Spaced (1999)

The Fuck-est Up-est

I purchased today’s review on DVD based entirely on the people involved with it, even though I knew very little about it beyond that.  I don’t have much experience with British television shows.  I don’t have a problem with them, I just haven’t seen very many of them.  But I decided to purchase the entire series (2 seasons, as we call it over in America) on DVD because I had heard it was enjoyable, and was the genesis of a couple of movies that I loved.  When I got the DVD’s, it took me quite some time to get around to watching them.  But when I saw they were on Netflix streaming, that sealed the deal.  So let’s hear my verdict on the TV show Spaced, created and written by Simon Pegg and Jessica Hynes (nee Stevenson), directed by Edgar Wright, and starring Simon Pegg, Jessica Stevenson, Julia Deakin, Mark Heap, Nick Frost, Katy Carmichael, Ada the Dog, Anna Wilson-Jones, James Lance, Peter Serafinowicz, Michael Smiley, Bill Bailey, Clive Russell, Lucy Akhurst, Reece Shearsmith, with notable cameos by Olivia Williams and Ricky Gervais.


The basic premise of the show is that two people, aspiring writer Daisy Steiner (Jessica Stevenson) and aspiring comic book artist Tim Bisley (Simon Pegg), have recently become homeless.  They become friends looking through the newspaper for somewhere to live until they eventually find a house that seems perfect, but is only accepting couples.  They develop a plan to pose as a couple in order to get the flat.  They meet with the landlady, Marsha Klein (Julia Deakin), and move in soon after.  They also meet the person living below them, brooding artist Brian Topp (Mark Heap).  When they finally get unpacked, Daisy decides to throw a party, but few people come.  Just Marsha, Brian, Daisy’s friend and fashionista Twist Morgan (Katy Carmichael), and Tim’s friend with aspirations of being in the Territorial Army Mike Watt (Nick Frost).  Also the paperboy.  Later, Daisy fails an interview with a women’s magazine by saying “Girl Power” and Brian gets nervous about going to to meet his former partner Vulva (David Williams).  Vulva acts like a dick to Brain, but Tim gets crazed on a combination of Resident Evil 2, Twiglets, and free boose, punches Vulva, and “rescues” everyone.  Daisy gets dumped by her boyfriend and cheers herself up by getting a dog named Colin (Ada the Dog), but Tim is horribly afraid of dogs.  Tim and Mike go paintballing, only to run into Duane Benzie (Peter Serafinowicz), the man that stole Tim’s girlfriend.  He gets his revenge by shooting Duane in the balls.  Later, Tim is forced to walk Colin and he’s abducted.  Daisy believes he did it on purpose, but he redeems himself by getting the group together for a rescue.  In later episodes, the group goes clubbing with Tim’s friend Tyres (Michael Smiley), then some trouble is stirred up when Tim’s ex wants him back, Daisy fears for him, Brian asks Twist out, Mike rejoins the Territorial Army, and Daisy finally starts writing again.


Daisy uses the money she made from selling a couple of articles to go on a trip through Asia.  When she returns, Tim is still struggling to get over the pain caused by the release of The Phantom Menace.  Mike has been staying in Daisy’s room in her absence.  Later, Tim is fired from his job at the comics store for yelling at a kid that wants to buy Jar Jar merchandise.  He joins Daisy at the unemployment office to get some money.  Brian finds out that his relationship with Twist has made him happy and, thus, unable to paint.  Marsha’s daughter, Amber, runs away from home, and Mike fills her empty room.  Later, Tim and Mike have their chances of winning Robot Wars damaged by saboteurs, but they’re able to get their robot back on it’s wheels.  Tim is called by Damien Knox of Darkstar Comics, wanting to see his portfolio, but Daisy mistakenly puts a picture Tim drew of Knox saying that he’s “a massive wanker” in the portfolio.  With the help of Tyres, Mike and Tim break into Knox’s office, but the picture was already removed by his secretary, Sophie (Lucy Akhurst), who asks Tim on a date.  Later, Tim and Daisy have a night on the town, but run afoul of a group of ruffians, defeating them with a slow motion shootout with imaginary guns.  When Daisy’s birthday arrives, Sophie is unwittingly driving wedges into the group’s relationships.  Mike is jealous of how much time Tim is spending with someone else, Daisy is a little jealous of Sophie, Marsha thinks Tim is cheating on Daisy because he sees Tim and Sophie together, Brian and Twist break up, and even Colin is upset that Daisy is ignoring him so he goes to spend time with the old lady next door.  Over dinner, the truth comes out that Daisy and Tim were lying all along, and Marsha leaves feeling betrayed.  To tie it all up, Tim and Daisy must find Marsha and try to convince her to come back before she sells the house and leaves them all homeless.

What a surprise, Simon Pegg and Edgar Wright did something that I thought was awesome.  Not to leave Jessica Hynes out of it, but this was my introduction to her.  I already had love for Simon, Edgar, and Nick Frost.  Now I guess I have to like all of the rest of these people as well.  This show is really the kind of show for me.  It’s funny, charming, and filled to the brim with references to things I love, from movies to video games and all other things popular culture, if you know to look for them.  The show isn’t what I would call uproariously funny.  It’s just not the type of comedy they were going for.  But it was charming all the way through, and certainly had it’s share of good laughs.  I was thinking about the idea they put out in the show that men can walk up to each other and start a slow motion shootout, and any man would start to play along.  I thought that was ridiculous for a second, but then I realized I would totally play along if it happened to me.  If there’s something negative I could say about the show, it would be that I may have missed some things because I’m not British, and that’s just downright racist of them.  I thought it was interesting that they had a lot of things they could get away with on English television that we definitely couldn’t over here.  They say “fuck” and “asshole” a couple of times, as well “cunt” and “twat”.  Hell, at one point Daisy is trying to get inspiration from magazines and one of them is one called “Huge Fat Cocks”.  They don’t let us get away with stuff like that in this fuckin’ twat of a cuntry.  There’s also a good amount of drug use in the show that wouldn’t fly over here, even though they never really made a big deal out of it on the show.  They smoked weed every now and then, and had an entire episode that was basically devoted to clubbing and ecstasy.  I feel like some of the jokes in that may have gone over my head since I know next to nothing of clubbing or drugs, but I feel I got the spirit of it.  Most of my enjoyment came from recognizing the nerdy things they referenced in the show.  They reference all sorts of things, like The Shining, Scooby Doo, Resident Evil, Star Wars, Robocop, the Matrix, and Star Trek.  They made a joke about Star Trek in the show that was made much funnier after the fact when Simon Pegg said that “Every odd numbered Star Trek film is shit”, not yet knowing that he would be in Star Trek number 11.  I also really liked their Fight Club joke when they were in the Robot Club, ’cause the first rule of Robot Club is you don’t talk about Robot Club.  The second rule of Robot Club is you don’t talk about … wait, I’ve got that wrong.  The second rule is “No Smoking”.

Edgar Wright also filmed the show in the cinematic style that he would later come to perfect, with fast cuts and interesting wipes from scene to scene.  The show’s zombie episode shows signs of Shaun of the Dead being in their minds, and they also use the joke between Pegg and Frost that was used in Shaun, the one where someone says that Frost is on the phone by saying “Your boyfriend’s on the phone” and he responds with “He’s not my boyfriend”, then picks up the phone and says “Hey babe.”

The performances in this show are easily the best part.  Everybody in the cast – both main and supporting – were enjoyable and funny.  Simon Pegg and Jessica Hynes were not only the main characters, but the writers of the show, so their the ones that get the most credit for the show’s clever dialogue.  Nick Frost, not surprisingly, was the character I enjoyed the most.  He was all crazy gun nut all the time, especially when he was dual-wielding in the paintball match.  I tended to think Mark Heap’s character was pretty funny too, usually seemingly like he was barely restraining some form of psychosis.  He also introduced the show to Vulva, which lead to a lot of things I though were funny as they kind of lampooned the artsy fartsy stuff I hate by showing the crazy interpretive art of a man dressed like a woman yelling random things on a stage as a guy with a vacuum attached to him jumped around on stage.  That’s basically how I view all of that kind of art.  Julia Deakin made me laugh too.  The big joke about her was that she would drink and smoke semi-constantly, but they got a lot of mileage out of it.  Katy Carmichael’s character Twist was mainly a little stupid and a little bitchy, but she was funny when she was around.  She also had a moment I found really cute when she was trying to talk Tim into letting her take her makeup bag with them on their covert mission to rescue Colin.  My favorite character that wasn’t in the main cast was Michael Smiley as Tyres.  He had a super short attention span as a result of his overuse of ecstasy, and he would talk really fast and start raving whenever things around him made noise to a beat.  One of the things I found funniest in the series was over the credits where it showed him dancing in front of a crosswalk light that was beeping.  I was amused to see Peter Serafinowicz in the show, having already known him from Shaun of the Dead.  That guy’s pretty good at playing a douche nozzle.  I liked a couple of their cameos as well, mostly Olivia Williams playing the part of a cyclist Tim and Mike had hit with their car, an obvious reference to the Sixth Sense that Olivia Williams was actually in.  Ricky Gervais had a small bit part, but it was cool to see him too.

The DVD of the show was an excellent purchase, as I found out after I had fallen in love with the show and started checking out the extras.  There’s a lot of good stuff on these DVD’s.  Unfortunately for me, my disc two DVD would not work, but each disk had some good outtakes, and I love watching them.  If you’re a fan of commentaries (like I am) you can enjoy not only the original commentary track, but ones with other fans of the show like Kevin Smith, Diablo Cody, Matt Stone, Patton Oswalt, Bill Hader, and Quentin Tarantino.  On top of that, there’s a Q&A with the cast, and a feature-length documentary about Spaced that ties up a couple of loose ends left by the show not having a third series.

I seem to have gotten a little long-winded about the show, but I couldn’t help it.  This was a pretty great show.  It’s just the type of show for a nerdy guy like me.  Very funny, very charming, and with tons of references to other nerdy things I love.  Top that off with some great directing and fantastic performances, and this is a show I can fully recommend.  If you’d like to try it out, it’s available on Netflix streaming at the moment.  If you like it, buy it.  The only thing I regretted about my purchase is that my second disc isn’t functioning.  Either way, Spaced gets “It’s a subtle blend of lateral thinking and extreme violence” out of “You’re the best auntie I’ve ever had.”

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Rushmore (1998)

My Safety’s Harvard

That guy Eric sure does love his pretentious comedies.  Today’s movie was not only requested, but supplied by friend and coworker Eric.  It’s a movie that I feel like I’ve seen before, but remember nothing about whatsoever.  I did find out that I rated it on Rotten Tomatoes as “Not Interested”.  I feel like that statement still holds true.  I’ve just never been into this director or his movies because they seemed to me like artsy fartsy crap that I wouldn’t find funny.  Let’s find out if I was right in my review of Rushmore, written by Wes Anderson and Owen Wilson, directed by Wes Anderson, and starring Jason Schwartzman, Bill Murray, Olivia Williams, Mason Gamble, Brian Cox, Sara Tanaka, Stephen McCole, Seymour Cassel, and Luke Wilson.

Max Fischer (Jason Schwartzman) is a 15-year-old student of Rushmore Academy who excels in extracurricular activities, but fails in grades.  Because of this, he runs afoul of the headmaster, Dr. Guggenheim (Brian Cox), and is threatened with suspension.  Max befriends the father of two other students, Herman Blume (Bill Murray), and falls in a one-sided love with Rosemary Cross (Olivia Williams), a widowed first grade teacher.  Max gets expelled for trying to open an aquarium on a baseball field and is forced to go to a public school, where he doesn’t really fit in.  Herman starts dating Ms. Cross behind Max’s back as Max still tries to advance his unrequited love with her.  This eventually ruins Blume’s marriage and his friendship with Max, and the two start a prank war that escalates drastically.  Then some more bullshit happens and the movie ends.

I wouldn’t go so far as to say this is a bad movie, but I will say that I didn’t care for it.  It’s every bit the artsy fartsy movie that I expected it to be, it doesn’t have much of a cohesive story, and it just wasn’t funny to me.  I don’t think I’ve ever really liked a Wes Anderson movie, and I’ve seen a couple.  I understand a lot of people are really into them, but I’ve never really seen the appeal.  There wasn’t much of a story to this movie, first of all.  It was basically just about a kid that got expelled, but this situation was never really resolved.  He was no less expelled by the end of the movie.  He also fell in love with Olivia Williams, and this never turned into anything.  The same would go for Bill Murray being in love with her.  Max has a revelation at the end and becomes a little less of a douche, and even gets Blume and Cross to talk again, but it’s not resolved.  The movie starts a bunch of side stories and forgets what it was talking about.  It’s like having a conversation with my mom.  Abstract story would be fine if the movie ever made me laugh, but it didn’t.  The only thing that even made me smirk was Bill Murray, and pretty much only in the part where he was drunk and downtrodden in the hospital later in the movie.  But that’s just not enough for me.  By the end of the movie, I didn’t feel like I hated what I had just watched, I just felt like I had no opinion and had just kind of wasted my time.

The performances were mostly excellent in the movie, elevating the movie out of the total “meh” category.  Jason Schwartzman is pretty good at playing a total annoying douche, and he does so in pretty much every movie I’ve ever seen him in.  I found him annoying and irritating, but that’s probably not a negative against him because I feel like that’s what he was going for.  This was at it’s best and almost funniest when he was being a total asshole to Luke Wilson because he felt threatened by him and hurt because Olivia Williams seemed to be dating him.  Bill Murray was a much more subdued Murray than you see in many of his movies that I enjoy, but I still liked him in the movie.  I prefer when he does things that are funny, but I really just want to see him.  Olivia Williams was pretty great in the movie.  Most of the time she was just being good-looking and real, but she had a great scene where she was telling Max about her dead husband that was really emotional and really well acted, but it’s not surprising from her because she’s pretty much excellent in everything I’ve seen.  Brian Cox had a couple of kinda funny moments too.  I liked when Max brought him temporarily out of a coma because he hated Max so much.

I really feel completely uninspired by this movie, and thus the extra short review.  I didn’t hate the movie; it had a couple of cute parts, a couple of great performances, but no real story to speak of and it just came off as a little pretentious and unfunny to me.  On the other hand, I’ve heard of a lot of people liking it and Wes Anderson’s other movies, so I don’t know if I can even say I don’t recommend you see it.  And I’m sure all of those people would say something like “You just don’t get it, man!” and write me off as too uncultured to understand the appeal of a not funny comedy where nothing really happens.  But, for the rest of you … I don’t know … check it out?  … maybe?  Rushmore gets “Yeah, I was in the shit” out of “Are you fond of that mustache?”

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Hanna (2011)

I Just Missed Your Heart

Still getting my delayed review requests out of the way, this time with one from my sister, I think. And if it was my sister, this time it wasn’t a painful chick flick like Sex and the City and Breakfast at Tiffany’s. This time she requested a vaguely artsy action flick, so I was more than happy to oblige. The movie is Hanna, directed by Joe Wright, and starring Saoirse Ronan (whose name I have no idea how to pronounce), Eric Bana, Cate Blanchett, Olivia Williams, Jason Flemyng, Jessica Barden, Tom Hollander, and Michelle Dockery.

Hanna Heller (Saoirse Ronan) is a 16-year-old girl who lives with her father, Erik Heller (Eric Bana), in a solitary cabin in the middle of the wilderness of Finland. They live a perfectly normal life besides the small exception that he’s been grooming her to be an assassin since her youth. Erik’s plan is to send her after a CIA officer, Marissa Weigler (Cate Blanchett), to have Hanna kill her for killing Hanna’s momma. When Hanna is ready, she activates a transmitter that let’s Weigler know where they are, then Erik and Hanna split up, leaving Hanna with only her training, an address for them to meet up at later, and a made up backstory. The CIA take Hanna into custody and Weigler sends in a double (Michelle Dockery) to speak with Hanna. Hanna kills the double and then ass kicks her way out of the facility. As she makes her way towards her father, she stows away with, and later befriends, a wacky progressive family of mom Rachel (Olivia Williams), dad Sebastian (Jason Flemyng), daughter Sophie (Jessica Barden), and son … what’s-his-name. Hanna starts learning about the world her father hid from her while making her way back to meet him. Shortly after the movie ends, Hanna realizes that there are more kids like her, setting up the sequel, Hanna and her Sisters. …That may not be true…

I had sort of expected I’d like this movie when going into it. I like a good action movie, even if they’re dumb. And this one didn’t even seem dumb. But I completely forgot about the movie when it was in the theaters and had even seen it in RedBox a few times but didn’t feel like checking it out, so it was a good thing that I was inspired to watch it by my sister’s request. After watching it, I would say it’s a solid movie with some good action but completely forgettable. Almost immediately after watching the movie, I was having a hard time remembering what happened. But I did like the story. It’s like Hitman if 47 was a 16 year old, genetically engineered girl and not Olyphantastic. And watching her try to understand modern technology and society was pretty interesting as well. The fight scenes were one of the best parts. Most of the time it was Hanna whooping ass on guys that are much bigger and older than her, and once or twice it was Eric Bana whooping ass on people of roughly equal age and height. These fight scenes were pretty well choreographed and great fun to watch. But sadly, the movie made no real impression on me. I’m not entirely sure why it fell short or what it could’ve done to make me love it. I usually have a good concept of what I didn’t like about a movie, but I liked pretty much everything about this movie but I left it with a thoroughly “meh” feeling.

The performances in this movie were all very good as well. Though I resent her for my inability to pronounce her name, Saoirse Ronan was very good. She was cold and in control when it was killing time – she whooped ass like a young female Batman – but she was also a cute, innocent young girl when she was introduced to society. She was always interesting to watch and did a great job here. Eric Bana was pretty good too. Nothing phenomenal, but good. Cate Blanchett’s accent was an interesting choice, though. It seems that, if a movie isn’t going to get her an Oscar nomination, she’ll still be in the movie as long as it’ll let her bust out a crazy accent. In Indiana Jones 4, she got to try out her Natasha from Rocky and Bullwinkle. In Hanna, it’s some kind of fade-in-fade-out Southern accent. It’s there sometimes and gone a little later. I guess it makes sense since she probably is trained on dialects in the CIA, but it’s never explained what head trauma caused her to lose control of the various dialects she knows. Everyone else was fine and didn’t catch my attention. The guy from Pirates of the Caribbean 2 and 3 was in this too (Tom Hollander) as some crazy torturer guy that Blanchett hires, and he turned in a very creepy, weird performance. I guess it’s okay to have a bad character be off-putting, though.

So that’s that. I really have a hard time compiling words about this movie because it didn’t stick in my brain whatsoever. All I know is the story is fine, it looks pretty good, there’s some good fight scenes and some good performances, but it didn’t resonate with me. I don’t think anybody would have a problem watching this movie, but you should probably rent it first, otherwise this seems like the kind of movie you’d watch like 4 times a year because you can’t remember anything about it. Altogether I give this movie “I watched what?” out of “Did she turn out as you hoped?”

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The Sixth Sense (1999)

Bruce Willis Was Dead the Whole Time!

I decided to end the October Horror-thon with my favorite scary movie, one that is apparently not a horror movie according to the websites I’ve checked.  But fuck ’em, there are dead people in this movie so I’m counting it.  This movie is The Sixth Sense, aka “The Best Movie M. Night Shyamalan Had in Him.”  This is the movie that did the special twist ending so well that he felt every movie he made had to have a much worse version of it.  Let’s find out how well The Sixth Sense holds up, written and directed by M. Night Shyamalan, and starring Bruce Willis, Haley Joel Osment, Toni Collette, Olivia Williams, Donnie Wahlberg, and Mischa Barton.

Dr. Malcolm Crowe (Bruce Willis) is drunk and boring his wife, Anne (Olivia Williams) by incessantly bragging about receiving an award for being a really good child psychologist.  They go upstairs to get a little freaky naughty and find a window broken and a strange, mostly naked man in their bathroom.  Malcolm figures out that this guy is a former patient named Vincent Grey (Donnie Wahlberg).  Turns out Grey is not happy because Malcolm wasn’t able to help him with his problem 10 years earlier, so he shoots Malcolm in the stomach and blows his own brains out.  Cut to next autumn, where Crowe is creepily watching his next patient, Cole Sear (Haley Joel Osment).  Malcolm has taken a particular interest in this young boy because of his tight, form-fitting jeans and his similarity to Grey.  “This time,” he resolves, “I WON’T get shot.”  It takes some time for Malcolm to gain the confidence of Cole, but when he does, Cole tells Malcolm his secret: Cole sees dead people.  Malcolm wants to give up on Cole, but he also doesn’t want to get shot in 10 years.  The movie continues on to it’s resolution of Cole’s problem, the classic Shyamalan twist, and the credits.

When this movie first came out, it was a phenomenon, and with good reason.  Not only was it a well-made movie and a well-written story, but the twist at the end was so epic and so well-hidden that it was a gigantic faux pas for someone to ruin it.  I hadn’t remembered it, but my roommate told me that he remembers ruining it for another one of our friends and that getting them really pissed off.  I, however, got to witness it without my douchebag roommate’s spoilers and so I enjoyed the movie immensely.  The story is a fairly classic one that happens in a lot of ghost movies when someone is the sole person that can see them.  The twist is what separates this movie from the others.  The atmosphere is also one to be appreciated.  It’s quiet and slow as it builds the tension and, though I grant that it does go for a lot of startling, the mood it creates elevates those scares when they happen.  Things like the cabinets opening when the mom leaves the room, the lady in the kitchen with cuts on her wrists, and the boy with the head wound all get a nice jump out of the audience.  But someone needs to talk to these ghosts about first impressions.  When Osment decides to try to help the ghosts, the first one pops up out of nowhere and vomits at him.  Why don’t you throw up BEFORE you go talk to him, and maybe wave him over from across the room.  And was it necessary to grab his leg out of nowhere when he was in your room to help you?  Not cool, Mischa Barton!  The use of color was also very nice as the objects that are red are usually things that you should pay attention to because they have significance later on or indicate a heightened emotional state.  The ones I can remember are the red doorknob and the wife, Olivia Williams.  After the events of the first part of the movie, she’s usually seen wearing red and, at the end of the movie, you figure out what the heightened emotional state she’d be in would be.

The only negative I’d say about this movie is that, once you’ve already seen it, the movie isn’t nearly as special.  Even though it’s over 10 years old, and I would assume almost everybody has seen it by now, I refuse to put the spoiler ending in this review.  I think it’s a huge douchey move to ruin it for someone too.  Eventually, there will be people who haven’t seen this movie because they’re only just coming to the age where they can watch it and I don’t want to be responsible for ruining it.  This is a fine movie with some good chills and creepiness that is a perfectly good movie to watch, but watching it for the first time when you don’t know what’s going to happen is sublime.  The first watch of this movie made it my favorite “horror” movie, but subsequent watches leaves it as only enjoyable and not nearly as epic.

The performances in this movie are also top notch.  Bruce Willis puts on by far his greatest performances to date.  He has to be serious, charming, and devastated at different times in the movie and I’ve still never seen him put on such a show before.  He’s great in action movies and all, but it doesn’t require nearly as much range from him so I would have suspected he wouldn’t be capable of it.  This movie also made Haley Joel Osment a household name for a good long time.  He was the pinnacle of the child actor until he pretty much fell off the face of the Earth and was replaced by dual Fannings.  He was absolutely fantastic in this movie.  He seemed constantly depressed and on edge, and his character would have good reason to be.  It’s a shame that he seemingly made such poor movie choices after this movie, and that his body grew up and his face didn’t, which makes him strange to look at today.  But he was an adorable kid that first showed up in the awesome movie Forrest Gump.  But besides Forrest Gump, The Sixth Sense, and A.I. Artificial Intelligence (though I’ve never seen that), he’s never been in a movie rated higher than 50% on Rotten Tomatoes, and seemingly stopped working about 4 years ago.  I’m sure he’s plenty rich though, so I’m sure he’ll be fine.  He was nominated for an Academy Award, though, along with the person playing his mother, Toni Collette.  And with good reason there as well, because she was also fantastic as the working mom just trying to make it work with her outcast child.  But it may not have been that realistic of a performance because, if I had a kid that could talk to ghosts and I was dirt poor, my first thoughts would be “I’m gonna exploit the crap out of you, boy!”  Olivia Williams had a small part to the movie, but she did great at it.  On first viewing, I would’ve said she was a bitch to Bruce, but once the twist is revealed, you get to see the nuance to her performance and appreciate it much more.  Donnie Wahlberg deserves an honorable mention for his commitment to the part as well.  He lost all kinds of weight for the role; so much so that I didn’t even recognize him when I saw it.  He was very good also.

So there it is.  The end of the October Horror-thon with my favorite horror movie, The Sixth Sense.  The mixture of is fantastic story, epic twist, outstanding performances, and terrific cinematography will probably keep it my favorite horror movie of all time, regardless of the questionable nature of it’s “horror” title that I’ve bestowed on it.  The only problem I can think of to this movie is that it isn’t nearly as epic when you already know the ending.  So don’t be a dick and ruin this for someone if they haven’t seen it.  Look, I just did a review of over 1000 words and didn’t spoil it, so you can too.  And after that, just hope that Shyamalan can pull off another good movie before his career is over with all them Airbenders and Water Lady’s.  I give The Sixth Sense a “It’s getting cold” out of “Some magic’s real.”

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