Kick-Ass 2 (2013)


I Try to Have Fun.  Otherwise, What’s the Point?

Kick-Ass 2 (2013)Today’s movie was way more difficult to see than it should have been, and Friendboss Josh is to blame.  We had been trying to see this movie for nearly a month before we could finally find the time.  First he couldn’t go because of a “butt thing.”  I’m still not sure what he meant by that.  Was it a proctologist appointment or a sex thing?  Probably both.  Then his girlfriend, the Whitney Bird, lit the bathtub on fire.  Seems impossible, right?  I mean, the thing shoots water.  The next week he was abducted by aliens.  He called it a family reunion, but when I hear about a collection of Mexicans, I just assume.  The last week was my fault because I had a creative writing class to attend where I learned how to make up ridiculous stories to cover for your bad memory about past events and how they kept you from movies.  Then Friendboss Josh and I went to see Kick-Ass 2, based on a comic book by Mark Millar and John Romita, Jr., written and directed by Jeff Wadlow, and starring Aaron Taylor-Johnson, Christopher Mintz-Plasse, Chloë Grace Moretz, Jim Carrey, Lindy Booth, Clark Duke, Donald Faison, Steven Mackintosh, Monica Dolan, Robert Emms, Augustus Prew, John Leguizamo, Olga Kurkulina, Daniel Kaluuya, Tom Wu, Andy Nyman, Morris Chestnut, Claudia Lee, and Iain Glen.

After the events of the first film, Dave Lizewski has retired from his hero persona Kick-Ass (Aaron Taylor-Johnson), but quickly finds that regular life is not to his liking.  He decides to take up the mantle of Kick-Ass again, but this time he’s not going to rely on the fact that he can’t feel pain and actually get some training from the younger, but far better trained Mindy Macready, also known as Hit-Girl (Chloë Grace Moretz).  Elsewhere, Chris D’Amico (Christopher Mintz-Plasse) is still sore at Kick-Ass for killing his crime lord father in the first movie.  He reacts by dropping his hero persona, Red Mist, and instead becoming the first real-life villain, the Motherfucker.  When Hit-Girl’s guardian, Detective Marcus Williams (Morris Chestnut), finds out that she’s still fighting crime, he makes her promise him that she’ll stop, and will stop hanging out with Dave.  Lacking the help and training of Hit-Girl, Kick-Ass joins a hero team called Justice Forever, led by Colonel Stars and Stripes (Jim Carrey), and including Night-Bitch (Lindy Booth), Doctor Gravity (Donald Faison), Battle Guy (Clark Duke), Remembering Tommy (Steven Mackintosh and Monica Dolan), and Insect Man (Robert Emms), but continues to try to get Hit-Girl back to her calling while she’s trying to understand how to be a normal girl.  Oh yeah, and the Motherfucker is trying to kill them all.  They should worry about that too.

I was a really big fan of the first Kick-Ass movie.  Going into this one I was made nervous by how poor the reviews were for the sequel, but I found the movie much more enjoyable than the other critics.  Not as good as the first, and there were some problems, but it was still worth watching.  But I’m fond of the idea of real life heroes since I semi-constantly consider it myself, but soon find that my superpower is extreme laziness.  The story was nothing entirely special, but it was interesting.  There was the whole revenge plot that drove the movie, but also the real life scenarios of Hit-Girl trying to figure out being a regular kid.  Most of that seemed like it would be really insulting if I were a lady.  Especially the whole conversation in the bedroom with the other high school girls talking about how hot and bothered they get for some Beiber-esque gay boy (redundant?) they watch on TV.  And then it works on our hero, Hit-Girl!  I’m not saying this deduction about women isn’t accurate, but it does seem vaguely sexist.  And accurate.

The performances in the movie were well-realized.  I liked these actors in the first movie; how could I not like them again?  The answer: shut up!  I’m writing a review here!  This is not a discussion!  Aaron Taylor-Johnson did a great job as Kick-Ass.  He plays it very grounded in reality, as it should be played.  But he’s also a bit of an asshole.  I understand that Hit-Girl was badass and that you probably weren’t going to get much better or be able to save the day without her, but on another level you’re trying to convince a little girl to continue risking her life.  Also, he wasn’t really that bright.  You keep hearing stories about this villain the Motherfucker and all the bad things he’s doing, but you don’t even bother to go look at his Twitter feed or his Facebook page to see what he looks like and maybe piece together that he’s that kid you were friends with and then killed his father?  It’s been a while since I’ve seen the first movie, but I feel like you might have his street address.  Speaking of the Christopher Mintz-Plasse character, this motherfucker’s whining was really getting on my nerves in this movie.  Lots of people’s dads are killed by bazookas, but they don’t all need to whine through the whole movie like a petulant teenager … like the one you’re portraying in the movie…  It was just annoying, okay?!  Chloë Moretz remains quality as Hit-Girl in this movie, but it did bother me that she was not being Hit-Girl through most of the movie.  I understand the emotional reason for it, but I also wanted more of her kicking ass.  Even though one of her moments of ass-kicking was really gross (the moment with the Sick Stick for instance) and one of them was unrealistic for this type of movie (the “last resort” thing at the end).  Jim Carrey was very good in the movie, and I was also very happy to see John Leguizamo again.  I feel like I haven’t seen him in years.  I had no idea who Olga Kurkulina was before this movie, but she sure was scary in it as Mother Russia.  Her scene of laying waste to all those cops was epic.  And since we’re on the subject…

One other thing I noticed in this movie is that the cops were the absolute worst.  I dislike but understand that they decide to put a stop to all people wearing costumes, but it seemed like they only caught the ones doing good.  Worry about them second!  Even if you have the opportunity to catch one that’s trying to do good, instead go after the ones that just killed 20 of your guys on a residential street.  THEN worry about the good ones.  Even when they were trying to do good, the cops sucked at it.  Bad guys break into a funeral and lay waste to everyone and the cops (with guns) are so much more useless than the regular people with baseball bats, sticks, and purses filled with bricks.

Kick-Ass 2 might not have measured up to the first movie, but it certainly exceeded the critical response I have seen for it.  It’s a solid movie with a story that’s nothing too mind-blowing but is definitely good, some pretty great action when it happens, and some great performances.  I’d recommend seeing this movie in theaters, but you wouldn’t be hurting too much if you waited for a rental.  Kick-Ass 2 gets “This 15-year-old girl just owned your ass” out of “Robin wishes he was me.”

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Underworld: The Rise of the Lycans (2009)


This is Just the Beginning

Further deeper into the Underworld we go, this time arriving at a movie I distinctly remember not liking, so much so that my OCD-like compulsions did not force me to complete the series for my DVD racks.  Everything about the movie would lead one to believe that this movie would be the worst of the three.  Not only was the previous director not on board, but the previous star decided against returning this time around.  They did manage to get someone that could pass for Kate Beckinsale if you didn’t look too hard, but they made her a somewhat secondary character in the movie.  All that being true, my memory is completely shit, so I needed to watch this movie again to be able to make any claims on it’s quality.  Now that I have, let’s see what I thought about Underworld: The Rise of the Lycans, written by Dirk Blackman, Howard McCain, and the wrong Danny McBride, directed by Patrick Tatopoulos, and starring Michael Sheen, Bill Nighy, Rhona Mitra, Steven Mackintosh, Kevin Grevioux, and Tania Nolan.

The events of the film happen well before we met Selene, back in the beginning of the war between vampires and werewolves.  Apparently, it all started when a girl who couldn’t act fell in love with a pasty sparklefart of a vampire and a Lycan with sweet abs.  No resolution could be reached and war broke out.  Oh wait, that’s a different movie.  This war is started because the first werewolf, William, has created an army of savage werewolves, unable to return to human form, and the vampires must defend themselves from the onslaught of werewolves.  This movie focuses on Lucian (Michael Sheen), the first werewolf born with the ability to return to human form.  They use Lucian to make other Lycans that can become human and turn them into slave labor, keeping them from turning Lycan with the help of a spiked collar, most of which say “Fido” or “Rex”.  Over time, Lucian begins a secret relationship with the daughter of the vampire elder, Viktor (Bill Nighy), a Beckinsale-esque girl named Sonja (Rhona Mitra).  This sort of relationship is what you might call “frowned upon”.  Adding to the problems they already have, Lucian gets pretty fond of this idea of “freedom”.  Viktor is every bit as keen on this idea as he would be of the idea that his pet is giving the red rocket to his daughter.  If we’ve already watched the other movies, we have a pretty good idea of where this is headed.

It apparently happens at least once in everyone’s lifetime, but I found that I was wrong on this day.  I actually enjoyed Underworld 3, possibly even more than I liked 1 and 2.  It was sort of a mix between things I liked about the first two movies: Underworld had a better story, but was light on action, whereas Underworld 2 didn’t have a great story, but did have more interesting action.  This movie satisfied me on both fronts.  The story was pretty interesting, and the action was good as well.  But I am man enough to admit that I’ve been wrong one time in my lifetime, so there it is.  Much better than I remembered it.  The story seemed to have mashed up elements of better stories.  It had a quasi-Romeo and Juliet, star crossed lovers business in there, it had a quasi-Braveheart fight for freedom thing (minus the antisemitism), and it had a quasi-The Crow revenge for dead loves plot.  Yeah, I could’ve warned against spoilers there, but they totally showed it in the first movie, so fuck off.  The story all worked for me, but it probably did suffer a little bit from the fact that I had just watched Underworld and was just waiting for all the things I knew were going to happen.  It did a great job fitting into the continuity that was laid out in the other films, but it also kind of hurt itself by allowing us to know exactly how the story turned out.  As with many movies, there were parts of the story that never really made sense to me.  The first one was the fact that they wanted these Lycans for their slaves, and to protect them during the day, but they wouldn’t allow them to turn into Lycans and use their real strength.  I understand that they’d be stronger and harder to control then, but why not just enslave humans then?  Why risk it in the first place?  Also, Viktor is given the chance to promote Lucian beyond his station, but turns it down, even though that course of action would clearly make things easier for everyone to deal with.  The biggest problem with the movie was the romantic relationship, but only because it was teetering dangerously close to bestiality.  The action was also very good in this movie, showcasing a good couple of pretty sweet battles between vampires and Lycans.  I especially liked the use of the giant ballistas when they pinned people against walls.

For the most part, any decisions you made about the performances of characters from the previous movies can be transferred over to this movie.  Michael Sheen becomes the star of this movie, and pulls it off very well.  He can do the action scenes, but dude can also act.  The terrible grief Lucian is going through as he watches his lady burn alive is very evident.  Possibly a better performance than this movie had comin’, but whatcha gonna do?  Rhona Mitra throws out the performance you would probably expect in that she doesn’t really impress.  She’s an attractive lady and all, but I couldn’t get over the distinct feeling that there was a good chance she was Steven Tyler.  I don’t have any proof for that … yet.  Bill Nighy’s performance was much better in this movie, not because he’s not a good actor, but the previous movies didn’t really require that much out of him.  He has a great bit of emotion over sentencing his daughter to death that I liked very much.  He’s still too old to really hold his own in the fight scenes though.  I got excited at one part because they had him put on a helmet that covered his face, so I thought he would be able to throw down because he could easily be substituted by a stunt man, but he very quickly removed his armor and jumped into the next scene.

I was pleasantly surprised to find that the Underworld movie I previously thought to be the worst one was actually probably the best one so far, having a more interesting story and better action than the previous two movies.  Most of the performances were good, and Rhona Mitra was Steven Tyler, but altogether I found the movie to be pretty enjoyable.  I guess I’ll be able to complete the series now, but only if the newest one holds up, and if it comes out with a BluRay tetralogy.  We’ll find out at least one of those things tomorrow, when I review the latest Underworld movie.  For now, Underworld: The Rise of the Lycans gets “You are credit to your race” out of “We are no better than the beasts at our door.”

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Underworld: Evolution (2006)


We Are Oddities of Nature, You and I

Continuing on into the Underworld makes me feel like Hercules or Dante.  Well, not really like Hercules, but I’m totally a poet like Dante.  That’s the facts, right there.  Also, that’s probably the smartest joke I’ll ever go for.  Let’s get back to talking about poop!  Underworld!  Okay, that was harsh.  Underworld turned out to be a pretty good movie, but one I remembered being better.  Unfortunately, I remember them going downhill pretty quickly into the third one, but I have not yet made my impression of the fourth one known.  Let’s see if that recollection still holds true as I review Underworld: Evolution, written again by a different Danny McBride than the one we are all thinking, directed again by Len Wiseman, and starring Kate Beckinsale, Scott Speedman, Tony Curran, Derek Jacobi, Brian Steele, Bill Nighy, Michael Sheen, Steven Mackintosh, Shane Brolly, and Zita Gorog.

Way back in the day, the three vampire elders – Viktor (Bill Nighy), Markus (Tony Curran), and Amelia (Zita Gorog) – are trying to track down Markus’ brother, William (Brian Steele), a werewolf who is going around making more Lycans that are savage beasts, unable to return to human form.  They finally capture William and have him imprisoned for all eternity, but Markus is not too cool with his bro-wolf being treated like a bitch.  Back to the now, the events of the last movie have set up Markus to awaken from his slumber, and he promptly kills the shit right out of Kraven (Shane Brolly) who, let’s face it, had that shit coming.  Elsewhere, the vampire Selene (Kate Beckinsale) and the hybrid vamplycan Michael Corvin (Scott Speedman) are driving around, occasionally stopping to fight things and fuck each other.  After killing Viktor, Selene is having memories pop of of when her father built the cage that holds William, so they’re looking for answers about that.  They stop in to see Andreas Tanis (Steven Mackintosh) and later look for the original immortal, father of Markus and William, Alexander Corvinus (Derek Jacobi).  All this time, Markus is also looking to free his brother.  Eventually, these two paths will probably converge.

This one’s probably about on par with the original.  The story takes a bit of a step down, being all about this chase to find some people’s jewelry that opens a sarcophagus restraining a big doggy.  It may even border on confusing, since everyone’s looking for the same necklace/ribcage bling (you’ll have to watch the movie to get that) and Selene barely knows what’s going on until her memories come back.  It’s constantly cutting back and forth between Markus and Selene to see what they were doing and I may have gotten confused, which may have not happened if I were paying more attention but, hey, that’s their fault.  Make a more interesting movie next time!  The action was a decent step up at times in this movie though.  There were a couple of solid fights and action scenes, and people actually tended to hit what they were aiming at.  I had a couple of issues with the climactic final fight of the movie though.  And, because it’s the final fight, I suppose there may be ::SPOILERS::  The fight is basically Michael and Serene versus William and Markus.  First off, Michael remains completely ineffectual, even though he’s the super hybrid.  I know he has no fight training or anything, but he basically just gets his ass kicked a lot.  He is the one that finally kills William by ripping his upper jaw off, and that was pretty badass, but I don’t know how much credit you can give him for beating William.  William is the super powerful first of all Lycans, but his strategy in this fight is to do a lot of standing in one place howling as he’s getting tons of bullets emptied into him.  Markus shows himself to be a pretty big badass by pulling a helicopter out of the air by the cable it has draped into the arena, and then goes to fight Serene.  They fight on a bridge with the still spinning blades of the helicopter right next to it.  Knowing that Serene is the heroine of this movie, you will never expect how their fight – stationed immediately next to spinning helicopter blades, mind you – will end.  It may shock you to find that he is knocked into the spinning helicopter blades.  Sure, you see it coming from a mile away, but it was pretty sweet.  ::END SPOILERS::  The look of this movie also improves a little.  The most notable improvement is that a pair of tits makes it’s way onto this movie.  Unfortunately, they aren’t Beckinsale’s.  Other than that, the Lycans are a little more convincing, and the amount of fake blood is probably doubled for this movie.

The performances were mostly by the same actors, so you can be assured that the performances have not changed drastically from the first movie.  Kate Beckinsale still looks good in them skintight suits, having decided against splurging on Haagen Dazs with her check from the first movie.  I thought it was strange that she kind of acted a little trepidatious about getting her freak on with Speedman, even though they had already had some good make out sessions.  I guess there’s a chance she was a virgin, though, so she might’ve been hesitant to give that up.  Everyone acted like the 40 year old virgin was so sad, but Selene could have been the 121 year old virgin for all we know.  Scott Speedman continued to not impress me.  I wanted this hybrid to be awesome, but he really never does anything impressive.  The most impressive thing about him is that he is constantly coming back from situations that should have killed him.  So can cockroaches, and I don’t call them badasses either.  Get your shit together, hybrid!  Tony Curran is the new, big baddie for this movie, and most of the time he’s pretty good and intimidating.  Derek Jacobi was also pretty good as Alexander Corvinus, but neither of them really gave me anything much to talk about.

Underworld: Evolution manages to not drive the series down.  If you liked Underworld, you’re probably down with this one too.  I probably appreciated this movie a little more because, though the story that never interested me too much stepped down a bit, the action that I liked amped up slightly.  It also looked much better, having probably benefited from the success of the first movie.  I own this movie on DVD, just as I do the first one, and I think it’s definitely worth a watch.  Problematically, I remember disliking the third movie in this series, so much so that I actually never purchased it on DVD, even with my OCD-like need to complete series in my DVD collection, and that one is up next.  We’ll find out how that one goes tomorrow, but for now Underworld: Evolution gets “You depend on blood” out of “You are unwelcome in my presence.”

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