The Scorpion King (2002)


Live Free.  Rule Well.

This review request serves two purposes.  The first is that it’s a trilogy and one that, by the end of these reviews, will probably make the Jurassic Park trilogy look so much better.  The second purpose it serves is to knock out another review request from coworker Eric.  Today’s movie is not the movie that was requested, but the first part in the trilogy.  Eric suggested that I review the third movie, which will most likely be awful.  I decided to watch all three, so that I don’t get left out of the highly cerebral storyline.  Well, let’s jump into it.  The first movie in this trilogy is a spinoff of another movie franchise called The Mummy, making this movie The Scorpion King, written by Stephen Sommers, William Osborne, and David Hayter, directed by Chuck Russell, and starring Dwayne “The Rock” Johnson, Steven Brand, Kelly Hu, Michael Clarke Duncan, Bernard Hill, Grant Heslov, Peter Facinelli, Branscombe Richmond, Roger Rees, Ralph Moeller, and Tyler Mane.

The Akkadians are the baddest group of assassin’s in the land.  The last three remaining Akkadians – Mathayus (The Rock), his half-brother Jesup (Branscombe Richmond), and some other random dude – are hired by King Pheron (Roger Rees) to kill the sorcerer that is bringing victory to the Egyptian Emperor Memnon (Steven Brand) with her prophetic powers.  The three Akkadians get into Memnon’s camp and are instantly ambushed, having been betrayed by King Pheron’s son, Takmet (Peter Facinelli).  Mathayus escapes the ambush, but the other two Akkadians fall.  Mathayus gets into the tent of the sorcerer but finds that it is not some old dude as you’d expect.  Instead, it’s super hot Cassandra (Kelly Hu).  Memnon and his troops enter the tent and capture Mathayus, but Cassandra predicts that horrible things will happen to Memnon if he orders Mathayus executed.  Instead, Mathayus is sentenced to be buried in the sand and have ants eat his head, along with horse thief Arpid (Grant Heslov).  Together, they escape, and Mathayus sets his sights on getting revenge on Memnon.

Much like the majority of the movies that this movie spun off from, I found this movie to be a lot of fun.  It’s not particularly smart or well-written, but it’s fun and has some great fight scenes in it.  And, since that should be what you expect when going into a movie like this, you should leave fairly satisfied.  The opening of the movie serves little purpose to the story and is only there to show that The Rock is a badass.  He’s just going in and saving his brother from some small group of people that are going to kill him, and he does with extreme prejudice.  Immediately afterwards, this scene is completely forgotten about because, as I said, it had nothing to do with the story.  But it was a pretty badass fight.  It sets up how badass the Rock is by having him inexplicably climbing up a cliff with a giant boulder attached to his back (the point of which I still don’t know), then he drops in through the chimney, emerges from a cloud of smoke, and whoops ass on everyone in the tent single-handedly.  He even knocks someone out by wrapping his bow around their head, pulling it taught, and letting it snap on their face.  That’s the international sign of a badass.  The movie’s actual story picks up right after this scene.  It’s a decent story without any surprises, but it’s mainly just set up for more fights.  It’s a basic tale of revenge that is then superseded by taking out an evil ruler for the greater good, then you throw a little love story in the middle.  But the action and the fights are fun, some of the dialogue borders on clever, while other parts of the dialogue are just cheesy.  Like at the end of the clash of the titans (The Rock and Michael Clarke Duncan) where the Rock says “We are brothers in the same cause”, and should probably be given an award for delivering that line while keeping a straight face.  It’s the kind of movie that you just need to shut your brain off and look at all the pretty colors.  If you don’t, you may get bothered by the fact that they totally ripped off Indiana Jones by having him cut the giant gong thing off and rolling it out the window to escape a hail of arrows.

The performances accomplished what they came to do.  Personally, I like watching the Rock.  I don’t know if everyone feels the same as I do, but that guy’s charismatic.  And, above that, he’s so much better at fake ass-kicking than most action movie stars.  One person I like watching way more than the Rock is Kelly Hu.  Gundamn that’s a good lookin’ bird!  And this movie features her in one of two phases: nearly naked, and completely naked.  Yeah, you don’t see anything because of strategically placed hair, but I’m okay with it.  I know that Michael Clarke Duncan can really bring it in the acting department, but he left it at home for this movie.  He didn’t need his acting chops for this movie.  It seems like he likes to just do a couple of dumb movies that he’ll have fun with, and that’s what he did here.  I never really believed Steven Brand as a badass.  I just can’t see this unimpressive white boy being a threat to the Rock.  It’s kind of the same thing they did in Shanghai Knights, where they decided the bad guy would be this unimpressive white guy so they just said that he was the greatest sword fighter ever so you have to just give it a pass.

An unimpressive story and some corny dialogue does very little to remove this movie from the soft spot in my heart … that I still need to get a doctor to look at.  Good action, fun times, and an appealing cast – including the Rock in his first starring role and super hot Kelly Hu – makes this movie enjoyable.  I actually purchased this twice, but I’m not saying that as cause for you to purchase it at least once.  I just upgraded to BluRay.  I cannot promise that you will have the same kind of fun with this movie as I did, but it’s at least worth watching.  The Scorpion King gets “I’ll kill half, you kill half” out of “No need for concern, Miss.”

Hey, peeps. Why not rate and comment on this as a favor to good ole Robert, eh? And tell your friends! Let’s make me famous!

Deep Rising (1998)


Oh Man … What Stinks?

I have no idea what inspired me to rent today’s movie.  I kind of wanted to watch a dumb action movie, so I guess I did that.  It’s one of those times when something is in your Netflix queue and you’re not paying attention so you actually have it get sent to you and then you have to watch it.  What made me put it in my queue in the first place is a better question, but I don’t have an answer to that either.  Either way, let’s make fun of a dumb action movie!  This one is Deep Rising, written and directed by Stephen Sommers, and starring Treat Williams, Wes Studi, Anthony Heald, Famke Janssen, Kevin J. O’Connor, Derrick O’Connor, Jason Flemyng, Djimon Hounsou, Cliff Curtis, Clifton Powell, Trevor Goddard, and Una Damon.

There’s a little boat hauling ass through the middle of the ocean somewhere, crewed by John Finnegan (Treat Williams), engineer Joey “Tooch” Pantucci (Kevin J. O’Connor), and the Tooch’s girlfriend, Leila (Una Damon).  Finnegan has a reputation for putting his boat out to people without asking questions, just as long as the money is there.  This time, the money comes from a man named Hanover (Wes Studi).  He has brought a bunch of heavy weaponry and a crew of mercenaries, comprised of T-Ray (Trevor Goddard), Mamooli (Cliff Curtis), Vivo (Djimon Hounsou), Mason (Clifton Powell), and Mulligan (Jason Flemyng).  Meanwhile, there’s a cruise ship owned by Simon Canton (Anthony Heald), and captained by Captain Atherton (Derrick O’Connor), who are dealing with a mischievous, and hot, thief named Trillian (Famke Janssen).  While they do that, something hits the ship and it goes dark.  Back on Finnegan’s ship, they run into a lifeboat dropped in the impact from the cruise ship, damaging their ship and leaving it nearly useless.  They get onto the cruise ship and find everyone missing.  Apparently, some kind of tentacled monster has attacked the cruise ship, leaving few survivors, and the mercenaries and Finnegan’s crew have to find the parts they need to fix their ship, while trying to survive the creature.

This isn’t a great movie.  I’m pretty sure it’s well aware of that.  It should, therefore, endeavor to be fun.  It gets close to being fun, but is kind of bogged down by being too predictable and cliche.  It’s a fairly typical monster movie, though it seems they didn’t have the money to show the monster very often.  I guess they could have been going for the suspense, but it didn’t really work.  Instead it just seemed like they were afraid to show it at first because it might be ridiculous.  And it was.  For the first 90% of the movie, the monster was just a series of autonomous tentacles that knew where the cast was without actually having eyes or ears.  They were basically just arms on an octopus that wasn’t seen until the end, so how would they know where the people were?  The writing of the movie was pretty typical and cliche.  A few lines required punctuation that came in the form of a shotgun being cocked, for instance.  At one point, the engineer is running down a hallway with the leader of the mercenaries, running from a tentacle that should have no idea where they are, and they both keep mentioning over and over that the only thing that will stop the tentacle from chasing them is if they feed it something.  They say this like five times until the engineer says “What could we feed it?  What could we feed it?!” and the mercenary leader shoots him in the leg, leaving him for dead.  You didn’t see that coming?  Other parts were just badly written.  The one that comes to me right now is when the mercenary puts a gun to Famke’s chest and says “Tell me what I want to know …” pulls back the hammer on his pistol “…or I’ll pull the trigger.”  What a lame punchline!

The cast did what they had to do, but they didn’t have much of a script to work with.  Treat Williams was reminiscent of Nathan Fillion from Serenity, being a wisecracking captain that never seems to take the situation that seriously, but Nathan Fillion had the benefit of good writing.  Una Damon was the hot Asian lady in the movie.  That’s about all that could be said about her character.  I got really angry that she was the first person of the principle cast to get killed, stealing my primary eye candy away.  I’ve never found Famke Janssen too attractive, but she was at her hottest in this movie, so she took over the eye candy role when the Asian died.  She was a entertaining character, and usually portrayed as a tough chick, but that just lead to me getting pissed off at the end when the captain was chasing her with a flare gun.  He fired twice and missed, but she kept running as he started to reload.  She could have gotten to him and whooped that ass before he could reload if the writers didn’t hate women.  I’m pretty sure she punched a guy or two when outnumbered in the movie, and he never gave us any reason to believe he could fight, but women lack the arm strength to best a man of any kind, right writers?  Kevin J. O’Connor was the other role that made an impact with me, but only because he was really annoying.  That was what he was going for, and it worked.  He could not stop words from spilling out of his mouth.  He was playing much the same role as he did in The Mummy, but he never turned evil and the writing was nowhere near as strong.  It was a nice bit of wishful thinking that the writers made him be dating the really hot Asian chick, but really bad writing that this dude survives the ENTIRE MOVIE and she dies first.  No one wants him around!  None of the mercenaries really made an impact beyond the fact that they made me realize that the writers believed that every person can have only one personality trait.  Finnegan is cocky, the Tooch talks too much, T-Ray is an asshole, Vivo is a scary black man, and Mamooli is horny all the time.  If the movie stuck in my head more, I could probably do it for every character.

I’ve said before that I do not mind a movie being dumb as long as it’s fun, but this movie falls short on the fun.  It’s just predictable while making no sense, having poorly written dialogue, and having really basic characters.  The comic relief was mainly supplied by a guy who was always around and would not shut up, but was rarely saying anything funny.  Deep Rising is not a horrible movie, but it’s not good either.  You can skip this one.  Deep Rising gets “There goes one year off my life” out of “Shut your fucking whining weasel …”

Hey, peeps. Why not rate and comment on this as a favor to good ole Robert, eh? And tell your friends! Let’s make me famous!