Men in Black III (2012)

I Promised the Secrets of the Universe, Nothing More.

When I went to see Snow White and the Huntsman, I decided that I had the time and the energy to make the day into a double feature.  There were about four movies available at the time that I had any kind of interest in seeing.  Having one taken down at the request of my readers, I decided that I would choose the next one and that I’d just take the one that had gotten the best reviews.  It was fortunate for me that it was also the one that I wanted to see the most.  Being the third part in a series of movies that I have liked so far, as well as being the movie that seemed the most fun, it was an easy decision.  The movie I chose was Men in Black 3, written by Lowell Cunningham, directed by Barry Sonnenfeld, and starring Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Michael Stuhlbarg, Emma Thompson, Alice Eve, Mike Colter, Bill Hader, Will Arnett, David Rasche, Keone Young, and Nicole Scherzinger.

An intergalactic criminal named Boris the Animal (Jemaine Clement) is busted out of a prison on the moon by his girlfriend (Nicole Scherzinger).  He sets his intentions on killing an agent of the Men in Black, Agent K (Tommy Lee Jones), for shooting his arm off in 1969.  And, because he got that arm shot off in 1969 while trying to stop K from preventing his race of Boglodites from taking over the Earth, he decides he needs to go back in time and kill K.  The strange part is that he succeeds.  K’s partner, Agent J (Will Smith), wakes up to find that the space-time continuum has changed and K has been dead since 1969.  With a little help from the new Chief of the Men in Black, Agent O (Emma Thompson), he figures out what he must do to stop it from happening, so he too goes back to 1969 to stop him.  Of course, a time-travelling black man in 1969 gathers some attention, most notably from Agent K (Josh Brolin).  He must try to convince K that he’s telling the truth so that they can stop Boris and save the Earth.

Much as with the other movies in this series, I’m still charmed by Men in Black 3.  The story follows the same pattern that I remember from the other two movies, but adds interest and emotion to it with the time travel story.  All of the movies have been, at their core, a story of two guys trying to stop the destruction of the world.  The first one added the fish out of water part with J being brought into the Men in Black, the second one added the getting the gang back together thing with having to bring back K, and the third one adds time travel.  That adds for some decent emotion that they barely went for in the first movie and didn’t try for much in the second.  Not only is there the emotion involved in K’s temporary death, but something else that’s pretty sad happens near the end of the movie.  The problem with the thing at the end of the movie is that you can kind of see it coming.  It’s something that my roommate brought to my attention in the Avengers movie, but if they talk about something they’ve never really talked about before, seemingly out of nowhere, you know something’s up.  K defending the person that was being talked about cemented it in my mind, so when it happened, the shock was a little bit lessened.  But you don’t really come to a Men in Black movie for the emotional depth.  It’s more about the cool look and the humor, and both of those are well realized.  Every time J used the neuralizer on someone, the explanations he came up with afterwards were all pretty funny.  There was another point where J started drinking a little kid’s chocolate milk and the little kid said, “Mommy, the president is drinking my milk.”  That’s a solid joke, but it was so quiet I almost missed it.  J makes a joke about agents O and K, and I think you can figure what joke would be made there, but it was still a solid joke.  There were also two references for comedy that were a little obvious.  If you’d seen the other movies, you know that they often have eccentric celebrities on the screen in the background, implying that they’re aliens.  When I started the movie I knew that Lady GaGa would be one of them, and I was right.  Also, when they had Andy Warhol in it, I figured he’d be an easy target for an alien too.  I wasn’t entirely right, but I wasn’t entirely wrong either.

I liked almost all of the performances in this movie.  Will Smith is usually very charming and funny, and he’s also able to bring it with the emotional performance as well.  It’s no surprise that he’s able to do that in this movie, but it’s always a pleasure to watch him do it.  Tommy Lee Jones is also the perfect counterpoint to Will Smith, always able to be the consummate straight man.  He doesn’t bring it too hard with the emotional performances because that wouldn’t be right for the character, but he does have moments where you can see that it’s right under the surface, and it’s really well done.  I think the biggest surprise for me was Josh Brolin.  Not because I didn’t expect quality from him as I’ve seen him do both drama and touches of comedy before, but he does a fantastic impression of Tommy Lee Jones that deserves to be lauded.  I wasn’t really a fan of Michael Stuhlbarg in this movie though.  His character was kind of comic relief and never really worked for me.  Perhaps it was because he reminded me way too much of Justin Bartha’s character in Gigli.  Though their parts were small, I was also happy to see Will Arnett and Bill Hader in this movie, and both were pretty amusing in their small bits.

If you liked the other Men in Black movies, Men in Black 3 should be right up your alley.  It might even overcome those of you that didn’t like the other two.  It’s definitely a candidate for the best of the three, though perhaps the original still edges it out.  MiB3 is funny, interesting, and even has a few moments of emotion to get us more invested.  It still looks great and the greater majority of the performances remain fantastic.  I definitely recommend getting to the theater to watch this.  It’s worth your money.  Men in Black 3 gets “Sort of a surly, older gentleman.  Smiles like this…” out of “That’s what I’m talkin’ about!”

Let’s get these reviews more attention, people.  Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense.  Whatever you can do to help my reviews get more attention would be greatly appreciated.  You can also add me on FaceBook (Robert T. Bicket) and Twitter (iSizzle).  Don’t forget to leave me some comments.  Your opinions and constructive criticisms are always appreciated.

Men in Black II (2002)

The Last Suit You’ll Ever Wear … Again.

Still leading up to my review of the newest addition to the Men in Black movie, we come to the second movie in the series.  After the popularity gained by the first movie, it seemed obvious that they would follow it up.  But there’s always a bit of trepidation going into a follow up movie because they are usually rushed and/or forced which has a negative effect on the quality of the product.  I really have no predisposition towards the answer on this one because I have barely any memory of the movie.  I remember thinking the first movie was very fun, but I have no memory of the second.  So let’s find out how it went in my review of Men in Black 2, written by Robert Gordon and Barry Fanaro, directed by Barry Sonnenfeld, and starring Will Smith, Tommy Lee Jones, Lara Flynn Boyle, Rosario Dawson, Johnny Knoxville, Rip Torn, Tim Blaney, Tony Shalhoub, Patrick Warburton, Jack Kehler, David Cross, Colombe Jacobsen, John Alexander, Peter Graves, Biz Markie, Nick Cannon, Jay Johnston, Martha Stewart, and Michael Jackson.

After the events of the first movie, Men in Black agent J (Will Smith) has become the top agent for the secret government organization.  A challenge arrives for him in the shape of a shapeshifting Kylothian queen named Serleena, who disguises herself as a lingerie model (Lara Flynn Boyle).  She recruits a stupid, two-headed alien duo Scrad and Charlie (Johnny Knoxville) and sets about her task of finding the ”Light of Zartha”.  When J finds out about it, the chief of the Men in Black, Zed (Rip Torn), says that the only person that might know about what happened to the Light is J’s former partner, Agent K (Tommy Lee Jones), who had his memory erased by the neuralyzer at the end of the last movie.  J must find K and get his memory back so they can find the Light of Zartha before Serleena does.

I don’t think this movie was nearly as bad as many people did, but the movie does hurt my feelings a little.  At the end of the first movie, it was a sad and poignant moment when J had to neuralyze K so that he could go back to his old life.  This movie just shits right on that by going exactly backwards from it.  It’s preferable to the alternative of leaving K out of the movie because K was a great character, but it does deflate that moment from the first movie significantly.  The mystery in this movie is a little better done, as it becomes a treasure search once K has been brought back into the picture.  They follow clues to finally reach their destination and it’s an interesting new way to go about the story of their movie.  There were some good jokes in this one, but I felt like they really took it easy in some places.  Most of the jokes they went through in the middle of the movie were just the reverse of the same jokes they made in the first one.  Things like giving the “Noisy Cricket” to K, and even using some of the same exact lines, but his time it was J saying them to K.  The look of the movie has not changed drastically for this movie.  It’s still really good and really creative.  I would say the only thing that I would count as an improvement in this movie is the song that Will Smith made for it.  Nod Ya Head is a much better song than Men in Black, and I don’t care who knows that I think this.

The returning performances for this movie were of the same quality, but I would say the new additions do nothing to help the film.  Will Smith is mostly just as charming and funny as he was in the first movie, but he came off as a bit of a dick for the first part of the movie when he was too preoccupied being the best MiB agent.  I like him better as the fish out of water, but he gets back to that.  Tommy Lee Jones is pretty much unchanged in this movie.  He’s still a great compliment to Will Smith.  Lara Flynn Boyle didn’t work for me though.  She was great to look at, especially when she was in her underwear, but she was not at all intimidating as the main bad guy in the movie, and she was barely convincing to boot.  Johnny Knoxville played the role as classic comic relief, but was completely hit or miss.  Rosario Dawson was great in the movie, however.  Not only am I always happy to look at her, but she’s got this great charm to her that makes you instantly like her and seemed like she would be a great compliment to Will Smith.

Altogether, Men in Black 2 makes no drastic steps forward, but does make a few steps backwards, though not enough backwards to make the movie a bad movie.  It’s just inferior to the original.  It’s still pretty funny, but some of the jokes are easy, it’s still got a good story with a little more mystery to it, and the performances that return to the movie still bring it, though Rosario Dawson is the only new performance that’s any good.  But Men in Black 2 still manages to become a fun watch, so I’d still recommend it.  I own both, and it probably wouldn’t hurt for you to own it as well.  Men in Black 2 gets “I’ve dated worse” out of “Your brain needs to reboot.”

Let’s get these reviews more attention, people.  Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense.  Whatever you can do to help my reviews get more attention would be greatly appreciated.  You can also add me on FaceBook (Robert T. Bicket) and Twitter (iSizzle).  Don’t forget to leave me some comments.  Your opinions and constructive criticisms are always appreciated.

Men in Black (1997)

We’re Not Hosting an Intergalactic Kegger Down Here

After watching Snow White and the Huntsman, I felt I had the time to catch a second movie, but we’ll get to that in a couple of days.  This movie was the third part in a trilogy, so it stands to reason that I would review the first two movies first.  I remember the other two movies as being very funny, really cool, and really imaginative.  But, as with so many movies, you never really know how well they’re going to hold up to the scrutiny of today.  We’ll find out in my review of Men in Black, written by Ed Solomon, directed by Barry Sonnenfeld, and starring Will Smith, Tommy Lee Jones, Vincent D’Onofrio, Linda Fiorentino, Rip Torn, Tony Shalhoub, David Cross, Siobhan Fallon Hogan, Mike Nussbaum, John Gries, Tim Blaney, and Richard Hamilton.

A member of a secret organization called the Men in Black named Agent K (Tommy Lee Jones) is left without a partner when his previous partner (Richard Hamilton) is proven to be too old to do the job anymore.  Meanwhile, James Darrell Edwards III (Will Smith), a NYPD officer chases down a strange man on foot that has two pairs of eyelids and can climb walls.  When he catches him, he tells him that the world is coming to an end and jumps off the roof.  Needless to say, his peers at the precinct don’t believe him, but K does.  After getting the information from him he needs, he uses a device that erases his mind called a neuralyzer, but having seen his potential, also gives him a card to come and potentially become a Men in Black agent.  Though one could say he did less than stellar on the tests, K talks the Agency leader, Zed (Rip Torn), into taking him on.  James Darrell Edwards III loses his identity and becomes Agent J.  Their first case together involves a large, cockroach-like creature wearing the skin of a farmer named Edgar (Vincent D’Onofrio) and looking for something called “The Galaxy”, which is apparently located on Earth.  Finding it would mean the destruction of the Earth, so the Men in Black must intervene.

Men in Black is a really fun and imaginative movie.  It was one of the most fun movies that I can presently remember from my high school days, and it completely holds up.  The writing is pretty basic science fiction fare with a few twists and turns so as to not be predictable and with enough comedy to set itself apart.  At its core, it’s just about the regular stuff of saving the world from destruction by an alien race, but it adds the fish out of water thing with J having to deal with all sorts of things that he was previously unaware of their existence.  Will Smith’s character adds the bulk of the comedy because of this fish out of water stuff.  One of my favorite comedy moments for Will Smith is when he’s in the shooting range to audition for the Men in Black and he shoots only the little girl cutout.  His explanation for why he chose to shoot her is fantastic.  They don’t do very much drama in this movie, and that’s what keeps it fun.  All of the drama stuff is because of K, who we quickly find out is pining over the woman he loved who he can’t keep in touch with because of his job.  That gets a satisfying wrap up in the end.  The part where they save the world from the aliens is almost secondary, but it’s still interesting.  The cockroach creature in the Edgar suit is intimidating in any one of its incarnations.  When it’s wearing the Edgar suit, its skin is hanging off its bones making it look pretty gross, but pretty cool as well.  There’s a bit of a mystery to this part of the story because they’re told the galaxy they’re looking for is on Orion’s Belt, and they need to figure out what that means, but the mystery doesn’t take that long.  The look to this movie holds up very well.  I really like their opening of watching a fly travel down a highway until it’s plastered across a windshield.  The aliens look very good, both in their animatronic forms and their computer generated forms.  It’s all very stylized and cool.  In fact, I figured from the look of it that Tim Burton had something to do with it, but I think it was just the Danny Elfman music that gives that feel to it.

The greater majority of the performances work very well in this movie.  Will Smith is always a delight to watch.  He’s very funny in this movie and even has a few minutes where he gets to be awesome.  Take, for instance, when he was facing off with the cockroach near the end of the movie and he tells the giant, sinister cockroach to ease up out of his face.  He pulls that stuff off just as well as he pulls off the comedy.  Tommy Lee Jones’ most impressive stuff in this movie is the emotional parts.  He doesn’t go over the top with it, but it’s clearly there.  The bulk of the comedy he’s involved with is as a straight man, and he does that fantastically.  Vincent D’Onofrio was a difficult one for me though.  He definitely played the Edgar suit version of himself in an intimidating way, but he also kind of hammed it up at times.

Men in Black was one of the most fun movies of my high school years, and it stands up to the memories I had of it.  At its core, it’s not the most brilliant or innovative story, but the comedy and the creative look it brings sets it apart from the basic sci-fi fare.  And all of the performances in the movie do well to help the movie accomplish the fun it sets its sights on, even though D’Onofrio may go a bit over the top at times.  Men in Black is a great movie that should be in any collection.  Tomorrow, we’ll find out about the sequel.  Men in Black gets “I make this look good” out of “You’ll get used to it … or you’ll have a psychotic episode.”

Let’s get these reviews more attention, people.  Post reviews on your webpages, tell your friends, do some of them crazy Pinterest nonsense.  Whatever you can do to help my reviews get more attention would be greatly appreciated.  You can also add me on FaceBook (Robert T. Bicket) and Twitter (iSizzle).  Don’t forget to leave me some comments.  Your opinions and constructive criticisms are always appreciated.

Captain America: The First Avenger (2011)

I Punched Out Adolf Hitler 200 Times.

I just watched a trailer that made me really excited for May of next year. So excited that I decided I should try to do one movie a month that will set us up for that movie. The movie I’m excited about is the Avengers, and today’s movie is the most recent Avenger movie about the oldest Avenger, Captain America. I’ve already knocked out Thor, so I have two Iron Man movies and two Hulk movies left. So, again, the one I’m knocking out for this month is Captain America: The First Avenger, directed by Joe Johnston and starring Chris Evans, Hugo Weaving, Hayley Atwell, Stanley Tucci, Sebastian Stan, Tommy Lee Jones, Dominic Cooper, Neal McDonough, Derek Luke, Kenneth Choi, J.J. Feild, Bruno Ricci, and a brief appearance – as in most Avenger movies – Samuel L. Jackson.

A bunch of scientists are messing around in the Arctic when they find something in the snow. It’s a giant spacecraft looking thing. Inside, they find a circular object with red, white, and blue on it. We then dive into the backstory of that circular object. Back in 1942, a Nazi scientist named Johann Schmidt (Hugo Weaving) busts into a church looking for a shiny, blue cube with untold powers. In the US, a scrawny kid by the name of Steve Rogers (Chris Evans) keeps getting rejected from the army because of his health and wussiness. But the kid’s got moxie! A scientist named Dr. Abraham Erskine (Stanley Tucci) recognizes Steve’s moxie and allows him to join the army to see if he’s got what it takes to be the guinea pig of Erskine’s super-soldier program. At first, his commanding officers, Colonel Chester Phillips (Tommy Lee Jones) and British agent Peggy Carter (Hayley Atwell), don’t have a lot of confidence in him. But, after being the only soldier to jump on top of a dummy grenade that was thrown as a test, they agree to allow him into the program. Moxie! A couple injections and some vita-rays later, Steve Rogers turns from a scrawny fuck into a big hunk of man meat. At first, Steve is made to go around on propaganda tours to raise money for the war, but when he tries that mess for the troops, they mock him for being lame. He finds out that his old friend Bucky Barnes (Sebastian Stan) and a number of other troops were taken prisoner so Steve Rogers resolves to rescue them. He successfully rescues them and meets Schmidt, who then takes off his Agent Smith mask and reveals that he’s the Red Skull – failed first experiment of the super-soldier program – and that he’s got a plan to basically destroy the world. Steve Rogers, with the help of Howard Stark (Dominic Cooper), gets a snazzy new outfit, a sweet, very familar, Vibranium shield, and starts ass whooping some Nazi’s under the name Captain America, even though he’s only First Sergeant America.

It always warms my heart when Marvel makes a good movie out of one of their franchises. As with most comic book companies that have taken their characters to the big screen, Marvel has had a spotty history, but they were able to pull off Captain America very well. And thank Odin for that too, because Captain America is not only one of the biggest names in comic books, but he’s also kind of an American icon. The story of this movie could probably not help but be good. Just put the Captain America origin story up on the big screen. That can’t be that hard. That origin story was good when it started, and it has been refined over the years in different incarnations of the Captain that I can’t imagine much difficulty for the writers here. At first, I was thinking that the message of the movie about a scrawny kid becoming a hero was a good message, then I got to thinking that this message is lost because of the fact that he was only able to become a hero by getting changed completely by a serum that real scrawny people won’t have access to. But who cares, the movie is good times. I also like the whole part about Captain America disappearing in martyrdom, then being found in present day and recruited for the Avengers, but that was a fairly small part in the movie that just bookended the rest of the movie. It was also pretty cool that Cap starts off using a gun but quickly learns that he can whoop ass with just his shield and stopped using guns. A couple of story things that caught me was that, at one point, a spy from Hydra tries to sabotage and steal the super-soldier program and he sets off a cigarette case explosion with a button in a lighter. The thing I thought was weird was that this same lighter made a car explode and made his submarine come up. That is a versatile lighter button! Also, Captain America gets onto Red Skull’s big ass plane by the landing gear which made me think: shouldn’t someone do something about landing gear? How many times have you seen someone sneak their way onto a plane through the landing gear, either in movies or video games? Heck, I just did it in Uncharted 3 a couple days ago. Someone should figure that out.

I really like the visual style of the movie too. It’s definitely a period piece, taking place in the 1940’s and all, but it’s also got a little futuristic part to it because of all the cool technology that Stark and Schmidt had invented. The contrast really worked for the movie. The effect of shrinking down beefcake Chris Evans into a scrawny kid actually worked better than I expected. I half expected it to be an awful, young Jeff Bridges from Tron thing, but they did it much better. There were times when the face didn’t fit that well, but for the most part it looked good. I also watched the special features and found out that sometimes it was just Chris Evans in the scene and they shrunk him digitally and sometimes they plastered his face onto a scrawny dude’s body. They also changed Cap’s outfit a bit, as they tend to do in movies, but it still had the classic look to it. It wasn’t nearly as drastic as the changes in the X-Men movies, where each of their distinctive outfits became black leather gear. In this movie, Cap’s normally weird outfit of a blue scaly top, red pirate boots, and wings on his helmet became something more practical with the same color schemes. And they threw in the old outfit as his propaganda costume just to show people how gay it would look.

I came to a realization in watching this movie. I really want to hate Chris Evans because he’s all in shape and handsome and whatnot, but I can’t. He’s an entertaining guy to watch. I don’t think I’ve ever seen him do an emotionally charged performance before, but I thought he was cool in Fantastic Four, Captain America, and Scott Pilgrim. He’s like Brad Pitt, but not as great an actor. I really want to hate them both, but I like their movies so I can’t. Hugo Weaving is also a badass. I had just been thinking the other day about people that have played so many awesome characters in movies and my best example was Hugo Weaving. He has Red Skull, Elrond in Lord of the Rings, V from V for Vendetta, Agent Smith in the Matrix, and he’s the voice of Megatron in Transformers. Tommy Lee Jones is also awesome in this movie. He doesn’t play it like the classic army guy that R. Lee Ermey made a staple. What he does do is play a pretty serious role that is always making snarky comments. My favorite was when Hayley Atwell kissed Chris Evans goodbye before he got on Red Skull’s plane and then he looked at Tommy Lee Jones and TLJ said “I’m not kissin’ you”. Good times. Hayley Atwell herself did a fine job but she was mainly there to have a love interest for Cap. I liked Sebastian Stan as Bucky, Stanley Tucci as the doctor, and Dominic Cooper as Howard Stark, but I don’t really have anything much to say about them.

Captain America is not a movie that will bring out tons of emotions in it’s audience, and I’m not sure they’re really going for that. What they seemed to want to make is a good times movie, and they did. The look was fantastic, the story was from the comics and was always great, but translated well, and the performances were all great too. I bought this movie on BluRay the day it was released and I believe this is a good enough movie to join any respectable movie collection, but in the very least, you should rent it. I’ll give this movie “I think it works” out of “I’m a captain!”

Hey, peeps. Why not rate and comment on this as a favor to good ole Robert, eh? And tell your friends! Let’s make me famous!

Coal Miner’s Daughter (1980)

I reckon I should ‘pologize right quick for the tone of this here review. After havin’ watched this here Coal Miner’s Daughter I am literally thinkin’ with a country drawl. This here’s a movie starring Sissy Spacek (That there girl who done got her period and then killed a heap of folks ’cause of some pig’s blood in Carrie) in the true story of country legend Loretta Lynn and her marriage to Doolittle “Doo” Lynn (Tommy Lee Jones, who’s that feller done got half his face all messed up in Batman Forever) and her introduction to music and rise to country stardom.

Now, if’n you’re like me, you became acquainted with Loretta Lynn from that one episode of Ghost Adventures where them boys done investigated her mansion fer ghosts, but apparently she’s sang a song and twanged a guitar a time or two as well. Now, I have no idear as to the symbolic meaning of the name of this here picture, but the movie starts with Loretta growing up in Kentucky, living with her father (who mines coal for a living), her mother, and a heap of other chirrens. Doo comes back from a war of some sort and goes to her town just a-hankerin’ for some underage poon tang. Here come Loretta – who everyone has for some reason decided to pronounce her name as Lorettie instead. Why would her folks mispronounce the name they done gave to their kin? I dunno. Well Doo buys this pie Lorettie made at this auction and that means she gotta sit a spell with him as he eats it. Well they start fallin’ in love and such and Doo eventually come after her parents fixin’ to marry her. Her parents don’t take a shine to that on account of her being newly 14 years old, but eventually they agree under two conditions: Never hit her and don’t go takin’ her away from home. So, promptly after their honeymoon night in some Motel 6, Doo sets into effect his first order of business: SLAP THAT BITCH! They break up for a spell and get back together to move to Warshington. Good work there, Doo!

The rest of the movie chronicles her and Doo gettin’ her all famoused up. He finds out she can sing, gets her a guitar (Just checkin’, but y’alls pronouncing that gee-tar, right?), gets her recorded, gets her on the radio, and helps get her famous. Then it gets to gettin’ to her head, she meets Patsy Cline (Beverly D’Angelo), and he gets all butt hurt.

Irregardless to the way I’m typing this here review, I feel it should be mentioned that I am not country in the slightest. Though I come from country stock, I was born and raised in Californie. And though my sister took back to her country roots, I didn’t. That being said, this here was one nice flick. I was totally invested in this girl’s story even though I barely knew who she was. The movie was far from “meh”. Sissy Spacek totally melts into the role of Lynn, as Tommy Lee Jones does his role of Doo. I reckon I ain’t the only one thinkin’ this way as I’m purdy sure Spacek done got one of them fancy Oscars for this or somethin’.

Jones, as I kinda talked on, was very good as Doo, which was not a part that was easy to like. I done told you that he slapped his missus, and he was kinda a dick as well. But he made him so real that you kinda like him somehow. I mean, he shouldn’t have hit that girl, but she was dumb as a stump in some parts and kinda had that comin’. But also, he’s the one that made Lorettie get all famoused up, so he can’t be all bad.

So what I is gettin’ at is, even though I’m not country and this here movie’s 3 years older than I am, y’all need to get your peepers on this movie. It ain’t common for me to come across a movie that gets itself a 100% on Rotten Tomatoes (or as we call it back in the hills, “good eatin’s!”) but I add my thumbs up to this movie. Out of 5, I give this movie a “YEEHAW!”.