Die Hard (1988)


Now I Have a Machine Gun.  Ho Ho Ho.

Die Hard (2012)I found myself at a loss on Christmas last year.  I felt like I should review a Christmas movie, but I wasn’t really able to think of any Christmas movie that I liked in any real way.  So, in lieu of a Christmas movie, last year I reviewed the Harry Potter series.  Small parts of those movies take place on Christmas.  This year I really thought about it.  What is my favorite Christmas movie?  I considered the Grinch, I considered Rudolph the Red Nose Reindeer, and I of course considered Jingle All the Way, but none of those really stood out.  And then I thought of it.  A movie that takes place on Christmas and always fills my heart with cheer.  There could be no greater Christmas movie than Die Hard, based on a novel by Roderick Thorp, written by Steven E. de Souza and Jeb Stuart, directed by John McTiernan, and starring Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson, Paul Gleason, William Atherton, Hart Bochner, Alexander Godunov, De’voreaux White, Robert Davi, Grand L. Bush, and James Shigeta.

On Christmas Eve, NYPD detective John McClane (Bruce Willis) arrives in Los Angeles with hopes of reconciliation with his wife, Holly Gennaro (Bonnie Bedelia).  McClane is greeted by a limo driven by Argyle (De’voreaux White) and is taken to Nakatomi Plaza, where Holly is attending an office Christmas party.  While McClane changes in Holly’s office, the festivities are interrupted by the arrival of Hans Gruber (Alan Rickman) and his heavily armed group of goons, with intentions to steal $640 million dollars in bearer bonds from the vault.  Turns out that there’s only one person in the world oozing with enough badassitude to stop these guys, and he’s shoeless in the building’s duct system.  Yippee Kay-Yay, mother fucker.

This movie has well earned its classic status.  This is a fantastic Christmas movie.  And a fantastic action movie as well.  I guess most people would probably be more comfortable calling it an action movie, but it takes place in Christmas times, there’s some Christmas music in it, and McClane writes “Ho Ho Ho” on a corpse in the movie.  I think I rest my case.  And I don’t think it’s even worth bothering to argue this movie as an action movie.  I think I actually appreciate this type of action movie more than most others in some ways just because of the main character.  As much as I like a good, over-the-top, superhero action movie, there’s something special to a movie about a regular, everyman kind of character overcoming insurmountable odds with nothing more than some ingenuity and some massive balls.  John McClane is just what a man should strive to be.  He’ll fight terrorists and walk over glass barefoot just to do what’s right, even if it isn’t technically his problem because he’s way out of his jurisdiction.  And he keeps that mentality even if the LAPD that should be helping him is so ridiculously stupid that one should be more surprised that they got their shoes on the right feet when leaving the house in the morning than the fact that they weren’t willing to help McClane.  The FBI came off like frat boys that just wanted to shoot something and the Deputy Chief of Police was so dumb that I half expected him to be occupying himself in the background with a paddleball like Mel Brooks in Blazing Saddles.  The look of the movie worked much better than one might expect from an 80’s movie, even if the look of people getting shot can most closely be compared to someone throwing Jell-O squares at people’s chests.  The action is also always enjoyable, and rarely too far away.  Once the movie gets started with the action, it doesn’t get sidetracked any more than it has to.

What is there to say about the performances?  Bruce Fucking Willis.  The end.  Bruce Willis is so amazing in this movie that I find it difficult to put it into words.  He plays the everyman very well; almost as well as he plays the badass.  He seems just as comfortable with a wry comment as he does with an SMG.  Alan Rickman could also be well-served with having his middle name replaced with “fucking.”  He’s exactly the badass villain to counter the badass hero that is John McClane.  He’s charming and intimidating, sometimes simultaneously.  Bonnie Bedelia wasn’t the biggest part of the movie, but I found that what she did had some resonance.  She seemed like exactly the kind of tough chick that would attract a John McClane, while also being the kind that wouldn’t put up with his shit, and also exactly the kind that would eventually get divorced from a John McClane.  Reginald VelJohnson is also very likeable in this movie as the one member of the LAPD with a heart and a brain.  They also had two fantastic douche nozzle performances in this movie from Hart Bochner as Harry Ellis, the douche druggie who’s scheming on McClane’s lady, and William Atherton as the piece of shit reporter who doesn’t understand where to draw lines when involving people’s families into stories.  I had prior history with Atherton as I already hated him so much from his time in Ghostbusters, but I think Bochner might actually take the douche crown from him in this movie.  I was very surprised when anyone in that office was at all a.) surprised that his scheme would eventually get him killed and b.) saddened when he died.  My reaction would probably be more along the lines of, “Yeah, well that’ll happen, I suppose.”

I’m well aware of the fact that there is no point in reviewing a movie like Die Hard.  Everyone has had more than ample time to find out that this movie is awesome.  I really only chose to review it as a Christmas present to myself.  The story isn’t the most spectacular thing ever, but it’s probably upper echelon when compared to typical action movies, and there’s not a lot more satisfying than being able to relate to the hero of your movie because he’s just a regular guy, but then choosing not to pay attention to the fact that you would be nowhere near as awesome if you were in the same situations.  Great movie.  Watch it.  Own it.  Merry Christmas.  Die Hard gets “You throw quite a party” out of “It’s gonna need a paint job and a shit load of screen doors.”

Let’s get these reviews more attention, people.  Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense.  Whatever you can do to help my reviews get more attention would be greatly appreciated.  You can also add me on FaceBook and Twitter.  Don’t forget to leave me some comments.  Your opinions and constructive criticisms are always appreciated.

Predator (1987)


This Stuff Will Make You a God Damned Sexual Tyrannosaurus.

In my mind, my review of the Alien series would not be complete if I didn’t first review Alien vs. Predator.  Unlike even the worst Alien movies, AvP will probably give me a lot more to make fun of, being much lower in quality.  But I couldn’t just jump right into that movie either, because there’s another name in that title that I haven’t reviewed yet.  The first movie in this series is a classic sci-fi action movie but, as with many movies, I didn’t see it when it came out and I was a kid.  Without the nostalgia making it seem better than it actually is, was this movie able to hold up in the present?  We’ll find out in my review of Predator, written by Jim and John Thomas, directed by John McTiernan, and starring Arnold Schwarzenegger, Kevin Peter Hall, Carl Weathers, Elpidia Carrillo, Sonny Landham, Jesse Ventura, Bill Duke, Richard Chaves, Shane Black, and R.G. Armstrong.

A group of mercenaries lead by Major Alan “Doesn’t my accent sound ‘Dutch’” Schaefer (Arnold Schwarzenegger) is hired by his old military buddy, George Dillon (Carl Weathers), to rescue a captured presidential cabinet member from guerrilla forces in Val Verde.  When they get there, they find a downed helicopter and the skinned bodies of an Army Special Forces unit.  They take out a nearby rebel encampment, but soon start to realize that there’s something else in the jungle, hunting them with thermal vision, a laser gun, cloaking device, and dreadlocks.

This is a very cool sci-fi action flick.  It borders on cheesy in more than one occasion, but overall it still holds up as entirely kick ass.  One thing I got to thinking about is how much more interesting I probably would’ve found this movie on my first viewing, at least if I had no prior knowledge of what I was watching.  If you think about it, not knowing anything about the movie you would be caught completely off guard by the fact that it starts off as a pretty typical army type of movie that strangely keeps cutting back to something that’s watching them in infrared.  Not until almost the midway point do you actually find out that an alien is in the mix.  I like the way the movie unfolds, and I like how it concludes.  All of that Arnold stuff, caked in mud and fighting the alien with whatever he could assemble from the jungle.  Yeah, I know the Mythbusters proved that the mud wouldn’t actually mask his heat signature, but I’m still perfectly comfortable suspending my disbelief to enjoy it.  I laughed at the part where the black dude was unloading into the forest because he saw the Predator and the other guys on the team ran up and just started shooting at random, knowing nothing more than they were clearing out some foliage.  I did take a pretty big issue with one big logic loophole in the movie.  Arnold figures out pretty early on that the Predator wants a challenge, and even kicks the gun out of the girl’s hand because he won’t attack her if she’s unarmed and not a challenge.  Why the hell didn’t everyone just throw their guns down?  They would’ve all survived apparently!  There were some parts to the dialogue that I could take issue with because of their corniness, but it’s an Arnold movie from the 80s!  If I didn’t go in expecting some bad dialogue, then I was fooling myself.  When Arnold stuck a guy to a pole with his knife and he said, “Stick around,” I couldn’t help but think he was getting started really early for his pun-tacular role as Mr. Freeze in Batman and Robin.  I also laughed when one of the soldiers was going off because of Harper’s death, saying, “You don’t understand how bad this thing is.  Whatever it is out there, it killed Harper!” because I thought to myself, “Yeah, and nothing’s killed Harper before!”  On a more positive note, I had completely forgotten where the quote that almost everyone includes in their Arnold Schwarzenegger impressions – “Get to tha choppa!” – came from, and it’s this movie.  I usually go with, “Get to the choppa, Danny!” which I believe is a mash up of this movie and Last Action Hero, but I’m okay with it.

The look of the movie is also pretty well done and mostly holds up.  I respect a time when explosions were actually happening on the set.  Also, the fake dead bodies were pretty well done.  They made a couple of odd choices with the look though.  Like right in the beginning, when Arnold and Carl Weathers shook hands and the camera focused a little too long on their rippling buffness.  On the other hand, if you’re a gay guy, they probably focus on it just long enough for you to tug one out.  And that’s not the only moment that a gay dude could spank to, so it’s got that goin’ for it.  Also, the part where the Predator was performing surgery on his wound, it was less than convincing and seemed more like he was just poking his wound with random items.

The performances were … a bunch of muscle bound dudes and at least one who spoke English as a second language.  What do you expect?  Arnold was indeed an action star and he does nothing to tarnish that in this movie.  As muscle bound as ever and he doesn’t try to act so there’s really not much to hold against him.  I preferred Jesse Ventura’s character though, just because of the ridiculous things he’d say, like when he called everyone a bunch of slack-jawed faggots because they wouldn’t try the chewing tobacco that studies have shown will make one a goddamned sexual tyrannosaur.  He also found himself far too strapped for time to have any left over to bleed, so that’s also a plus.  They also had a comic relief guy that I didn’t find that annoying, even though every single one of his jokes was about how big his girlfriend’s vagina was.

Predator definitely holds up.  It’s not the smartest movie ever, but it’s also not entirely dumb.  The story leads you in one direction before dropping an alien on you to make it science fiction, the action is still great fun to watch, and you just can’t expect much from the performances, and you’d be right.  But the movie is still great and still entirely watchable, even by today’s standards.  Predator gets “So you cooked up a story and dropped the six of us into a meat grinder?” out of “I ain’t got time to bleed.”

Let’s get these reviews more attention, people.  Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense.  Whatever you can do to help my reviews get more attention would be greatly appreciated.  You can also add me on FaceBook (Robert T. Bicket) and Twitter (iSizzle).  Don’t forget to leave me some comments.  Your opinions and constructive criticisms are always appreciated.

The Hunt for Red October (1990)


My Morse is so Rusty, I Could Be Sending Him Dimension on Playmate of the Month

Leave it to my friend Forty to actually request my review of a good movie.  One of the first, to my recollection.  In all honesty, I don’t really mind watching bad movies most of the time because I tend to find them amusing.  But, every once and a while, I should probably be asked to watch a good one so I don’t kill myself or simply die from From Justin to Kelly-related aneurisms.  Forty’s movie request was for a classic movie that – as with many classically awesome movies – had eluded me thus far, but it is a movie I wanted to see at some point.  And now I have.  I’m talking about The Hunt for Red October, based on a Tom Clancy novel, directed by John McTiernan, and starring Alec Baldwin, Sean Connery, Sam Neill, Scott Glenn, James Earl Jones, Stellan Skarsgard, Tim Curry, Joss Ackland, Courtney B. Vance, Jeffrey Jones, and Fred Dalton Thompson.

Admiral James Greer (James Earl Jones) brings some pictures of a new fancy submarine to CIA operative Jack Ryan (Alec Baldwin).  With the help of submarine expert Skip Tyler (Jeffrey Jones), they figure out that this picture is of a spankin’ new Typhoon-class submarine with a propulsion system called a “Caterpillar Drive” that makes sonar detection extremely difficult, allowing it the potential to get all up in America’s Kool-Aid without even knowing the flavor, and even boil that Kool-Aid with nuclear warheads.  This submarine is called the Red October.  At first, the Joint Chiefs of Staff wet themselves, but then Jack Ryan poses the possibility that the prestigious commander of the Red October, Marko Alexandrovich Ramius (Sean Connery), may want to defect.  The Joint Chiefs give Ryan 3 days to confirm Ramius’ intentions.  The Russians are after him to destroy him before the American’s get their new sub, the Americans are after him to stop him from possibly launching nukes at them, and Ryan’s after him to find out what he’s up to.  Thus begins the hunt for the Red October.

I feel like I’m one of the last people around to reach this conclusion but, here it goes: fuck this movie.  Just kidding, Forty!  This movie rules!  I haven’t always seen eye to eye with this Tom Clancy feller.  Some of his games got way more popular than I felt they warranted, and I’ve heard mixed reviews about some of his other movies, though I don’t know that I’ve seen any of them.  I had worried that, as is the case in some of his video games, I would think they were overrated.  But nay!  This is a good movie.  His story works really well, especially with how well-executed it is.  Most of the story of this movie is just about Ramius’ intentions, stretched into a little over 2 hours.  It’s not until around the last 20 minutes of the movie when you are actually sure of what his actual intentions are.  There are times when you’re sure he’s going to defect, other times when you know he wants to hijack the Red October and blow up America to start a war, and other parts where you have no idea.  And, seeing as the movie takes one idea and stretches it over 2 hours, you’d think it’d get really boring.  I don’t recall being bored at all in this movie.  From the start of the movie the tension builds as different groups get closer and closer to the Red October until the end where it just climaxes all over the audiences faces.  …EWWWWWWW!

There is quite the cast to this movie, as you may have gathered from the long list in the opening paragraph.  Alec Baldwin, still young and handsome, tore it up in this movie.  I never really believed Sean Connery’s accent was Russian, but he was a badass.  One of our first scenes with the guy shows him killing a fellow officer with extreme prejudice and the corner of a table.  He also had one of the best lines in the movie, involving how things react to bullets.  He had a smaller part in this, but I found myself watching Sam Neill more than anyone else in the movie for some reason.  He was a strong character that opened up to Ramius with some kind of sweet and innocent intentions about his new life in America if their defection works out.  I sure hope that works out for him.  I liked Courtney B. Vance as the really good sonar guy; like the action movie version of Harland Williams from Down Periscope.  Joss Ackland was pretty good as well, but I could not see him as anything but DeNomolos from Bill & Ted.  Though I’m usually excited to see him, I was extra excited to see Stellan Skarsgard in a good movie that came out long before I knew he existed, and he was also excellent, if under-used.  The entire cast was great, so I won’t waste more time just saying that.  Take actors name and add “was really good” to the end.

So there you go, Fortissimo.  Good story, great thrills, excellent tension, top notch performances.  This here is the recipe for a good movie.  You’ve probably already seen this movie, so I’m telling you that you should watch it again.  If you haven’t seen it yet, I can’t yell at you because I just saw it myself, but now I’ve seen it so it’s only a matter of time before I’m allowed to yell at you for not watching a really good action-thriller.  The Hunt for Red October gets “Some things in here don’t react well to bullets” out of “And I will have a pickup truck”.

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