have ruined my brain. The movie does kind of start with a big fuck you to the audience, but only if the audience is fairly gullible. It starts with narration by Flynn saying that he’s going to die within this story, which would be a very shocking and daring ending from a Disney movie, but no one should actually expect such a death will last. And, if Gothel wanted to keep that flower hidden so bad, why would she knock over the thing hiding it and not pay enough attention to notice it before the soldiers found the flower? Rookie move, Gothel. And the largest plot hole by far is that Rapunzel spends so much time alone in the tower baking but is still thin and attractive. Where do all those cookies go if not straight to her ass?

As a artist (of sorts) myself, I give a lot more credit to classic animation than to computer animation. Drawing a picture is difficult and time consuming, and drawing tons of pictures so that they will move when filmed is a million times that. Though I know it’s an exaggeration, I consider computer animation not much more difficult than what I am doing right now. It’s not true, I know, but my brain will not accept computer animation being more difficult, or even as difficult, as hand drawing. Because of this, Tangled bummed me out from the start. The fact that they did a great job with their animation made me feel much better, but my own biases kept me from enjoying it as much as I should have. That being said, the movie is beautifully animated, filled with colorful and gorgeous settings. They didn’t really go for realism with their characters (and who would want them to after Tron: Evolution), but they won with adorable, cartoony characters. First, can I say that animated babies are so much cuter than real babies? At least baby Rapunzel was. That’s right, parents! To hell with your babies! The animation style they use is amusing, with characters moving in an exaggerated, almost manga-esque style. When Rapunzel sees the lanterns from the lake, she doesn’t just realistically walk to the bow of the boat, she darts up there and climbs about the figurehead. It was adorable. Speaking of which, that little chameleon Pascal and the horse Maximus were both loaded with adorableness, although you have to wait for Rapunzel to meet Maximus and for him to start acting like a giant dog before you see his adorableness. As a little side note, I appreciate the ballsiness involved in not having Rapunzel tie up her hair until nearly the end of the movie. The easy way would have done that very early in the movie so they wouldn’t have to animate that hair all over the place, but they didn’t do that. Kudos for that.

I find that I really don’t have anything to say about the voice cast in this movie. It’s not that they did a bad job; quite to the contrary, in fact. They all did great. But, without them physically acting in the movie, I don’t really have much reaction to their performances. I give credit for their performances to the animators more than the voice actors. A voice actor can ruin it with bad acting, but I just didn’t feel overly impressed with the acting I couldn’t see. Except for Frank Welker, that is. You may not know that name, but you’ve heard him before. He usually doesn’t speak in the roles I’ve heard him do, but he’s legendary in the voice acting community for his ability to do any animal you need him to do AND give it personality. He did the “voice acting” for Pascal and Maximus. That guy’s amazing.

I assume you don’t suffer from the same biases as I do against computer animated movies. If that’s the case, you’ll probably adore this movie. With my present biases still intact – at least until extensive therapy fixes them – I still manged to really dig this movie, enough to purchase it immediately after viewing on BluRay. The story is classic Disney reinvigoration of an old fairy tale, the characters are charming and fantastically animated, and the voice actors do their thing. I just realized I made no mention of the fact that it’s a musical, and with good reason: because I didn’t hate it. The songs were nice and they fit nicely, so I didn’t hate it enough to pay it any mind. And since these reviews are all stream of consciousness, I’m not going to take that very sentence and move it up so that it seems I didn’t forget. I’m such a pro. I recommend Tangled, wholeheartedly. Tangled can have “I have made the decision to trust you” out of “Here comes the smolder”.

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