Brave (2012)

I am Merida, and I’ll be Shooting for My Own Hand

I have a very strong feeling that today’s movie was officially requested of me. I feel like my friend Christina Moscoscamosco did it. It may also have been my roommate Richurd. My interest was originally piqued in this movie because of Black Friday. Whilst working on Black Friday, this movie was playing in the break room. I only managed to catch about a half hour of it on my lunch before going back into the madness which is people for the most mediocre deals. Eventually, I borrowed it from my roommate with the intention of filling in the gaps I had from my brief viewing. It took up its perch in a pile of movies I had to watch and was promptly forgotten. At least until Richurd started pestering me to watch the damn thing already. And, since I’m terrified of his wrath, I present you my review of Brave, brought to you by the great people at Disney Pixar, written by Mark Andrews, Steve Purcell, Brenda Chapman, and Irene Mecchi, directed by Mark Andrews and Brenda Chapman, and including the vocal talents of Kelly MacDonald, Peigi Barker, Emma Thompson, Billy Connolly, Julie Walters, Robbie Coltrane, Callum O’Neill, Kevin McKidd, Craig Ferguson, Steven Cree, Sally Kinghorn, Steve Purcell, and John Ratzenberger.

In Scotland, the family of King Fergus (Billy Connolly) – Queen Elinor (Emma Thompson) and young Princess Merida (Peigi Barker) – are out on a picnic for Merida’s birthday. After giving Merida a gift of a bow, the family is attacked by a giant bear called Mor’du. Fergus fights off the bear at the cost of his foot. Later in life, now at age 17, Merida (Kelly MacDonald) is distraught to find that she is to be betrothed to one of the sons of the kings of the other three kingdoms. Merida and Elinor fight over it, ending with Merida slicing a tapestry Elinor had been working on with a sword and running away from the castle. Merida encounters a witch (Julie Walters) who has given up witchcraft for wood-carving. Merida pleads with the witch to give her a spell that will “change her mother and her fate,” having no care for the vagueness of the way she phrased that. The witch presents Merida with a cake to give to her mother. Blah blah blah, happily ever after.

I know the abrupt ending of that paragraph may have led you to believe I didn’t care for this movie. Not the case at all. This was a really good movie (as the greater majority of things that Pixar creates), but it was not without its problems. The story is probably the only thing I took issue with, but only because it’s so typical for Disney. It’s almost exactly the same story as every other Disney princess. Princess not getting along with her parents because of her responsibilities (Ariel, Jasmine, Pocahontas) and she’s a little tomboyish and a bit of a warrior (Mulan) and then her shit gets fucked up by a magician (Snow White, Aurora, Ariel) and it gets fixed when the beast gives its life for her (Belle). Also she hangs out with little people (Snow White) and she’s black (Tiana). Okay, I didn’t see the Princess and the Frog. But I wouldn’t call this movie derivative because I liked it. Let’s just call it “classic.” It has no real surprises, but I was happy with the slight modernization that Pixar added to it by not having the movie end when the Princess met the man of her dreams. Pretty much every Disney Princess movie ends with that, regardless of how free-spirited the character is supposed to be. After that, the only thing close to an issue I had with the movie was that the greater majority of the humor was slapstick, but that’s not even a complaint I’m that resolute with because it is a kid’s movie after all.

It’s a Pixar movie. Just saying that means that it looks fantastic. And this is one of the better looking ones too. They went cartoony with the characters, but they still looked good, and going too realistic with the characters runs you close to the danger of making them weird looking. I thought there was a chance that the bear Mor’du may have been a little too scary for children, and I base that mostly on the fact that it might have been too scary for me. They make those characters perform really well too. I really liked the body language that the momma bear has. That’s what gave me the most laughs in the movie. Also, the momma bear had a little shimmy to go with her shake when she was walking. Another thing worth mentioning is the music. It was kind of pop/Celtic musical stuff, but I really liked it. I wouldn’t be opposed to getting the soundtrack to this movie.

I never really know what to say about the performances in an animated movie. Most times the vocal cast does great jobs in these movies. They continued to do so here. And I love a Scottish accent. I wanted to fuck every accent in this movie. Especially Billy Connolly. I also thought the witch character was pretty amusing, and it amused me even more when I later found out that she was voice by Molly Weasley. I had a few issues with the Merida character though. Granted, there would not be much of a conflict and resolution in this movie without the enchanted cake, but how short-sighted was she to give it to her mom in the first place? Her wish was extremely vaguely worded in the first place. All you really asked was that the cake change your fate. Hell, I could do that for you without magic by putting a razor blade in the cake. That’d change your mom up but good! And you didn’t get much brighter when the witch gave you the solution to the spell. I figured that shit out right away. I am SO much smarter than you, Merida! Then later, when she gets trapped in the room and her father goes out to kill the bear, she tries to get out briefly and then gives up and starts crying. If you would just be a proper woman and get to sewing, that bear would turn back to human and your problem would be solved!

I managed to infuse a review of a Disney Pixar movie with cursing, mild racism, and sexism. I’m actually kind of proud of myself for that. Brave was a good movie, but they didn’t really bother to try anything that new in the story. If all Disney Princesses must have vaginas and share many common plot points, Merida will make a fine addition. But, even with that as the case, the movie is beautiful and the story is still charming. Perhaps most of the charm comes from those sweet, sweet Scottish accents, but I feel like the movie did a good job of it as well. This is a movie that you should definitely watch if you have kids, and probably should watch if you don’t. Brave gets “A princess should not have weapons at all in my opinion” out of “I think I could make you understand if you would just listen.”

WATCH REVIEWS HERE! YouTube OTHER JOKES HERE! Twitter BE A FAN HERE! Facebook If you like these reviews so much, spread the word. Keep me motivated! Also, if you like them so much, why don’t you marry them?!

John Carter (2012)

You Are Ugly, But You Are Beautiful!

The inspiration behind seeing today’s movie is going to be hard to explain, mainly because I had no inspiration to see this movie whatsoever.  I saw the trailers and thought, “Yup.  Looks like a movie.”  And that was it.  I saw a couple of people on Facebook talk about how great the movie was, but I would not be swayed.  One friend asked me if I wanted to see it, and I said no, but probably would’ve gone anyway had I not been at work.  When my roommate got a free ticket and offered to pay half of mine, I decided the universe was telling me to see this movie already.  Let’s see how it did in my review of John Carter, based on a novel by Edgar Rice Burroughs, written by Andrew Stanton, Mark Andrews, and Michael Chabon, directed by Andrew Stanton, and starring Taylor Kitsch, Lynn Collins, Dominic West, Mark Strong, Willem Dafoe, Ciaran Hinds, Samantha Morton, Thomas Haden Church, James Purefoy, Bryan Cranston, and Daryl Sabara.

John Carter (Taylor Kitsch) of Virginia has died suddenly.  When he fell ill, he had sent for his nephew, Edgar “Ned” Rice Burroughs (Daryl Sabara), but he arrives postmortem, but is given John’s diary by his butler and told that only he was supposed to read it.  His first thought is to release this book, slap his name on it, make millions, and then get a movie made about it with the guy that ruined Gambit in the Wolverine movie, but then his second thought is to read it.  It details a story about John looking for gold and finding a cave with a pasty bald dude who tries to kill him.  John shoots the pasty dude and gets transported away by the dude’s medallion.  He wakes up in a desert slightly different than the one he was already in and finds himself able to jump really high.  He meets a giant, green, four-armed creature called a Thark who is named Tars Tarkas (Willem Dafoe).  Eventually, a couple of airships commanded by by the ruthless Sab Than (Dominic West) pursues a ship carrying Princess Dejah Thoris (Lynn Collins) into Thark territory.  Sab Than has been given a powerful weapon called the “Ninth Ray” by the pasty bald Therns and is pursuing Dejah because she is trying to escape marrying him to save her people.  John uses his new powers to save her and bring down the majority of the ships, though Sab is able to escape.  Through Dejah, he finds that he was transported to Mars.  John resolves to get back to Earth, Dejah resolves to get John to defeat Sab, and Tars Tarkas’ secret daughter Sola (Samantha Morton) resolves to follow them around and be relatively ineffectual.

This movie perplexed me.  I didn’t find the movie hard to follow as the story is not really that complicated.  What perplexes me about the movie is that it’s inexplicably boring.  But, because I’m writing a review, I must find a way to “explic” it.  It’s strange to me because it has all the components of a really cool, really interesting, and/or really fun action movie, but it never comes to fruition.  The story is an interesting enough concept.  I like the idea of a human being transported to Mars where he turns into a superhero because he comes from a place with higher gravity, allowing him to jump higher and hit harder on Mars.  I don’t really get behind the idea that he’d EVER want to return to Earth, though.  His family died long before the movie started, so he didn’t need to get back because of that.  He did have a cave full of gold waiting for him, but you know what a cave full of gold can’t buy you?  Fucking super powers!  And you want a reason to hang out with your super powers on Mars?  How about the sexy as Martian woman you just met?  Sure, their romance came out of nowhere, but who cares?  She’s hot!  Their relationship never really worked for me.  He saves her life with his superpowers, but all she’s concerned about is getting him to save her city.  A while later, he helps her up off the ground and you see that they’re crushing on each other now.  That’s how he wins her?  Helping her stand up?  Neither one of them had given the other any reason to like the other before that, so it must’ve been his ability to help her off the ground.  She was constantly trying to trick him into helping her people, and he was completely unconcerned with helping her people.  No reason whatsoever.  Though this story had elements that should entertain me, it never really did.  One of the few parts that gained some interest was the Thark tradition of letting loose some babies and having mother pounce on them and fight over them to gain motherhood.  So, with a story that never catches your attention, you’d have to rely on the action to do it.  There was lots of action, but none of it interested me, and I’m still a little curious about why.  There was a guy or two with superpowers, some sword fighting, some giant creatures, but it all eventually devolved into people randomly swinging swords and blue blood flying around a little.  That’s about it.  It could have been the look, I suppose.  Almost every setting was identical, or not far removed.  It goes from desert, to desert, to desert with some water, back to desert, then ends up in a city … surrounded by desert.  I’m sure that’s what Mars looks like, but Mars looks boring.  The CG all worked really well though.  The creatures looked like they were talking, animated like real creatures, they had personalities, weight, and lighting to all look really good.

I had been trying to figure out where I knew Taylor Kitsch from every time I saw the trailers.  I wasn’t able to figure it out until the actual movie started, but then it worked against him because Gambit was my favorite X-Man and he ruined him.  He did fine enough in this movie, but I didn’t like the character because he looked the superpowered gift horse right in the mouth.  He did introduce himself as, “Carter.  John Carter,” and I’m pretty sure no one’s ever actually introduced themselves that way.  I was a big fan of Lynn Collins from her work in her own hotness from the moment I saw her.  I didn’t pay much attention to her performance though.  I did get supremely irritated by her character though.  It takes her the greater majority of the movie to stop being a selfish bitch.  She’s basically told that Sab will kill her people unless she marries him … so she runs off.  That means he’ll kill your people!  You care enough to try to get a guy with no interest in your people to help out, but you could’ve just married the guy in the beginning and not been a selfish bitch.  She figures it out about two hours later and does it, but now John loves her and stops it from happening.  Everyone else in the movie was either forgettable, a voice of a CG creature, or both.  Most of the characters in the movie made so little impact on me that I genuinely found myself much more interested in what was happening with the giant, alien, dog-like creature called Woola.  I loved that little guy, mostly (I’m sure) because he reminded me a lot of my own dog, Jabba.  He had an oversized head, big sloppy tongue, cheerful demeanor, and tendency to lie down and go to sleep at random.  The similarities were damaged some by the fact that the dog could run super fast instead of running for a few seconds, getting bored, and going to sleep. But so disinteresting were the human characters that, in a battle between a large army of aliens and John Carter, with Woola helping out a little, I found myself ignoring what John was doing and looking to make sure Woola was okay.

John Carter is a movie that seemed to have everything, but actually offered next to nothing.  The story was in interesting idea that didn’t deliver.  The action had all the ingredients but turned out bland.  The performances were fine, but all of their characters were overshadowed by a dog.  The CG was great, but the settings all looked the same and were visually boring.  Like I said, this movie is inexplicably boring, but it’s been explicked to the best of my ability.  I would say this movie is a waste of two hours plus, so I would recommend you steer clear of coughing up theater prices for it.  When it comes to RedBox, that might be the time to give it a look, but you’ll also do well to avoid it there as well.  John Carter gets “To those who seek the solace of eternity” out of “When I saw you, I believed it was a sign … that something new can come into this world.”

Let’s get these reviews more attention, people.  Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense.  Whatever you can do to help my reviews get more attention would be greatly appreciated.  You can also add me on FaceBook (Robert T. Bicket) and Twitter (iSizzle).  Don’t forget to leave me some comments.  Your opinions and constructive criticisms are always appreciated.